検索キーワード： ナレーター "Robin Miles" すべてのカテゴリー

The crayons are ready to tell the thrilling tale of Frankencrayon. The costumes are made, the roles are cast, the pages are all set - but then disaster strikes. Someone has scribbled on the page! Hideous! Horrifying! The story can't go on! Try as they might, the crayons can't erase the scribble, and this picture book must be canceled. Until the crayons playing the title role of Frankencrayon think of a solution, that is.

The New York Times lauds Russell Banks as "the most compassionate fiction writer working today," and hails him as a novelist who delivers, "wrenching, panoramic visions of American moral life." Long celebrated for his unflinching, empathetic works that explore the unspoken but hard realities of contemporary culture, Banks now turns his keen intelligence and emotional acuity on perhaps his most complex subject yet: the shape of family in its many forms.

It is True Dickinson's 43rd birthday, and her best friends have gathered on this snowy night in Cape Cod at a trendy neighborhood restaurant to celebrate. True has never felt more alone.

Arrah is a young woman from a long line of the most powerful witch doctors in the land. But she fails at magic, fails to call upon the ancestors and can't even cast the simplest curse. Shame and disappointment dog her. When strange premonitions befall her family and children in the kingdom begin to disappear, Arrah undergoes the dangerous and scorned process of selling years of her life for magic. This borrowed power reveals a nightmarish betrayal and a danger beyond what she could have imagined.

New York Times best-selling author Kim Stanley Robinson returns with a bold and brilliant vision of New York City in the next century. As the sea levels rose, every street became a canal. Every skyscraper an island. For the residents of one apartment building in Madison Square, however, New York in the year 2140 is far from a drowned city. There is the market trader, who finds opportunities where others find trouble. There is the detective, whose work will never disappear—along with the lawyers, of course.

The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women. Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe. For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: That sometimes what is corrupt cannot be cleansed, only destroyed.

This is the way the world ends, for the last time. The season of endings grows darker, as civilization fades into the long cold night. Essun - once Damaya, once Syenite, now avenger - has found shelter, but not her daughter. Instead there is Alabaster Tenring, destroyer of the world, with a request. But if Essun does what he asks, it would seal the fate of the Stillness forever. Far away, her daughter Nassun is growing in power - and her choices will break the world.

Even at 16, Jake’s handsome features hold the calm certainty and patient confidence of a man, and Rachel Bender knows—Jake Weaver is the one. Rachel will grow into a strong young woman with powerful gifts—but in a faraway country, without her Jake. In 1921, Ohio’s new law forces Caleb Bender’s family to seek sanctuary in the wilds of Mexico where the government will not interfere with their Amish way of life, or take their children from them.

Omar and his younger brother, Hassan, have spent most of their lives in Dadaab, a refugee camp in Kenya. Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future...but it would also mean leaving his brother, the only family member he has left, every day.

Twelve-year-old Ann Maria Weems works from sunup to sundown, wraps rags around her feet in the winter, and must do whatever her master or mistress orders—but she has something that many plantation slaves don't have. She has her wonderful family around her. To Ann, her teasing brothers, her older sister, and her protective and loving parents are everything. And then one day, they are gone. Separated from her family by her master and shipped off as a housemaid, Ann learns something about independence and about love before the opportunity for escape arrives.

Xuela’s vivid, visceral recollections of the lonely, unsettled life that follows the trauma of her arrival include that of her distant father, who sends her away to another household at the earliest opportunity; of her passion for the stevedore Roland, who fulfils her sexually but not intellectually; and of her husband, who provides her with status and a wealthy lifestyle but whom she is incapable of loving.

A classic of American literature from a Nobel Prize winning author, The Sound and the Fury is widely considered to be one of the best novels of the twentieth century. William Faulkner expertly illustrates the epic and tragic story of the Compson family, three generations of Southern aristocrats on the brink of ruin. Unprecedented for its time, Faulkner weaves a tale spanning nearly two decades, told from multiple points of view in a style all its own.

MediMiracle Corporation manufactures Sophrosyne, a miracle cure for opiate addiction. Ellison Ricard, a research-analyst for the company, claims to have uncovered data that proves Black users of Sophrosyne experience fatal side effects far more often than people of other races. When Ricard confronts MediMiracle’s charismatic founder and CEO, Peyton Burke, a violent confrontation ensues. The wheelchair bound Ricard—a Black man himself, severely injured years earlier—is fired that very day.

In the 1950s, after the publication of Moses, Man of the Mountain, Zora Neale Hurston penned a historical novel reconsidering the life of one of the most well-known Biblical figures, Herod the Great, reimagining him in a very different light than his villainous portrayal in the New Testament. In Hurston’s retelling, Herod is a forerunner of Christ, a religious and philosophical man who enriched Jewish culture and lived a life of adventure.

It's 1924 in Branchville, South Carolina, and three women have come to a crossroads. Gertrude, a mother of four, must make an unconscionable decision to save her daughters. Retta, a first-generation freed slave, comes to Gertrude's aid by watching her children, despite the gossip it causes in her community. Annie, the matriarch of the influential Coles family, offers Gertrude employment at her sewing circle, while facing problems of her own at home.

At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore.

In Teaching Critical Thinking, renowned cultural critic and progressive educator Bell Hooks addresses some of the most compelling issues facing teachers in and out of the classroom today. In a series of short, accessible, and enlightening essays, Hooks explores the confounding and sometimes controversial topics that teachers and students have urged her to address since the publication of the previous best-selling volumes in her Teaching series, Teaching to Transgress and Teaching Community.

Ten years ago, Bell Hooks astonished readers/listeners with Teaching to Transgress: Education as the Practice of Freedom. Now comes Teaching Community: A Pedagogy of Hope - a powerful, visionary work that will enrich our teaching and our lives. Combining critical thinking about education with autobiographical narratives, hooks invites listeners to extend the discourse of race, gender, class and nationality beyond the classroom into everyday situations of learning. Bell Hooks writes candidly about her own experiences.

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all.

Mireille Duval Jameson is living a fairy tale. The youngest daughter of one of Haiti’s richest sons, she has an adoring husband, a precocious infant son, by all appearances a perfect life. The fairy tale ends one day when Mireille is kidnapped in broad daylight by a gang of heavily armed men, in front of her father’s Port au Prince estate. Held captive by a man who calls himself The Commander, Mireille waits for her father to pay her ransom. As it becomes clear her father intends to resist the kidnappers, Mireille must endure the torments of a man who resents everything she represents.