検索キーワード： ナレーター "Allyson Johnson" すべてのカテゴリー

In Black Utopias, Jayna Brown takes up the concept of utopia as a way of exploring alternative states of being, doing, and imagining in Black culture. Musical, literary, and mystic practices become utopian enclaves in which Black people engage in modes of creative worldmaking.

The Excoms specialize in dealing with problems others can’t solve. Kidnappings, human exploitation, oppression. They’ve dealt with them all and earned the gratitude of the overlooked and the disadvantaged. But not everyone is happy with their work. After finishing their most recent assignment, they’re rudely awakened in the middle of the night by an explosive situation that changed the team forever. Some may think Ananke and her friends are no longer a threat. Some would be making a mistake. You may knock The Excoms down, but you can never count them out.

She turned her back on her people and shifted her allegiance to the very Empire she was sent to betray. Now head spymaster, Lyre's loyalty lies with Sabine, the Empress she has loved since childhood. But when Sabine visits the secretive Cloud Vault, the floating citadel home that Lyre betrayed, Lyre's elaborate web of lies starts to untangle. Her very presence threatens Sabine's future, and Lyre will do whatever it takes to protect her lover . . . even if that means sacrificing herself.

I have exactly 5 hours and 10 minutes to get from Boston to New York City or the professional opportunity of a lifetime disappears. My only travel option? The second to last seat on a discount bus. Across from the bathroom. Wearing last night’s clothes (don’t ask). All worth it if I can make it in time.

Though her progeny was a hopeless romantic, the concept of a forever mate was lost on Leila. She'd gone down that path once before decades ago and was in no hurry to do it again. She'd presumed she was over the hurt and pain - that is, until the male who'd destroyed her heart, her very spirit, walked back into her bar. She'd thought if she never saw him again, it would be too soon. That was until one touch set her soul ablaze with desire. But could she trust him with her heart when he'd already destroyed once before?

Yvonne Durant was one of the few Black women writing ads for major brands in the ‘70s and ‘80s. Ambitious and determined, she ultimately won a position at a global ad agency in Milan, Italy. While her career was exciting, it was a challenge to be self-defining in a Mad Men world that had little experience with or respect for Black experience.

The word cowboy conjures up vivid images of rugged men on saddled horses - men lassoing cattle, riding bulls, or brandishing guns in a shoot-out. White men, as Hollywood remembers them. What is woefully missing from these scenes is their counterparts: the Black cowboys who made up one-fourth of the wranglers and rodeo riders. This book tells their story.

Farrah Grant knew one thing when she opened the Vampire Matchmaking Agency. Her life as a vampire was nothing like the movies. Limited in options by the Order of the Immortals' laws, the dating pool had become increasingly narrow. To remedy this, she opened the VMA. Although she helped dozens of supernatural beings find love, she was beginning to think her own love situation was hopeless.

For Olivia Shaw, the danger of her assignments as a deadly Whisper agent is matched only by that of her hidden status: Liv is one of the caricae, extremely rare women capable of bearing children and therefore controlled by the Syndicate's government. When her handler sends her into the Quillian Empire, her mission is complicated by stumbling upon a kidnapping in progress.

Leslie Durant, owner of Pretty Paws, doesn't care that she's always giving all of her time and attention to others: It's worth the joy of helping abandoned animals find loving forever homes. But if she can't find a way to bring more money into the struggling shelter, the sacrifices she's made will all be for nothing. Then her brother leaves her with an inheritance, with two stipulations: She must work with her estranged mother to host a successful charity event and find a loving home for Peter's dog, Kiwi.

The slave, Saidiya Hartman observes, is a stranger torn from family, home and country. To lose your mother is to be severed from your kin, to forget your past and to inhabit the world as an outsider. In Lose Your Mother, Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana.

A loving wife and a mother of three accomplished children, forty-six-year-old Trudy Marino has an uncomplicated life—until she’s blindsided by her husband’s affair. But in Trudy’s close-knit neighborhood, she’s not alone in navigating the sudden surprises in a woman’s life. Her neighbor Roberta has just lost her husband of sixty-two years and struggles with bittersweet memories and grief. Roberta’s granddaughter Jade is a divorcée who has taken up a cathartic new hobby to get over her cheating ex. And there’s Shannelle, whose creative aspirations are fracturing her marriage.

Single dad of Seattle Dr. Mark Herron can't believe anyone would celebrate their divorce. The dissolution of his marriage left him and his son with a huge hole to fill in their home - and their hearts. So when he overhears a lovely stranger and her friends celebrating the end of her marriage, he's mystified - and then intrigued - by her determination to put the past behind her. But when he learns that Tori Jones needs a job, he knows this can't be a coincidence.

The Kimei family and a second group of castaways, led by Sergeant Campbell, had finally joined forces after both had been forced to land on the bizarre planet Lincoln, whose continents were huge floating coral colonies, inhabited by even stranger lifeforms. They had survived crash-landings and venom-filled bites and disease, their own despair, and even the destruction - and consumption! - of one of their floating islands, and had learned to live, even prosper, in their strange new home.

Zero, Nyx, and the other Pathfinder colonists have adjusted to life on Kaguya. But Earth has built much faster starships-the Dreamcatcher arrives 10 years early, and the Stargazer arrives so early it actually got there before the Pathfinder did! Now the Stargazer is a lost shipwreck, and the race is on to find it, and who should show up looking for it but Nyx's dangerous family: Big Mama, Jim, and Kratt. Nyx and Zero will face kidnappers, pirates, shipwrecks, warlords, dragons, and maybe a new ally or two on their way to save the day once again.

Delve deeper into the world of the Earthsinger Chronicles with these prequel novellas full of magic, adventure, destiny, and love.

Acclaimed author of The Adults Alison Espach’s short story "In-Depth Market Research Interviews with Dead People" is an at-once hilarious and heart-breaking portrait of a dead woman’s marriage and the Volvo that stood in the middle of it all.

Some locales seem to come with their own soundtrack. Don Ho and his tiny bubbles provide the background music for Hawaii, Edith Piaf for Paris. The reggae of Bob Marley evokes Jamaica. The soundtrack for Alabama is without question provided by our troubled troubadour Hank Williams. The 2016 biography Hank by Mark Ribowsky paints a dark picture of the musician's short, alcoholic, drug-filled life: a life of loneliness and pain. He goes so far as to call Hank's life story "noir-ish"....

Set in the fictional African village of Kosawa, How Beautiful We Were tells the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations to the villagers are made-and ignored. The country's government, led by a brazen dictator, exists to serve its own interest only. Left with few choices, the people of Kosawa decide to fight back.

Black women have higher rates of premature birth than other women in America. This cannot be simply explained by economic factors, with poorer women lacking resources or access to care. Even professional, middle-class Black women are at a much higher risk of premature birth than low-income White women in the United States. Dána-Ain Davis looks into this phenomenon, placing racial differences in birth outcomes into a historical context, revealing that ideas about reproduction and race today have been influenced by the legacy of ideas which developed during the era of slavery.