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It is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident--an incident which changes the lives of everyone involved. Jackson Brodie, ex-army, ex-police, ex-private detective, is also an innocent bystander--until he becomes a suspect. With Case Histories, Kate Atkinson showed how brilliantly she could explore the crime genre and make it her own. In One Good Turn, she takes her masterful plotting one step further.

Sung in moments of personal isolation or on state occasions watched by millions, “Amazing Grace” has become an unparalleled anthem for humankind. How did a simple Christian hymn, written in a remote English vicarage in 1772, come to hold such sway in all corners of the modern world? With this short, engaging cultural history, James Walvin offers an explanation.

Arnold Landon steps out with his lady friend, hunting for relics on the deserted dig site where he works. Before long, they stumble on something under a bridge. The mangled remains of Arnold’s fellow historian. His chest gapes open, his insides arranged in a pair of bloody wings. Arnold’s no expert, but he knows a blood eagle when he sees one—the handiwork of a berserker warrior. Mad with blood lust and out for vengeance.

Orson Welles' 1938 radio adaptation of The War of the Worlds has done much to obscure the real brilliance of the original work. Written at a time when "science-fiction" did not exist as a genre, The War of the Worlds was a new departure in literature. Author H.G. Wells, deeply committed to social improvement in turn-of-the-century Britain, used extra-terrestrial invasion to predict the results of a not-entirely-impossible violent upheaval in contemporary society: for "Martians" read "bolsheviks."