検索キーワード： ナレーター "Elena" すべてのカテゴリー

Trauma nurse Aly Cappellucci doesn’t need any more kinks. She likes the one she’s landed on just fine. To her, nothing could top the masked men she follows online. Unless one of those men was shirtless, heavily tattooed, and waiting for her in her bedroom. She dreams about being hunted by one in particular, of him chasing her down and doing deliciously dark things to her willing body. She never could have guessed that by sending one drunken text, those dreams would become her new reality.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

When I met Donovan Kincaid, I knew he was rich. I didn't know he was filthy. Truth be told, I was only trying to get his best friend to notice me. I knew poor scholarship girls like me didn't stand a chance against guys like Weston King and Donovan Kincaid, but I was in love with his world, their world, of parties and sex and power. I knew what I wanted - I knew who I wanted - until one night, their world tried to bite me back and Donovan saved me. He saved me, and then Weston finally noticed me, and I finally learned what it was to be in their world.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

The elves come for two things: war and wives. In both cases, they come for death. Three-thousand years ago, humans were hunted by powerful races with wild magic until the treaty was formed. Now, for centuries, the elves have taken a young woman from Luella's village to be their Human Queen. To be chosen is seen as a mark of death by the townsfolk. A mark nineteen-year-old Luella is grateful to have escaped as a girl. Instead, she's dedicated her life to studying herbology and becoming the town's only healer. That is, until the Elf King unexpectedly arrives... for her.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

There are many rules a priest can't break. A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God. I've always been good at following rules. Until she came. Then I learned new rules.

Charming, easygoing, and rich beyond belief, Xavier Castillo has the world at his fingertips. He also has no interest in taking over his family’s empire (much to his father’s chagrin), but that hasn’t stopped women from throwing themselves at him…unless the woman in question is his publicist. Nothing brings him more joy than riling her up, but when a tragedy forces them closer than ever, he must grapple with the uncertainty of his future—and the realization that the only person immune to his charms is the only one he truly wants.

Susan Abulhawa ha scritto un romanzo struggente che può fare per la Palestina ciò che il Cacciatore di aquiloni ha fatto per l'Afghanistan. Di vibrante realismo e inesorabilmente diretto alla verità, racconta con sensibilità e pacatezza la storia di quattro generazioni di palestinesi costretti a lasciare la propria terra dopo la nascita dello stato di Israele e a vivere la triste condizione di "senza patria". Attraverso la voce di Amal, la brillante nipotina del patriarca della famiglia Abulheja, viviamo l'abbandono della casa dei suoi antenati di Ain Hod, nel 1948, per il campo profughi di Jenin.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

He was gorgeous, older and guarded. I knew he was trouble from the moment we locked eyes. We met at work, on my first day as a barista. He smiled, I melted...then he tasted my coffee and threw it away. Again, the next day, and the next. He hated the coffee, yet still came back. I knew his game. He called my coffee death in a cup. I called him god’s gift to women. I wasn’t lying.

I personaggi di Ito Ogawa celebrano quasi tutti degli addii – il congedo dal mondo, dagli affetti più intensi, da un lungo rapporto d’amore, dai luoghi più cari – in compagnia di un cibo. Per un breve fugace momento, il cibo – una cena nel ristorante preferito, la zuppa di miso, i funghi matsutake, una granita gelata – lenisce la crudeltà dell’addio e restituisce il piacere della vita e le gioie del palato.

La condizione delle donne negli anni del femminismo, e quella degli ebrei e dello Stato di Israele; la bellezza e l’orrore di Roma, e la fragilità di una democrazia (la nostra) sempre sotto minaccia; alcuni scrittori da amare; alcuni film visti con l’occhio di scrittrice; le biografie di alcuni amici (Cesare Pavese, Felice Balbo); e poi, ancora, la nostra incertezza e la nostra necessità di scegliere; la memoria dell’infanzia, da decifrare, e la vita dei figli adulti, che suscita meraviglia e insicurezza. Questi trenta testi costituiscono il più multiforme e battagliero libro di Natalia Ginzburg.

They say that all men are created equal. Well, that’s a blatant lie! I know, because I met God's gift to women in Vegas; I pretended he was my husband to get rid of another man. He took our fake marriage seriously, and it became his personal goal to consummate. He spoke to me in French, and I lied to him in German. His laughter was addictive. But I thought what happens in Vegas would stay in Vegas. Until it didn't.

Este es un libro sobre la historia de los libros. Un recorrido por la vida de ese fascinante artefacto que inventamos para que las palabras pudieran viajar en el espacio y en el tiempo. La historia de su fabricación, de todos los tipos que hemos ensayado a lo largo de casi 30 siglos: libros de humo, de piedra, de arcilla, de juncos, de seda, de piel, de árboles y, los últimos llegados, de plástico y luz.

Research and studies have shown that the average Greek speaker only uses 500 to 1,000 words in total in their daily conversations. By focusing on the most frequently used words, you will become proficient and fluent much quicker, with less time and effort.

Hazel ha sedici anni, ma ha già alle spalle un vero miracolo: grazie a un farmaco sperimentale, la malattia che anni prima le hanno diagnosticato è ora in regressione. Ha però anche imparato che i miracoli si pagano: mentre lei rimbalzava tra corse in ospedale e lunghe degenze, il mondo correva veloce, lasciandola indietro, sola e fuori sincrono rispetto alle sue coetanee, con una vita in frantumi in cui i pezzi non si incastrano più.

A Izumi, trentacinquenne separata che ogni sera alla stessa ora rientra dal suo lavoro part-time, quando vede una ragazza pronta a lanciarsi sui binari. Chiyoko, così si chiama la ragazza, ha sul viso l’aria apatica di chi non ha ormai alcun rimpianto, eppure esercita un’inspiegabile attrazione su Izumi. A bordo di un vecchio pulmino Volkswagen, Izumi decide perciò di raggiungere insieme a lei un posto che ha la fama di possedere il cielo e le stelle più belli di tutto il Giappone.

Holt Sebastian is royalty in our world. As CEO of the Sebastian News Corp, he’s the man with all the power. The man who decides if I’ll always just be a local television anchor or if I’ll be the rising star of my own show.