検索キーワード： 著者 "E.M Forster" すべてのカテゴリー

Lucy Honeychurch, an upper middle class girl, and her cousin, Charlotte, travel from England to Italy on vacation. While on the trip, the two women share a guest house with a man and his son George Emmerson. After switching rooms to offer the women a better view overlooking the scenic river, the Emmersons and Honeychurches get to know each other better. Mr. Emmerson suggests that Lucy and George may be a good match for each other.

The story from which this collection takes its title describes the adventures of an imaginative boy who discovers an omnibus that enables him to travel to the past in the company of famous historical personages. When at his invitation, an incredulous adult accompanies him on a journey, the astonishing new vistas unfolding alarm the security-conscious older man, who wishes himself back in his comfortable suburban home.

When Lilia, an English widow, marries a penniless Italian while on vacation, her dead husband's relatives are not amused. That the marriage should fail and Lilia die tragically are to be expected. But that she should have a baby, and that the baby should be raised Italian, of all things, are matters requiring immediate correction. E.M. Forster's first novel addresses cultural collisions and English middle-class sterility.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist intersect at an estate called Howards End. There, the lives of three families become entangled. As chance brings them together, societal conventions come into question as does the ownership of Howards End. Through the fate of the estate - as well as the lives of the families who are affiliated with it - Forster creates a brilliant parallel to the fate of English society itself.

Lucy Honeychurch is an innocent abroad. Under the care of her well-meaning but infuriating chaperon, Cousin Charlotte, she is completing the final part of a conventional well-bred English upbringing: the Grand Tour. But the sensual atmosphere of the Florentine countryside exercises a strange power over Lucy's half-formed and untested character, as do her fellow guests at the Pension Bertolini.

Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger". When the elder Mrs. Wilcox dies and her family discovers she has left their country home - Howards End - to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve.

Spring 1905, England. When Helen Schlegel goes to stay at Howards End - the country home of the Wilcox family, her own life, along with that of her sister Margaret, is changed forever. This is the tale of three families at the beginning of the twentieth century: the rich Wilcoxes, the gentle, idealistic Schlegels and the lower-middle class Basts. Frequently cited as E. M. Forster's finest work, Howards End brilliantly explores class warfare, conflict and the English character. This BBC dramatisation skilfully brings the classic novel to life.

E.M. Forster's Howards End is a vivid portrait of London's golden age, before World War I forever changed its values and culture. Forster brings the great city's upper classes to life, detailing their grandiose spending habits, popular fads, Monet and Debussy, the rise of feminism, and the beginnings of urbanization. More than a mere idealization of pre-war London, Howards End provides insightful commentary on the rapid societal changes that occurred at the onset of the 20th century. Masterfully blending the stories of three vastly different groups of people - the independently wealthy, educated Schlegels; the nouveau riche Wilcoxes; and the ambitious but struggling Leonard Bast - Forster weaves a wonderfully rich, unforgettably poignant novel.

This brilliant novel depicts cultural clashes between a middle-class English family and a penniless Italian. His marriage to a young widow from Sawston leads to a tumultuous situation within the family.

Lucy Honeychurch, accompanied by her vigilant guardian, Charlotte Bartlett, makes her first foray into the world, touring Italy and discovering a country very different to the English countryside she was brought up in.

Lucy Honeychurch and her older cousin, Miss Bartlett, tour Italy in the springtime. However, the pension they are staying at may as well be in London. The proprietress speaks a London cockney, the meat is overdone, and their windows give them a view of dirty alleys. However, when the socially clumsy Mr. Emerson offer to exchange rooms, this does anything but remedy the situation. You see, nobody knows what to make of the Emersons. It's so hard to know how to respond to people who speak the truth.

First published in 1910, Howards End is considered by many to be Forster's greatest novel. Set at the beginning of the 20th century it follows the fortunes and interrelations between three family groups of differing backgrounds and outlooks. At the top of the money tree are the Wilcoxes who represent broadly materialism and an upper-class English archetype. The family has made money in the colonies and also have a property - Howards End - owned by the terminally-ill mother, Ruth Wilcox, who must decide how best to pass on the estate.

E. M. Forster's first novel is a witty comedy of manners that is tinged with tragedy. It tells the story of Lilia Herriton, who proves to be an embarrassment to her late husband's family as, in the small Tuscan town of Monteriano, she begins a relationship with a much younger Italian man - classless, uncouth, and highly unsuitable. A subtle attack on Edwardian values and a humanely sympathetic portrayal of the clash of two cultures, Where Angels Fear to Tread is also a profound exploration of character and virtue.

Set in Italy and England, this is a rich and romantic story of Lucy Honeychurch and the choice she must make between love and convention.

The earth's surface is no longer habitable. All humanity is sequestered beneath the ground, couched in isolation and contentment. The Machine provides the needs of humanity. Mankind becomes subservient drones to the life-supporting Machine. But what happens when the Machine stops?

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson---who is entirely unsuitable and whose father just may be a Socialist - Lucy is soon at war with the snobbery of her class and her own conflicting desires.

Die Menschen leben in winzigen sechseckigen Waben tief unter der Erde, genießen jedoch allen Komfort. Ihr Alltag ist durch die "Maschine" perfekt geregelt. Ohne das Bedürfnis nach persönlichen Begegnungen kommunizieren sie über elektronische Hilfsmittel, die maximal miteinander vernetzt sind. Das Handbuch der Maschine ist zu ihrer Bibel geworden, wer nicht maschinenkonform denkt und handelt, wird verstoßen. Als der rebellische Kuno entdeckt, dass die Maschine langsam versagt, wagt er einen folgenschweren Ausbruch.

Dramatisations and readings of EM Forster’s finest works, plus Stephen Wakelam’s radio play A Dose of Fame and the documentary feature Forster in India: Sex, Books and Empire. One of the greatest English novelists of the 20th century, EM Forster was also an accomplished short story writer. This collection includes stunning adaptations of his classic novels A Passage to India, Where Angels Fear to Tread, A Room with a View and Howards End. Among the star casts are Penelope Wilton, Ellie Kendrick, Sian Thomas, Emilia Fox, Sheila Hancock and John Hurt.

When attractive, impulsive English widow Lilia takes a holiday in Italy, she causes a scandal by marrying Gino, a dashing and highly unsuitable Italian 12 years her junior. Her prim, snobbish in-laws make no attempt to hide their disapproval, and when Lilia's decision eventually brings disaster, her English relatives embark on an expedition to face the uncouth foreigner.

In this searching tragicomedy of manners, personalities, and world views, E.M. Forster explores the "idea of England" he would later develop in Howards End. Bookish, sensitive, and given to wild enthusiasms, Rickie Elliot is virtually made for a life at Cambridge, where he can subsist on a regimen of biscuits and philosophical debate.