検索キーワード： ナレーター "Robert Petkoff" すべてのカテゴリー

It's the Fourth of July weekend at the prestigious West Heart country club. Gathered for cocktails on the first evening are just some of the guests: the club president, the treasurer and his pregnant wife, the snooping school boy, the bereaved father, the taciturn caretaker, the prospective member, the private detective... And there will also be a body. And a fiendish mystery to solve. But everything else is all to play for. And you are about to find out that you have a role to play in this mystery too.

Killing the Witches revisits one of the most frightening and inexplicable episodes in American history: the events of 1692 and 1693 in Salem Village, Massachusetts. What began as a mysterious affliction of two young girls who suffered violent fits and exhibited strange behavior soon spread to other young women. Rumors of demonic possession and witchcraft consumed Salem. Soon three women were arrested under suspicion of being witches—but as the hysteria spread, more than 200 people were accused. Thirty were found guilty, twenty were executed, and others died in jail or their lives were ruined.

Alex Sand was spending the evening at home playing basketball with his two young sons when all three were shot in cold blood. A wealthy federal judge, there’s no short list of people who could have a vendetta against Sands, but the gruesome murders, especially that of his children, turn their St. Paul community on its head. Sand was on the verge of a major donation to a local housing charity, Heart/Twin Cities, and with the money in limbo, eyes suddenly turn to his grieving widow, Margaret Cooper, to see what she might do with the money.

In the New York Times bestseller Extraterrestrial, Avi Loeb, the longest serving Chair of Harvard’s Astronomy Department, presented a theory that shook the scientific community: our solar system, Loeb claimed, had likely been visited by a piece of advanced alien technology from a distant star. This provocative and persuasive argument opened millions of minds internationally to the vast possibilities of our universe and the existence of intelligent life beyond Earth.

For over a century, The New York Times has been an iconic institution in American journalism, one whose history is intertwined with the events that it chronicles—a newspaper read by millions of people every day to stay informed about events that have taken place across the globe. In The Times, Adam Nagourney, who’s worked at The New York Times since 1996, examines four decades of the newspaper’s history, from the final years of Arthur “Punch” Sulzberger’s reign as publisher to the election of Donald Trump in November 2016.

An isolated hunt club. A raging storm. Three corpses, discovered within four days. A cast of monied, scheming, unfaithful characters. When private detective Adam McAnnis joins an old college friend for the Bicentennial weekend at the exclusive West Heart club in upstate New York, he finds himself among a set of not-entirely-friendly strangers. Then the body of one of the members is found at the lake’s edge; hours later, a major storm hits. By the time power is restored on Sunday, two more people will be dead.

I'm Just No Good at Rhyming is this century's most acclaimed comedic poetry collection so far, described as "a worthy heir to Silverstein, Seuss, and even Ogden Nash" (PublishersWeekly), "wildly imaginative...inspired and inspiring" (Kirkus), and as "everything a book for kids should be" (B.J. Novak). Now, Chris Harris delivers all that and more with dazzling new heights of creativity, kooky conundrums, witty wordsmithing, and of course, wacky laugh-out-loud fun!

Jack might be a polished, Harvard-educated lawyer on paper, but everyone in the down-at-the-heels, if picturesque, village of Onset, Massachusetts, knows his real job: moving people on the run from powerful enemies. The family business—co-managed with his father, a retired spy—is smooth sailing, as they fill up Onset’s holiday homes during the town’s long, drowsy off-season and help clients shed their identities in preparation for fresh starts.

Instead of focusing on one service, like HBO, Pandora’s Box asks, “What did HBO do, besides give us The Sopranos?” The answer: It gave us a revolution. Biskind bites off a big chunk of entertainment history, following HBO from its birth into maturity, moving on to the basic cablers like FX and AMC, and ending up with the streamers and their wars, pitting Netflix against Amazon Prime Video, Max, and the killer pluses—Disney, Apple TV, and Paramount.

Gather round as today’s most diabolically clever authors twist simple moments into otherworldly horrors. An empty baby stroller. A scratching underneath the bed. A farmhouse in the moonlight. With an unnerving sense of the macabre, these stories transform our greatest fears into bone-chilling realities.

Willy and Marianne’s farmhouse in Maine has acres of meadow and fresh air, and a lonesome bridle path in the forest along which Willy daydreams and ambles. When he’s loaned a decrepit old baby stroller to cart his groceries home, the rickety squeak of the wheels comforts him. So do the sweet coos of a baby Willy knows can’t be real. Can it? In this twisted thicket, wishes come true—with a price.