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Wonderfully narrated by Karen Chilton, Afrofuturism is an engaging, hip, and accessible primer to the music, literature, and art of Afrofuturism. Author Ytasha Womack introduces listeners to the burgeoning community of artists creating Afrofuturist works.

As NASA prepared for the launch of Apollo 11 in July 1969, many African American leaders protested the billions of dollars used to fund "space joyrides" rather than help tackle poverty, inequality, and discrimination at home. This volume examines such tensions as well as the ways in which NASA's goal of space exploration aligned with the cause of racial equality. It provides new insights into the complex relationship between the space program and the civil rights movement in the Jim Crow South and abroad.

We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity-center walls. But even those who are inspired by Lorde’s teachings on “the creative power of difference” may be missing something fundamental about her life and work, and what they can mean for us today. Lorde’s understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation.

A Southern Underground Railroad constitutes a powerful counter-narrative in American history, a tale of how enslaved men and women found freedom and human dignity not in Jefferson's "Empire of Liberty" but outside the expanding boundaries of the United States.

In Washington D.C., during his 1963 “I Have A Dream” speech, Dr. Martin L. King Jr. introduced the world to his dream. The passion of his dream was so intense that it still echoes throughout the World. With a dream big enough to influence listeners for over four decades, do you ever wonder what became of the children of the dream? The Native African American Cultural Development Guide answers this question and offers much more to its listener.

Savannah Shange explores the potential for reconciling the Robeson Justice Academy's marginalization of Black students with its sincere pursuit of multiracial uplift and solidarity. Drawing on ethnographic fieldwork and six years of experience teaching at the school, Shange outlines how it fails its students and the community because it operates within a space predicated on antiblackness. Seeing San Francisco as a social laboratory for how Black communities survive the end of their worlds, Shange argues for abolition over revolution or reform as the needed path toward Black freedom.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

The forgotten story of a criminal trial that brought national attention to a young defendant named Rev. Martin Luther King Jr. as told by Fred D. Gray, Dr. King’s lawyer and friend, along with New York Times bestselling authors Dan Abrams and David Fisher. The audiobook concludes with an exclusive conversation between Fred Gray and Dan Abrams.

From the introduction of the game of basketball to Black communities on a wide scale in 1904 to the racial integration of the NBA in 1950, dozens of African American teams were founded and flourished. This period, known as the Black Fives Era (teams But this period is almost entirely unknown to basketball fans. Claude Johnson has made it his mission to change that. The Black Fives is the result of his work, a landmark narrative history that braids together the stories of these forgotten pioneers and rewrites our understanding of the story of basketball.

A powerful, incisive reckoning with the impacts of school desegregation that traces four generations of the author’s family to show how the implementation of integration decimated Black school systems and did much of the Black community a disservice.

They Came Across South Mountain is a love story of four generations of one family, free people of color surviving the holocaust of slavery and Jim Crow America. The book was written by Elayne Bond Hyman and designed and crafted in collaboration with Sarah Matthews.

Throughout history and the present, inspiring and encouraging words from black people are like music to our souls when we become tired or distressed. The contribution and sacrifice of black people of the past and present are relevant, as we continue to fight inequality, racism and police brutality. Music or words in melodic form has always lifted black people when slave master's whip comes out, or when white mobs slaughter and murder innocent black people without remorse.

In Dr. J. Bruce Stewart's transformative work, "The Race Ahead," listeners are taken on a compelling journey into the depths of racial bias ingrained in American society and the mind itself. This groundbreaking book not only diagnoses the presence and origins of racial biases but also prescribes a sophisticated blueprint for eradicating them, aimed at rewiring how we perceive and interact across racial lines.

The police murders of two Black men, Philando Castile and George Floyd, frame this searing exploration of the historical and fictional narratives that white America tells itself to justify and maintain white supremacy. From the country's founding through the summer of Black Lives Matter in 2020, David Mura unmasks how white stories about race attempt to erase the brutality of the past and underpin systemic racism in the present.

Impassioned antislavery rhetoric made antebellum Boston famous as the nation’s hub of radical abolitionism. In fact, the city was far from a beacon of equality. In No Right to an Honest Living, historian Jacqueline Jones reveals how Boston was the United States writ small—a place where the soaring rhetoric of egalitarianism was easy, but justice in the workplace was elusive. Highlighting the everyday struggles of ordinary Black workers, this book shows how injustice in the workplace prevented Boston—and the United States—from securing true equality for all.

I Was Born in the Forest encapsulates the freedom struggle of Africans brought to the Americas in the bowels of slave ships from Congo, Angola, and other parts of Central Africa. In the seventeenth century, many defied the odds by escaping and establishing Afrocentric communities in the mountains in Brazil. Palmares, the most notable among them, existed from 1605 to 1694.

During the Great Migration, Black Americans led a mass exodus out of the South. But not all that glittered in the imagination was gold in the real world across the Mason-Dixon line. They contended with dim economic prospects and sparred with white labor unions. They also struggled to assimilate into established Black communities. Nevertheless, these 6 million Black migrants left an indelible mark on life in the United States. How the Great Migration Changed America explores the causes and consequences of the Great Northward Migration in 12 eye-opening lectures.

La definizione di saggio per le opere non narrative di Baldwin è certamente impropria. Baldwin è un artista, prima di essere un intellettuale, e il suo appassionante confronto con la realtà americana è opera di uno scrittore. Fanno da legame le immagini, le intuizioni, le facce e la sequenza di emozioni e impressioni, piuttosto che l’organizzazione delle idee, perché Baldwin è sempre più impegnato, nei saggi come nei romanzi, a raccontare una storia. Pubblicato per la prima volta nel 1963, La prossima volta il fuoco di James Baldwin colpisce dritto al cuore della cosiddetta “questione nera”.

This book describes the concentration of poor, unskilled people around the downtowns of big cities, compares them to slaves of 1650-1865, and suggests some remedies. It puts the blame on socialists running the United States of America.

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones’s right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?” Now a prizewinning scholar of Black history, Jones delves into her family’s past for answers.