検索キーワード： 制作 "Audible Studios" ラテンアメリカ

Sono migliaia le sudamericane arrivate negli ultimi anni in Italia per lavorare come badanti e collaboratrici domestiche. Hanno lasciato la famiglia oltreoceano e promesso a mariti e figli di tornare presto, ma spesso il rientro in patria, anche solo per una vacanza, è difficile sia per i costi del viaggio sia per la mancanza di un regolare permesso di soggiorno in Italia. È questa la situazione di Lita, che ha lasciato in Bolivia le figlie ancora bambine, affidandole alla nonna. Quattro anni sono lunghi: le figlie crescono sentendosi abbandonate, soprattutto la maggiore.

Nel 1961 il poeta Homero Aridijs incontra per strada una povera disgraziata che vende per due lire vecchie cartoline, vecchie immagini di sé giovane, nuda, bellissima. I suoi occhi verde smeraldo brillano ancora e il poeta la riconosce: è Carmen Mondragon, in arte Nahui Olin, la più bella donna di Città del Messico quando a Città del Messico c'erano le più belle donne del mondo. Negli anni venti e trenta. Negli anni della rivoluzione, di Emiliano Zapata e di Pancho Villa.

Gli alberi che non hanno radici sono gli abitanti di Ensenada de Barragán, il paese argentino dove arrivano, partono, ritornano emigranti di diverse generazioni, provenienti soprattutto dall'Istria italo-croata. Ma non si tratta di sradicati, perché non si sentono strappati alla loro terra, piuttosto animali randagi che amano ogni luogo in cui sostano, per breve tempo, a lungo o per sempre, aperti a nuovi incontri, mescolanze, congedi. Questo universo gagliardo e malinconico è pieno di personaggi e di storie comiche o tragiche, sempre epicamente vissute come radicali svolte di vita.

La heredera de una gran hacienda de Yucatán y un arqueólogo inglés. La sombra mágica del jaguar. Dos cadáveres, una ciudad perdida y un misterio por resolver.

In this "devastating debut" (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between.

Álex Ayala escribe acerca de unos jubilados que cumplen heroicamente su última misión en la vida: vigilar una estatua de John Lennon para que nadie robe sus características gafas. Y también lo hace sobre los habitantes de un pueblo de Bolivia que comercian con sus recuerdos sobre las últimas horas de vida del Che Guevara. En otro capítulo se habla del sastre Sillerico, quien ha gozado del dudoso honor de ver en paños menores a la mayoría de los presidentes de su país.

Tras terminar sus estudios de arquitectura en Europa, Lavinia regresa a Latinoamérica para emprender su camino como mujer independiente. Pero sus planes cambian cuando conoce a Felipe, con quien establece una profunda relación sentimental. A su lado le llega la oportunidad de implicarse en las luchas populares y los movimientos de liberación de la dictadura de su país, conectando de ese modo con Itzá, una indígena que luchó contra los invasores españoles y que ahora despierta reencarnada en un naranjo para acompañar, apoyar e inspirar a Lavinia.

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: Wilfredo J. Burgos Matos, Ernesto Quiñonez, Mayra Santos-Febres, José Rabelo, Luis Negrón, Yolanda Arroyo Pizarro, Ana María Fuster Lavín, Janette Becerra, Manolo Núñez Negrón, Tere Dávila, Edmaris Carazo, Alejandro Álvarez Nieves, Charlie Vázquez, and Manuel A. Meléndez. Translated by Will Vanderhyden.

Casi siempre, Puerto Rico se nos presenta como una isla rodeada de playas de arena clara, casinos, hoteles de lujo; un lugar para el descanso y el placer. Es la isla que satisface todos los sentidos y todos los apetitos.

Lucas (the son of farmers) and Ignacio (a descendant of the Barí indigenous people) enter the seminary out of a desire to help others and to get an education. Their visceral love story undergoes stages of passion, indifference, rage, and a final commitment to stay together until the end of their lives. Working in a community largely composed of people displaced by the war, Ignacio stumbles upon the horrifying story of the false positives, which will put the lives of the two men in grave danger.

Centuries have passed since the Communist Federation defeated the capitalist Empire, but humanity is still divided. A vast artificial-intelligence network, a psychiatric bureaucracy, and a tiny egalitarian council oversee civil affairs and quash “abnormal” attitudes such as romantic love. Disillusioned civilians renounce the new society and either forego technology to live as “primitives” or enhance their brains with cybernetic implants to become “cybos”.

Javier Estrada is the king of Mexico. Evil. Twisted. Psychopathic. A cruel madman with a killer smile. And he is my boss. My duty is to blend in, clean his home, and not make a peep. I’ve done my job well for years. I've embedded myself so deep in his world, he’s never going to get me out. But I am this king’s worst nightmare. Bad men like him took everything away from me. I will never forget. He will pay for the sins of many. I’ll just bide my time - watching, waiting, calculating - until the time is right. When I strike, he won’t know what hit him.

A writer resembling Zoé Valdés - a Cuban exile living in Paris with her husband and young daughter - is preparing a novel on the life of Dora Maar, one of the most promising artists in the Surrealist movement, until she met Pablo Picasso. The middle-aged Picasso was already the god of the art world's avant-garde. Dora became his lover, muse, and ultimately, his victim. She became The Weeping Woman captured in his famous portrait, the mistress he betrayed with other mistress-muses, and their affair ended with her commitment to an asylum at the hands of Picasso's friends.

When their grandfather goes missing, teenage Santiago and seven-year-old Izzy fear being separated. In order to raise his little brother, Santiago sacrifices a scholarship to Duke and often outwits Immigration Control. But when Izzy fights a classmate, Santiago struggles to teach him that real men avoid violence - without revealing his secret: to provide for him, he has joined MS-13, America's most dangerous gang.

Past skeletons have a way of resurfacing despite our most diligent attempts to bury them away. Thirty years have elapsed since Adán and Eva reveled in their first love amid 1980s union strife in the Mexican port of Tampico. Flash forward to the present. Tampico is engulfed in yet another war, this one brought on by the drug trade. The former lovers find their way into each other’s arms again as the setting shifts from Los Angeles to Washington, DC, New York to Costa Rica and the Guatemalan jungle.

¿Qué sucede cuando un hombre que lleva 30 años recordando su primer amor se reencuentra con la mujer que lleva 30 años intentando de olvidarlo? Desde las luchas sindicales de los años 80 en el puerto de Tampico a la violencia que aflige al pueblo mexicano en la actualidad, esta historia de equívocos, sospechas, secretos, asesinatos, amor y odio determinará las vidas de dos seres muy dispares a los que el destino se empeña en unir contra toda circunstancia

In his best-selling A Planet for Rent, Yoss pays homage to Ray Bradbury's The Martian Chronicles and 334 by Thomas M. Disch. A critique of Cuba in the 90s, after the fall of the Soviet Union and the dissolution of the Warsaw Pact, A Planet for Rent marks the debut in English of an astonishingly brave and imaginative Latin American voice.

A Legend of the Future by Agustín de Rojas, the father of Cuban science fiction, takes place inside a spaceship on a mission to Titan, one of Saturn's moons, while back on Earth, warring super powers threaten the fate of humanity. When the ship malfunctions on the return journey, the crewmembers must face their innermost fears amidst experiments in psychological and emotional conditioning and aliens that may or may not be real.

Revenge and murder define Ximena Godoy's story. Her lifetime spans the first half of the 20th century, a transformative time of revolution, economic depression, uprooting, and migration. During that time she witnesses and participates in an era of revolution, bootlegging, dance halls, as well as evolving rules that determine women's lives in both Mexico and America. Never a traditional or conventional woman, Ximena Godoy shatters rules that govern her Mexican heritage and even those of a wider world.

Juan Felipe Herrera, the first Latino Poet Laureate of the United States and son of Mexican immigrants, grew up in the migrant fields of California. Exuberant and socially engaged, reflective and healing, this collection of new work from the nation's first Latino Poet Laureate is brimming with the wide-open vision and hard-won wisdom of a poet whose life and creative arc have spanned chasms of culture in an endless crossing, dreaming and back again.