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In a world that is often overwhelming, it’s time to return to the simple things, the AWESOME things, all around us...if only we take a moment to see them. Our Book of Awesome is an injection of joy, a heartfelt gift, and a smacking high five for humanity. Listen to it to be reminded of the endless AWESOME things that give laughter and happiness to our beautiful and brief lives.

Last summer, sixteen-year-old Will Burgess lost many of the people he loved most. Now he’s imprisoned in the Sunny Woods Rehabilitation Center, a facility for troubled youths. Separated from his surviving loved ones and terrified of a change inside him, Will is tormented by a new group of bullies and a sadistic government doctor. When his only ally, an orderly named Pierre, tells him there have been sightings of winged creatures with glowing red eyes, Will believes him.

Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point.

Varg has been granted his chance at a new life, but will he be up to it? Can he cope with the pressure of that chance? New enemies, friends, and problems will be along soon. It remains only for Varg to figure out who he fears most: his enemies, or his friends.

Are you a sociopath and dissatisfied with your life? Don't know what to do about it or where to begin? In that case, we have the solution.

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along—is herself.

Thirty years ago, the world ended. Giant electrovoric ants and pterodons came through a rift in space-time, millions of humans died, and that was that. Thirty years later, humanity has rebuilt … to an extent. Human ingenuity has provided some creative solutions to life without electricity, but most folks survive at the subsistence level, farming to keep themselves and their families fed.

Whether for philosophical, political, or health-related reasons, fasting marks a departure from daily routine. Based on extensive historical, scientific, and cultural research and reporting, The Fast illuminates the numerous facets of this act of self-deprivation. John Oakes interviews doctors, spiritual leaders, activists, and others who guide him through this practice—and embarks on fasts of his own—to deliver a book that supplies anyone curious about fasting with profound new understanding, appreciation, and inspiration.

Kyle Murchison Booth, archivist at the Parrington Museum, has heard of Thirdhop Scarp. Everyone has. The house has been notorious ever since the night that homeowner J. A. Cathcart murdered his entire family, and was found cupping the heart of his eldest daughter in his hands as tenderly as he would a wounded bird.

Grandpa Joe takes his grandson Timmy back to the site of his family’s farm, where the old house and a ramshackle barn still stand. The visit stirs up memories for Grandpa Joe—in particular, the majesty of his own father's shiny red tractor, now rusting in the forgotten fields.

Grandma Ginny and Timmy take a trip to visit the site of the family farm, where the old house and some rickety buildings still stand. Timmy had visited with Grandpa before and learned all about his tractor, but Grandma has her own stories to tell of planting the fields, harvesting the crops, and feeding the animals. Guided by Grandma’s farm diary and her fond memories, Timmy and Grandma tour the land and talk about what life was like back then.

In his first memoir, Ander Monson guides listeners through a scene-by-scene exploration of the 1987 film Predator, which he has watched 146 times. Some fighters might not have time to bleed, but Monson has the patience to consider their adventure, one frame at a time. He turns his obsession into a lens through which he poignantly examines his own life, formed by mainstream white male American culture.

I'm finally accepting that my psychic talents serve a purpose, that I can use them to help people. But two mysteries plague me. What happened to my good friend Lucas' sister after she disappeared then years ago? And if my father was murdered when I was young, why do I keep seeing him? When I find the long-buried remains of Lucas' sister, her murdered body only opens more questions.

I find the murdered woman crumpled under a tree. Blood stains her back and her hands are bound. If I touch her, my psychic abilities will show me what happened to her. But I've lived through murders before, and the visions leave scars. Fighting my fear, I touch her—and only see four names—Addlynn Jeanette Claire Margaret.

Every town needs a hero, and Detective Cal Farrell fits the bill. He stopped an active shooter six months earlier, and now he’s become the darling of the Alexandria press. The problem is that Cal remembers nothing from that day. He’s working with a psychiatrist to recover his memories, but hasn’t had much luck. Then, on one of his morning runs, he is once again the first on scene for a grisly discovery—a body hanging impossibly high on a tree. Soon there’s another victim, killed by a blade and dumped in a ravine.

Michael Shea (1946-2014) was one of the finest American authors of speculative fiction of modern times, and Polyphemus (1987), originally published as a limited edition hardcover by Arkham House, features the best of his short fiction, in which he deftly blends the genres of horror, fantasy, and science fiction. A landmark collection of modern speculative fiction returns at long last in this edition.

Hotter than ever, everyone wants a piece of Jimmy, from Hollywood producers thirsting to take advantage of his fame to another former child star who wants to be just like him. And then there's the return of his long-absent father. Jimmy wonders if he deserves all this attention and just wants a new case to take his mind off it all.

A favorite of longtime Harry Crews fans, The Knockout Artist (1988) portrays Eugene Talmadge Biggs, a young boxer from rural Georgia whose champion rise is diverted by a vulnerability, or gift, for knocking himself unconscious. As he begins to exploit his talents, the notorious Knockout Artist journeys a hero’s descent into the New Orleans underworld and meets characters who have long since checked their morals at the door. The unforgettable climax shows Crews at his virtuoso best, when Eugene confronts his truth, and sets out to claim his freedom and win his own self-respect.

From paranormal plots to stories of the supernatural, tales of the unfamiliar have always fascinated us humans. To keep the tradition alive, fantasy aficionado Paula Guran has gathered the most delightfully disturbing work from some of today's finest writers of the fantastique! No two mysterious shadows are alike, and the same can be said for the books in this series. The Year's Best Dark Fantasy & Horror, Volume 4 contains more than twenty stories. Listener beware and indulge if you dare, because these chilling tales are sure to spook and surprise!

From psychologist, researcher, and horror film enthusiast Brian A. Sharpless comes Monsters on the Couch, an exploration into the real-life psychological disorders behind famous horror movies. Accounts of clinical syndromes every bit as dramatic as those on the silver screen are juxtaposed with fascinating forays into the science and folklore behind our favorite movie monsters.