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This collection of 26 stories contains some of Joe R Lansdale's favourite and most violent dark horror tales. 'God of the Razor' introduces the dark god behind serial killers. A martial arts fight to the death between a reluctant champion and a sadistic alpha male, is featured in 'Master of Misery'. Human sacrifice, to ensure prosperity or as a coming-of-age ritual, are themes of 'On a Dark October' and 'Duck Hunt'. In 'The Fat Man', young boys learn the hard way that some mysteries should not be investigated. Many of the tales are truly weird, such as 'Chompers', the story of the false teeth with an appetite.

Harry Wilkes is plagued by visions - images of murdered bodies and violent assaults - that are triggered by everyday noises. The smallest noise can trigger a vision of violence from the past; it doesn't matter how long ago it took place. Since childhood he's fought to suppress these visions, and he has changed his habits in order to avoid the nightmares. But when he rescues a drunk from a bar fight, he makes a life-long friend who will help him learn how to use his strange ability to his advantage

When the Magic Wagon comes to town, folks get a genuine medicine show that includes a wrestling ape, fancy shooting, and a peek at the petrified body of Wild Bill Hickok himself. They also get bottles of a whiskey-laced elixir to drown their aches and pains. Old Albert drives the wagon, a raw-boned youngster named Buster Fogg does the odd jobs, and "champion" trick shooter and fast talker Billy Bob Daniels owns the show. Billy Bob claims to be the illegitimate son of Wild Bill himself.

Spanning over twenty years, 20 masters and modern authors of hardcore horror share their most bad-ass stories in this special edition from Red Room Press. Many hard to find and out of print, some that were banned, Necro Files covers every imaginable mode of mayhem with stories that dial into the dark side of human nature.

Hap and Leonard are an unlikely pair - Hap, a self-proclaimed white-trash rebel, and Leonard, a tough-as-nails, black, gay Vietnam vet and Republican - but they're the closest friend either of them has in the world. Hap is celebrating his wedding to his longtime girlfriend, Brett (who is also Hap and Leonard's boss), when their backyard barbecue is interrupted by a couple of Pentecostal white supremacists. They're not too happy to see Leonard, and no one is happy to see them, but they have a problem, and only Hap and Leonard will take the case.

Dot waitresses on roller skates at the Dairy Bob, doesn't care for smoking, at least partly on account of her dad having never returned from a cigarette run, and carries on the family tradition of philosophizing. Life hasn't done her any favors in her 17 years so far. But if there was ever a heroine built for turning things upside down and seeing what shakes out, it's Dot. Determined to find out who she is and why she's the way she is, an opportunity presents itself when her heretofore-unknown uncle suddenly moves his camper into the front yard.

Even though a midlife crisis just crashed into Hap Collins like a runaway pickup, he's still got his job, he knows his best friend, Leonard Pine, will always be there for him, and, of course, he's got his main squeeze, Brett Sawyer. Things hit a new low, however, when Brett's daughter, Tillie, who's been walking on the wrong side of the law, suddenly stands in need of a rescue. It won't be easy - it never is - but nothing is going to stop Hap and Leonard as they hit the road destined for Hootie Hoot, Oklahoma.

Hap Collins has just returned home from a gig working on an off shore oil rig. With a new perspective on life, Hap wants to change the way he's living, and shoot the straight and narrow. That is, until the man who stole Leonard Pine's boyfriend turns up headless in a ditch and Leonard gets fingered for the murder. Hap vows to clear Leonard's name, but things only get more complicated when Leonard's ex shows up dead, too.

In this rollicking, rollercoaster ride of a novel, Hap Collins and Leonard Pine take a break from their day jobs to search for Florida Grange, Leonard's drop-dead gorgeous lawyer and Hap's former lover, who has vanished in the Klan-infested East Texas town of Grovetown. Before she disappeared, Florida was digging up some dirt behind the mysterious jailhouse death of a legendary black bluesman's son, who was in possession of some priceless blues recordings. To Hap and Leonard, something doesn't smell right.

Hap and Leonard are an unlikely pair - Hap, a self-proclaimed white-trash rebel - and Leonard - a tough-as-nails black, gay Vietnam vet and Republican - but they're the closest friend either of them has in the world. After years of crime-solving companionship, something's changed: Hap, recently married to their PI boss, Brett, is now a family man. Amid the worst flood East Texas has seen in years, the two run across a woman who's had her tongue nearly cut out, pursued by a heavily armed pair of goons. Turns out the girl survived a mob hit, and the boss has come to clean up the mess.

Only Hap and Leonard would catch a cold case with hot cars, hot women, and ugly skinheads. The story starts simply enough when Hap, a former '60s activist and self-proclaimed white trash rebel, and Leonard, a tough black, gay Vietnam vet and Republican with an addiction to Dr. Pepper, are working a freelance surveillance job in East Texas. The uneventful stakeout is coming to an end when the pair witness a man abusing his dog.

Hap Collins is an east Texas redneck, with a liberal bent, and a weakness for Texas women. Leonard Pine is a black, gay, Vietnam veteran. Not who you'd normally pick for best friends but there you go. Together they share an affinity for the martial arts and are a bundle of trouble, but trouble is what they love.

Hap and Leonard return in this incredible, mad-dash thriller, loaded with crack addicts, a serial killer, and a body count. In the second installment of the Hap and Leonard series, Leonard is still nursing the injuries he sustained in the duo's last wild undertaking when he learns that his Uncle Chester has passed. Hap is of course going to be there for his best friend and offers to help clean Uncle Chester's dilapidated house, which Leonard has inherited.

Sunset Jones has just killed her husband. Never mind that he was raping her. Pete Jones was constable of a small sawmill settlement called Camp Rapture where no woman refuses her husband. So everyone is angrily surprised when Sunset becomes the new constable and investigates murders in which her late husband might be implicated. Yet, no one is more surprised than Sunset when the murders lead her, not only to the conclusion of the case, but to a well of inner strength she never knew she had.

Exit Wounds is a thrilling anthology of crime stories written by masters of the genre, including Dean Koontz, Val McDermid, Lee Child, Jeffery Deaver, Elly Griffiths, Dennis Lehane, Joe R. Lansdale, and others.

It begins with an explosion: Sunset Jones kills her husband with a bullet to the brain. Never mind that he was raping her. Pete Jones was constable of the small sawmill town of Camp Rapture ("Camp Rupture" to the local blacks), where no woman, least of all Pete's, refuses her husband what he wants.

Jack Parker knows all too well how treacherous life can be. His parents did not survive a smallpox epidemic. His grandfather was murdered. Now his sister Lula has been kidnapped by a bank robber. Alongside bounty hunter Shorty, an eloquent dwarf with a chip on his shoulder, and Eustace, the grave-digging son of an ex-slave, Jack sets off to rescue Lula. In turn-of-the-century Texas, that quest is likely to turn dangerous.

Throughout history and infinite dimensions, there exists a secret group of supernatural investigators operating on the fringes of society, lurking in the shadows, working strange cases with little reward. They are hardboiled zombies and ghosts, mythological creatures, ass-kicking vampires, tortured humans, and uncanny sleuths whose normal is the bizarre and weird.

The Tall Grass and Other Stories is a collection of my shorter fiction, many of them flash fiction. It borrows from The King and Other Stories, Unchained and Unhinged, and some never before collected.

Part of a secret government organization designed to protect civilians, Elvis Presley and a handful of hardcore warriors set out to save the world from an invasion of hive-minded, shape-shifting vampire-like creatures from a dark dimension who have taken up residence in a New Orleans junkyard.