検索キーワード： 死・悲嘆・喪失

This content is written in a poem format and tells the story of Black Americans and their journey from Africa to America.

The Gift of Surrender is a collection of poems and musings by Grandma Beth that explores the power and beauty of surrendering to life's challenges and transitions. Through poignant and heartfelt verses, Grandma Beth invites listeners to embrace the transformative process of letting go and trusting in the universe. From surrendering to grief and loss to surrendering to change and growth, this audiobook offers a compassionate and uplifting perspective on the art of surrender.

The Soul Knows These Simple Truths is a poetry audiobook that contains 101 poems across a wide variety of themes such as heartbreak, grief, loss, hope, faith, inspiration, philosophy, tragedy, and the healing power of art.

Wild Hope is Donna Ashworth's powerful new collection of wisdom to help us find hope, peace, self-acceptance and inspiration on the days we feel worn down, helpless or sad. Written with love and understanding, Donna reminds us that amidst our daily struggles and constant outpourings of bad news we have so much to hope for, and that every one of us can play a part, big or small, in making the world a better place.

Since its debut in 1998, In Our Time has amassed a dedicated following of more than 2 million listeners. Hosted by Melvyn Bragg, with a panel of guest experts, each show features a plethora of fascinating facts and inspirational discourse on topics ranging from democracy to dark matter. This specially curated collection celebrates the rich diversity of poetry in English, focusing on 25 major works and writers from the mediaeval era to the 20th Century.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

“Il libro della follia” è la prima traduzione integrale in italiano di "The Book of Folly", che Anne Sexton diede alle stampe nel 1972. Lo stile confessionale che aveva reso celebre l’autrice, fruttandole nel 1967 il premio Pulitzer, giunge qui alla piena maturità trasformandosi nell’allegoria di un Gran Teatro psichedelico. La Signora Benestante che scrive occasionalmente versi rispettando le forme metriche lascia il posto, definitivamente e consapevolmente, al personaggio della Poetessa Martire della società benpensante e all’aspirante suicida, in un rovesciamento parodico dei valori patriarcali.

In the cold seminal countryside of eastern Washington, a boy puts a bullet through his skull in a high school parking lot. An uncle crushes oxycodone into “a thousand red granules.” Hawks wheel above a dark, indifferent river. “I left that town / forever,” Holbert writes, but its bruises appear everywhere, in dreams of violent men and small stars, the ghosts of friends and pills. These poems incite a complex emotional discourse on what it means to leave—if it’s ever actually possible, or if our roots only grow longer to accommodate the distance.

Acclaimed novelist Susannah Dickey turns to poetry in emphatically striking style via a true crime podcast with this, her debut collection. Isdal is comprised of three parts, the first a very funny poetic stalking of the flirty co-presenters of a podcast about a long-unsolved murder mystery, as they ruminate over meagre evidence and reach, well, very few conclusions. It is crafted in Dickey’s intellectually agile and witty rhyming style. At the centre of the book is a prose philosophical enquiry into our perennial obsession with female victims, ‘sexiness’, and death.

This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001.

Celebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give listeners new and old a lasting collection of favorites.

Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

Sämtliche Gedichte von Egon Schiele – lernen Sie die andere Seite des Genies kennen. Die kurzen Skizzen, meist einfache Sätze mit starker Suggestionskraft, kreieren eine Atmosphäre des Malerischen. Verstärkt wird dieser Eindruck durch die häufige und gezielte Verwendung von Farbadjektiven. Wenn Schiele schreibt, trennt er sich nicht von der Malerei, er versucht – im Gegenteil – seine Worte „rollrundschwarzglänzend“, „zittergün“ oder „rot“ anzumalen.