検索キーワード： 著者 "Friedrich Nietzsche" すべてのカテゴリー

This gripping audiobook collection explores the shadowy corners of human psychology, offering insights into the art of influence, manipulation, and persuasion. Perfect for listeners fascinated by the complexities of human behavior, this series unravels the secrets behind subtle psychological tactics used in relationships, workplaces, and even by institutions.

"The Twilight of the Idols", Nietzsche says in Ecce Homo: “If anyone should desire to obtain a rapid sketch of how everything before my time was standing on its head, he should begin reading me in this book. That which is called ‘Idols’ on the title-page is simply the old truth that has been believed in hitherto. In plain English, The Twilight of the Idols means that the old truth is on its last legs.

In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche's analysis and integration of the Apollonian and the Dionysian. The Birth of Tragedy stands alongside Aristotle's Poetics as an essential work for all who seek to understand poetry and its relationship to human life.

El Anticristo, es una de las últimas obras de Friedrich Nietzsche. Publicado en 1895, el libro es una crítica del cristianismo en conjunto, y de conceptos modernos como el igualitarismo y la democracia, a los cuales ve como consecuencia persistente de los ideales cristianos. Nietzsche identifica en el cristianismo todo el mal social, por cuya causa el mundo sufre, y el mal moral, que oprime al hombre.

Die liebliche Bestie Mensch verliert jedesmal, wie es scheint, die gute Laune, wenn sie gut denkt...

"Thus Spake Zarathustra" by Friedrich Nietzsche is a philosophical exploration of the human condition, power, and morality. This podcast delves into Nietzsche's radical ideas on the Übermensch, will to power, and the death of God, making it a compelling listen for those interested in existential philosophy.

Klaus Kinski war ein wahrer Meister des Sprechtheaters, der sein Publikum gleichermaßen schockierte und faszinierte. Kinski erlangte vor allem für Rezitationen bekannter Philosophen und Dichter hohe Aufmerksamkeit. Kinskis Vortag wollte erfühlt, verstanden und gleichzeitig genossen sein, in seiner üppig überschäumenden Sinnlichkeit, die aufs Ganze ging, den Menschen mit Haut und Haaren visierte, den Zuhörer zu packen versuchte - um jeden Preis.

Friedrich Nietzsche cuestiona las bases de la moralidad convencional y desafía al lector a reconsiderar lo que se considera bueno y malo. A través de un análisis de la historia y la psicología, expone cómo los valores morales han evolucionado, influenciados por factores culturales y de poder.

The philosopher Friedrich Nietzsche's autobiography, Ecce Homo, was the last prose work that he wrote before his illness in 1889. Coming at the end of an extraordinarily productive year in which he had produced The Twilight of the Idols and The Antichrist, Nietzsche shuns any pretense at modesty with chapter titles include “Why I am so Wise”, “Why I am so Clever” and “Why I Write Such Excellent Books”. His translator Anthony M. Ludovici states, Ecce Homo “is not only a coping-stone worthy of the wonderful creations of that year, but also a fitting conclusion to his whole life, in...

Man sieht sich gedrungen wünschen zu wollen und sagen zu können, dass nach der akustischen Auseinandersetzung mit Nietzsches "Unzeitgemäßen Betrachtungen" jeder ein Stück klüger wird als er war – doch leider belehren uns Vergangenheit und Gegenwart eines besseren und lassen diesen unausgesprochenen frommen Wunsch wie eine Seifenblase im Orkan im Entstehungs-Ansatz zerplatzen. Je konkreter und klarer Gedanken formuliert werden, desto schwieriger sind sie zu verstehen.

"Human, all-too-Human", is the monument of a crisis. It is entitled: 'A book for free spirits,' and almost every line in it represents a victory—in its pages I freed myself from everything foreign to my real nature. Idealism is foreign to me: the title says, 'Where you see ideal things, I see things which are only—human alas! all-too-human!' I know man better—the term 'free spirit' must here be understood in no other sense than this: a freed man, who has once more taken possession of himself.

Selbsterkenntnis ist der erste Schritt zur Weisheit auf Wegen des Zweifels, der Irrtümer, des Staunens und der Überraschungen. Unterwegs auf diesem Weg begegnen wir uns selbst. Als Wegbegleiter hören wir: "Was ist Aufklärung?" (I. Kant), "Essais"(M. de Montagne), "Von der Gemütsruhe" (Seneca), "Über Wahrheit und Lüge im außenmoralischen Sinn" (F. Nietzsche), "Gespräche" (Konfuzius).

"The Joyful Wisdom", written in 1882, just before "Zarathustra", is rightly judged to be one of Nietzsche's best books. Here the essentially grave and masculine face of the poet-philosopher is seen to light up and suddenly break into a delightful smile. The warmth and kindness that beam from his features will astonish those hasty psychologists who have never divined that behind the destroyer is the creator, and behind the blasphemer the lover of life.

The philosopher Friedrich Nietzsche's autobiography, Ecce Homo, was the last prose work that he wrote before his illness in 1889. Coming at the end of an extraordinarily productive year in which he had produced The Twilight of the Idols and The Antichrist, Nietzsche shuns any pretense at modesty with chapter titles include “Why I am so Wise”, “Why I am so Clever” and “Why I Write Such Excellent Books”. His translator Anthony M. Ludovici states, Ecce Homo “is not only a coping-stone worthy of the wonderful creations of that year, but also a fitting conclusion to his whole life, in...

First published in 1886 at Nietzsche’s own expense, the book was not initially considered important. In it, Nietzsche denounced what he considered to be the moral vacuity of 19th century thinkers. He attacked philosophers for what he considered to be their lack of critical sense and their blind acceptance of Christian premises in their considerations of morality and values. Beyond Good and Evil is a comprehensive overview of Nietzsche’s mature philosophy.View our full collection of podcasts at our website: https://www.solgoodmedia.com or YouTube channel: www.solgood.org/subscribeThis is a ...

In 1887, with the view of amplifying and completing certain new doctrines which he had merely sketched in "Beyond Good and Evil" (see especially "Aphorism 260"), Nietzsche published "The Genealogy of Morals". This work is perhaps the least aphoristic, in form, of all Nietzsche's productions. For analytical power, more especially in those parts where Nietzsche examines the ascetic ideal, "The Genealogy of Morals" is unequalled by any other of his works.

The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets - like Slave and Master morality, the Superman - can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects.

In 1869, at the age of twenty-five, the precociously brilliant Friedrich Nietzsche was appointed to a professorship of classical philology at the University of Basel. He seemed marked for a successful and conventional academic career. Then the philosophy of Schopenhauer and the music of Wagner transformed his sense of purpose. The genius of such thinkers and makers - like the genius of the ancient Greeks - was the only touchstone for true understanding. How then was education to answer to such genius? Something more than sturdy scholarship was called for.

A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it.

Beyond Good and Evil confirmed Nietzsche's position as the towering European philosopher of his age. The work dramatically rejects the tradition of Western thought with its notions of truth and God, good and evil. Nietzsche demonstrates that the Christian world is steeped in a false piety and infected with a "slave morality". With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual imposes their own "will to power" upon the world.