検索キーワード： ナレーター "Kirsty Gillmore" すべてのカテゴリー

Already struggling to juggle co-running Candlebark's pub/bistro along with her new childcare responsibilities, the last thing Judi Westerholme needs right now is more stress. Yet, as usual, it arrives in spades: she starts receiving threatening late-night phone calls before discovering one of her best employees, Kate, shot dead in her bed. Once again, Judi finds herself at the centre of a murder investigation, as well as the hunt for Kate's fourteen-year-old daughter who has been missing since the murder.

Marjorie Hardaway has a troublesome new Chartreux kitten on her hands. The aptly named Houdini is a master escape artist, regularly hiding in cupboards or running outside as though he can walk straight through walls. When a café regular, Fletcher Byrne, leaves behind a half-completed adoption form for Houdini, Marjorie is therefore eager for him to come back and finish the process. The problem is, nobody has seen or heard from Fletcher since that afternoon. The distance-learning student has disappeared into thin air!

Betty's life is on repeat: waitress till late, drink till dawn, collapse into bed to forget. But partying like there's no tomorrow is no fix for the problems crowding in. Her ex is back and drinking at her favourite haunts, her flat was burgled, and she faces eviction if she can't pay late rent. Then there's the serial rapist dubbed 'the Psychic', who's terrorising women in their homes. When her ex is murdered and left in her bed, Betty and her flatmate Alabama turn to the bar world to find out who did it. Was it the Psychic - or someone closer?

Inlet Creek, Australia: Tragedy compels three estranged sisters to reconnect. Seeking a sense of belonging, Daisy Sheldon moves back to the small coastal town, but she soon realises where her heart really lies, hoping she hasn’t left it too late. Maddie Harwood-West hopes to rebuild her life after a wrenching loss. Her father wants her to stay and help him run the family sheep station, but Maddie is torn. At Inlet Creek, she meets a local fisherman who isn’t what he seems—and when he learns about her past, Maddie fears rejection.

The city of Wellington is unforgiving and unrepentant. Forget the politicians: they're poor amateurs in deception and crime. It's Saturday night down on the wharf. Celebrations are in full swing for the Westons' fortieth wedding anniversary. Their daughter Stella has returned from London to attend. Once shoulder-tapped as detective material, a few bad decisions and a questionable ethical dilemma saw her leave the police force under a cloud. She's now a private investigator in London, reduced to filming errant husbands for court cases.

With a husband and two children, 1200 sheep and 400 cattle, farm dogs and pet lambs, pigs bent on excavation and a goat bent on escape, country life is never dull. From calving cows to constipated dogs, weddings to weaning lambs, daffodils to ducklings to droughts, each season brings new challenges and delights. Sometimes it's exhausting but it's almost always a lot of fun - anyway, it's all part and parcel of the life of a Kiwi mother, farmer's wife and vet.

Freelance journalist Claire Wright is offered a commission, with the kind of fee that would mean financial security for both herself and her daughter Annie. But the job is to write the story of serial sex offender Travis Crill, presently serving his term in prison. Entering Crill's world forces Claire into a winding labyrinth of ruthless pursuit and brutal secrets. Can she endure the revelations of the harm he has done to his victims?

Wait, are you you, or are you the other one? Which is the evil twin? Have you ever switched partners? Can you read each other’s mind? Twins get asked the weirdest questions by strangers, loved ones, even themselves. For Helena de Bres, a twin and philosophy professor, these questions were never far from philosophy’s most unnerving unknowns. What makes someone themself rather than someone else? Can one person be housed in two bodies? What does perfect love look like? Can we really act freely? When does wonder morph into objectification?