検索キーワード： 著者 "Charlotte MacLeod" すべてのカテゴリー

According to Max Bittersohn, he and Sarah Kelling have witnessed enough murder and unhappiness, so it's high time they got married. And though Sarah hasn't yet agreed to such drastic measures, she invites Max to summer with her at Ireson's Landing. But they haven't been in the house ten minutes when they stumble upon summer's first mystery - a mint-condition, antique Spanish mirror that is tremendously rare and valuable.

Janet Rhys is driving through the backwoods of Canada when she sees the truck ahead of her lose control, smash into a snow bank, and flip sideways, completely blocking the road. Springing to action, she darts into a nearby barn, searching for something to use to rescue the person trapped inside. When she hears an explosion, Janet returns to find the truck is nothing but smoking wreckage, and the driver has stolen her car.

The angry old men of the Comrades of the Convivial Codfish club celebrate yuletide eating, drinking, and greeting the season of giving with a spirited "bah, humbug". Though well past 60, Jem Kelling is a relative infant compared to some of the club's elder statesmen, and he has waited decades to host their annual Christmas scowl. And during his first evening as Exalted Chowderhead, he is thrilled to find the wine abundant, the chowder superb, and the humbugs as lusty as ever. But as the night winds down, Jem is horrified to find that the ceremonial Codfish necklace has vanished.

Though the inheritance from her dearly departed Alexander was meant to set Sarah Kelling up for life, it vanishes quickly in the face of hounding from charitable organizations and the IRS. Facing the loss of her stately Back Bay brownstone, Sarah opens her home to lodgers - deciding she prefers a boardinghouse to the poorhouse. Soon she is cooking meals and serving tea for a cast of quirky residents, a cozy little family that would be quite happy were it not for the unpleasant presence of a certain Barnwell Augustus Quiffen.

Although he is a decorated officer of the Mounted Police, Madoc Rhys' tin ear has long been an embarrassment to his musically fixated family. But when his father's orchestra needs a policeman, the Mountie gets a chance to make daddy proud. It began as pranks among the brass instruments, but something is rotten inside the Wagstaffe Symphony, and is about to graduate to something criminal. Called in to look into the tensions within the group, Madoc arrives just in time to see the French horn player keel over.

For all the Kellings' quirks, no other family in Boston is more adept at throwing a wedding. So when Max Bittersohn's wife, Sarah Kelling, offers to organize his nephew's nuptials, Max is smart enough to stay out of her way. But when the art-fraud investigator stumbles onto a family mystery, he is drawn into something far more serious than the question of who will catch the bouquet. Stolen years earlier, the priceless Kelling jewels were last seen in Amsterdam, so how did they end up among the wedding gifts?

When the doddering patrons of the Wilkins Museum learned that dozens of their priceless masterworks had been stolen and replaced by forgeries, there was no one to turn to but Sarah Kelling and Max Bittersohn - the savviest art detectives of the Boston upper crust. Nabbing the crooks was easy, but finding the missing paintings has proven trickier. Years later, the collection's prized Titian is still lost, and the new director, loudmouthed cattle baron Elwyn Fleesom Turbot, is getting impatient.

If she weren't so fabulous, the Countess Lydia Ouspenska might be considered a gangster's moll. The last time she met Max Bittersohn, Boston's famed art-fraud investigator, she was forging minute Byzantine masterpieces to make ends meet. But when Max bumps into her on the Common, the Countess is back on her feet. She has taken up with Bartolo Arbalest, a master forger currently masquerading as an art restorer. And as Bittersohn knows all too well, even the most genteel fraudster cannot be trusted.

Though a few years past 60, Sarah Kelling's aunt Emma is as vigorous as a girl of 22. She sings, she dances, and when the local fire department needs a fundraising boost, she's happy to jump out a window for charity. This summer, she decamps to Maine, to beat the heat at an island retreat for artists and great thinkers. There are writers, painters, a psychic, and a historian, and their company promises to be great fun - until a few of them go treasure-crazy.

Sarah Kelling and her husband, Max Bittersohn, have made names for themselves tracking down stolen paintings, sculptures, and, when necessary, the occasional murderer. But this is the first time they have been asked to find a missing Rolls Royce. When Bill Billingsgate's prize 1927 New Phantom disappears, they head for his estate on the Massachusetts coast, arriving - to their horror - just in time for Billingsgate's annual Renaissance fair.

Boston and its suburbs are stuffed with Kellings, and the city is about to get one more. Sarah Kelling and her husband, Max Bittersohn - a pair of amateur sleuths equally at home in back alleys as they are at black-tie balls - are about to have a baby. And if the child takes after his parents, he will be one of the cleverest infants in New England. But while Sarah is a month away from giving birth, she cannot let pregnancy slow her down - she has a murder to solve.

Producing a Gilbert & Sullivan opera requires a special kind of madness, and the Kelling family is large enough and peculiar enough to undertake an entire company by themselves. For years now, Sarah Kelling's aunt Emma has supervised these annual productions - from The Pirates of Penzance to The Mikado - and this year she has invited her cast of relatives to rehearse The Sorcerer in her stately mansion. The show is nearly ready when a team of burglars drugs the cast and crew to make off with a priceless portrait.

It has only been a few months since Sarah Kelling's elderly husband passed away, and she is struggling to adapt to life as a penniless young widow. To make ends meet, she converts her stately Boston home into a boardinghouse, a decision that brings something even better than money: the company of art-fraud-investigator Max Bittersohn. The budding couple is standing on a balcony, recovering from a second-rate concert at a third-rate museum, when something plummets past them. The museum has been robbed, and a guard has fallen to his death.

Like many old New England families, the Kellings live to die. Although their family vault is spacious and comfortable, it will not do for Sarah Kelling's great-uncle Frederick. In his will, he demands to be buried inside the ancient family tomb at Boston Common, which hasn't admitted a new member in more than a century. But when the Kellings crack the old vault's door, they find a recently built brick wall - and behind it lays a surprisingly fresh corpse, a skeleton with rubies in its teeth.

Although he towers over his neighbors, Jim Feldster is otherwise unremarkable, except for his mastery of cow milking and his membership in every lodge, rotary club, and brotherhood that Balaclava County has to offer. And anyone who's met his wife, Mirelle, a vicious gossip with a hysterical streak, can understand why he never misses a meeting. But one night their neighbors, the sleuthing academics Peter and Helen Shandy, wake at 2:47 a.m. to the sound of Mirelle screaming.

Massachusetts horticulturalist Peter Shandy is famous for his rutabagas, but he comes to Maine with a loftier plant in mind. Specifically, he wants to size up the world-renowned lupines of Frances Rondel, a nonagenarian whose legendary flowers are even more beautiful in life than they are in myth. Shandy is bitterly jealous but finds a major distraction in the dining room of the country inn where he's staying. He may grow wretched lupines, but no gardener can solve a murder like Peter Shandy.

Emory Emmerick comes to Balaclava Agricultural University as a scout for a television station. Although the faculty and students are hardly ready for prime time, Emmerick's interest is in environmental programming - a subject that inspires even the driest Balaclava professor to wax poetic. In his search for material, Emmerick joins Peter Shandy and a few of his colleagues on the annual owl count.

The weather vanes of the famous craftsman Praxiteles Lumpkin are one of the great cultural treasures of rural Massachusetts. Helen Shandy, librarian at Balaclava Agricultural College, is roaming the countryside, camera in hand, capturing images of these lovely copper sculptures, trying to give them the attention they deserve. But each time she takes a picture, the featured vane vanishes.

The rural town of Balaclava greets Groundhog Day as an excuse for one last cold-weather fling. The students and faculty of the local agricultural college drink cocoa, throw snowballs, and when the temperature allows, ice skate. But Oozak's Pond is not quite frozen this year, and as the celebrations reach their peak, the students see someone bobbing through the ice. Long past help, the drowning victim is badly decomposed and dressed in an old-fashioned frock coat with a heavy rock in each pocket.

The giant hogweed, a creeping menace known for crushing the life out of any plant foolish enough to get in its way, has put the hedgerows and pastures of the English countryside in jeopardy. Fishermen find their streams clogged, young lovers are caught with rashes in embarrassing places, and the English nudist colony has been all but exterminated. Only Peter Shandy, the famed horticulturalist responsible for the world's finest rutabaga, can save the day.