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Few American television series are as deeply entrenched in twentieth-century popular culture as M*A*S*H, a Korean War medical comedy characterized by its dark tone and finesse in tackling serious social and political issues. By the end of its run, M*A*S*H had been a mainstream hit for several seasons and won fourteen Emmys, leading it to be called, "the most popular pre-Seinfeld series in television history." In this comprehensive study of M*A*S*H, David Scott Diffrient analyzes the series' contextual issues such as its creation, reception, and circulation as well as textual issues like its formal innovations, narrative strategies, and themes.

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers' psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films' directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film.

Reflections on life and reviews of movies.

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA's public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA's role in Hollywood.

One of the most innovative comedic programs to air on television, Monty Python’s Flying Circus was a mix of the carnivalesque and the critical. The show has become famous for eschewing many of the conventions of situation comedy, the fully formed and coherent script, narrative closure, predictable characters, and the decorum associated with presentation.

The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present.

Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation.  

James Gandolfini: The Real Life of the Man Who Made Tony Soprano is the first biography of the actor, who died in June 2013 at age 51, widely recognized as one of the best - and most defining - actors of his generation. The audiobook, as performed by Gandolfini's Sopranos co-star John Ventimiglia (Artie Bucco), is informed by fresh interviews with Sopranos actors, HBO executives, the star’s acting teachers and coaches, his childhood friends, buddies from his days as a nightclub bouncer, and Hollywood figures including the directors of his posthumously released films.

Today, the name Clint Eastwood conjures up many different and unforgettable images. While many will always associate him as the quintessential Western hero in classics like The Good, the Bad, and the Ugly, new generations know him as a critically acclaimed director and even an outspoken conservative firebrand.

Dana Andrews (1909-1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films.

In the past 10 years, the Internet video platform YouTube has changed media and entertainment as profoundly as the invention of film, radio, and television did more than six decades earlier. Streampunks is a firsthand account of this upstart company, examining how it evolved and where it will take us next.

For seven decades Katharine Hepburn played a leading role in the popular culture of the 20th century, reigning as an admired actress, a beloved movie star, and a treasured icon of the modern American woman. She also remained one of the most private of all the public figures of her time.

Only a select few actors become international stars in their time, but none had as unique a career as Charlie Chaplin. Chaplin was the first true film star, and he managed to do so even when films were still silent. He has been honored with too many awards to count, and the fact that his name remains instantly recognizable nearly a century after his first film is a testament to his influence.

The Watergate scandal began with a break-in at the office of the Democratic National Committee at the Watergate Hotel on June 17, 1971, and ended when President Gerald Ford granted Richard M. Nixon a pardon on September 8, 1974, one month after Nixon resigned from office in disgrace. Effectively removed from the reach of prosecutors, Nixon returned to California, uncontrite and unconvicted, convinced that time would exonerate him of any wrongdoing and certain that history would remember his great accomplishments—the opening of China and the winding down of the Vietnam War.

Game of Thrones, book and show alike, is spun from classic myth, from the tales of Robin Hood and King Arthur to the Norse Ring Cycle and saga of Ragnarok. Above all these human adventures soar Daenerys' dragons adapted from the dragons, wyverns, and wyrms of Western bestiaries. But what about the merlings, seal folk, wargs, greenseers, grumpkins, and snarks: Which mythologies created them?

Marilyn Monroe’s image is so universal that we can’t help but believe that we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety - and the way the camera fell helplessly in love with her. But what of the other Marilyn? To confront the mounting difficulties of her life, she wrote.

On November 4, 1979, Iranian militants stormed the American embassy in Tehran and captured dozens of American hostages, sparking a 444-day ordeal and a quake in global politics still reverberating today. But there's a little-known footnote to the crisis: six Americans escaped. And a midlevel agent named Antonio Mendez devised an ingenious yet incredibly risky plan to rescue them. Armed with foreign film visas, Mendez and an unlikely team of CIA agents and Hollywood insiders traveled to Tehran....

Una trentina d'anni fa negli Stati Uniti si scopriva che spingendo una DeLorean a 88 miglia orarie, senza dimenticare di azionare il flusso canalizzatore, si poteva coronare un vecchio sogno dell'uomo mai tramontato, quello del viaggio nel tempo. Il 3 luglio 1985 era infatti arrivato nelle sale americane il primo capitolo della saga Back to the Future, una delle trilogie cinematografiche più amate degli ultimi anni.