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Queste 100 citazioni mirano a fornire l'accesso a un'opera o a una vita eccezionale, attraverso una selezione dei pensieri più eclatanti, in un formato accessibile a tutti. Una citazione è più di un estratto di un'affermazione, può essere un colpo di mente, una sintesi di un pensiero complesso, una massima, un'apertura a una riflessione più profonda.

It is a well-established truth that convenient scapegoats will always appear when it is the least convenient. Brimming with high-styled wit and well-tailored jocularity, Wilde’s symphonious comedy of errors is a satisfying delight. Freely adapting Wilde’s play for the audiobook format, BJ Harrison presents a tale that is wildly entertaining while remaining true to the original material.

The most renowned and wittiest of Oscar Wilde's comedies, The Importance of Being Earnest ridicules Victorian sensibilities and is still strikingly relevant to this day. This full-cast audio adaptation featuring Tim Brooke-Taylor as Lady Bracknell is unique yet at the same time reassuringly familiar, with wonderful performances from the Offstage Theatre Group.

Anne Kingsmill was born in April 1661 (an exact date is not known) in Sydmonton, Hampshire. Throughout her life, Anne was involved in several Court cases that dragged on for years. These involved both a share of her parent’s estate for her education and later her and her husband’s share of an inheritance. In 1682, Anne became a maid of honour to Mary of Modena (wife of James, Duke of York, and later King James II) at St James’ Palace. Anne's interest in poetry began at the palace, and she started writing her own verse.

There is a day in March when people of Irish descent, in whole or part, and those who just wish to partake of the Shamrock Isle’s legendary hospitality, come together the world over to celebrate the world’s most popular national festival: St Patrick’s day. That day is March 17th, the traditional anniversary of his death in 561. Saint Patrick is the patron saint of Ireland and is acknowledged as the one who brought Christianity to its shores and drove out the snakes.

The beautiful island of Ireland has endured a history that is pock-marked with struggle and oppression, with religious division and self-serving administrations. It has sacrificed its youth in wars, its generations in famines and emigration, but it has never forsaken its calling that Ireland is a beacon of dignity, humanity and a home for words and literature of every description. Across the centuries, whatever its joys or torments, its poets have assembled verse that speaks from its soul.

The office of Poet Laureate goes back many centuries - informally to the time of Geoffrey Chaucer in 1389 and followed thereafter by a number of ‘volunteer laureates’. It was formally assigned to Ben Jonson in 1617 and, as a Royal office by letters patent in 1670, to John Dryden. It is a rich, rewarding history that bursts with the words, themes and visions of many great poets that has bound poetry and poets to a nation's soul.

The Caroline era was dominated by the growing religious, political and social conflict between the King and his supporters; the Royalists and it's Puritan opposition; the Roundheads. In contrast to the wars raging across Europe at the time, the Caroline period in Britain was an uneasy peace, as a dark shadow of civil conflict between the King and Parliament worsened toward the latter part of Charles’ reign. Whilst theatre unquestionably fell from its glittering peak achievements of William Shakespeare and Ben Jonson, in poetry the standard was perhaps only just shy of this bar.

The ships of Europe explore the globe. The Age of Mercantilism sets the stage for centuries to come. The Reformation is underway, and scientific thinking begins to challenge the Church even as nation falls upon nation. In the Americas and Asia, ancient empires clash. Cultures resonate and express themselves with the fruit of the Ottoman, Safavid, Moghul and Chinese expansion. In England, the Elizabethan age of Shakespeare, Marlowe, Donne, Jonson and Spenser dawns.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England, the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

From 1413-1415 the butcher’s guild, otherwise known as the “White Hoods” of Paris, kept that city in a state of near anarchy. With a mad king, a virtual civil war between the houses of Orleans and Burgundy, and King Henry V of England claiming the French throne, there is plenty of opportunity for Guy Aylmer, a squire to Sir Eustace de Villeroy, to show his mettle in many a skirmish, finally winning his spurs at the lopsided victory of the English over the French at the Battle of Agincourt on October 25, 1415.

Lewis Dodd, a young, troubled composer, arrives at “Sanger’s Circus”, a wild gathering consisting of precocious children, a slovenly mistress, and an assortment of hangers-on in the Austrian Alps overseen by the eccentric Albert Sanger, a composer himself. Tessa, Sanger’s lively 14-year-old daughter, falls in love with their handsome visitor. After Albert’s death leaves Tessa and her siblings penniless, they must implore extended family members for assistance. Florence, Tessa’s 28-year-old cousin, graciously steps in to help and she falls in love with Lewis.

After the tragic loss of his wife, Helen, Luke Hansard is desperate to keep her memory alive. In an effort to stay close to her, he reaches out to an online friend Helen often mentioned: a reclusive photographer with a curious interest in beautiful but broken objects. But first he must find her - and she doesn’t want to be found. Orla Kendrick lives alone in the ruins of a remote Suffolk castle, hiding from the haunting past that has left her physically and emotionally scarred.

Peter Sellers, rightly regarded as a comic genius, lived a life full of success and excess - fuelled by indulgence and wild mood swings. Dying at an early age in 1980, Sellers left no autobiography, no revealing record of his life and feelings. This audio play aims to fill that gap.

William Morris was born in Walthamstow, London, on 24 March 1834 and is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856. Morris' fascination with the ancient Germanic and Norse peoples dominated his writing, and he was the first to translate many of the Icelandic sagas into English. He also published limited-edition illuminated style books, with his design for The Works of Geoffrey Chaucer standing out.

This is the collected BBC radio productions of the internationally renowned playwright Tom Stoppard. One of the giants of British theatre, Sir Tom Stoppard has been writing for the stage and screen for over 50 years. Full of wit, verbal brilliance and big ideas, his plays appeal to critics and audiences alike and are among the most studied works of the last century.

Lady Isabel Carlyle leaves her husband and children for the aristocratic Francis Levison, who, as it turns out, has no intention of marrying her. Having been disfigured in a train accident, the unrecognizable Isabel then takes up the position of governess to her own children in the Carlyle household, with tragic consequences.

Piers Plowman, William Langland's visionary medieval work about one man's quest for the true Christian life, is an allegorical journey through dream visions and visions within dreams. During the course of his journey, the narrator (William Langland) meets Piers Plowman, who gradually reveals himself to be the son of God. Through Piers, William learns of the virtues in poverty, the temptations of wealth, and of the perfect society that is to come under the rule of Piers Plowman.

1984. Bessie is a confident sixteen-year-old girl with the world at her feet, dreaming of what life will bring and what she’ll bring to this life. Then everything comes crashing down. Her bright and trusting smile is lost, banished by shame - and a secret she’ll carry with her for the rest of her life. 2021. The last thirty-seven years have not been easy for Bess. At fifty-three she is visibly weary, and her marriage to Mario is in tatters. Watching her son in newlywed bliss - the hope, the trust, the joy - Bess knows it is time to face her own demons.

At thirty-three, nurse Heather is desperately waiting for her romantic life to begin. Then she meets handsome, strong Anthony and is sure she’s found the one. Brushing any doubts aside, she projects all her hopes for true love onto him. Meanwhile, at a yoga retreat in Spain, happy-go-lucky Joe can’t believe his luck when he meets vivacious, witty Amy. She’s the sharpest, most beautiful woman he has ever dated, and the fact that she’s interested in him feels like a dream come true.