検索キーワード： ナレーター "Michelle H. Lee" すべてのカテゴリー

After everything they’ve been through, Oliver and his mom finally have a place to call home. But Oliver’s fresh start feels more like a dead-end at his fancy new private school, where kids fly in on helicopters, wear the latest and most expensive sneakers, and go on luxury vacations. Oliver is only there because his mom’s the school custodian. Oliver wishes his life could be easier. And then one day, after slipping a wish into a mysterious mail slot, it suddenly comes true.

For twenty-four-year-old Jane, finding love in New York City is even harder than making it as a playwright. So when Jane meets Colin, she can’t believe her luck: they’re perfect for each other. Even when Colin breaks off their relationship after six dates, Jane knows this is just a stumbling block. She’ll get him back. She knows she will. That is, until Colin starts dating Zoe—perfect, luminous Zoe. Even worse, she’s actually kind of nice. But Zoe doesn’t have what it takes to love Colin. All Jane has to do is prove it, and they’ll be so happy together.

Jia Song has always been destined for greatness. As the daughter of Korean bodega owners, she promised herself that she would have every Fifth Avenue luxury when she grew up, and it is all finally within reach. She has just made junior partner at her prestigious Manhattan law firm, she can count on her two best friends to have her back, and she is about to score the ultraluxe gold-on-gold Birkin bag of her dreams. So when her boss asks her to sit in on the hush-hush family implosion of a high-level client, she accepts without hesitation.

Everly is back in Seattle, but her homecoming isn't at all what she expected. After a two-week search for her best friend, some devastating news send her back to the land of Faery.

Can't I Go Instead follows the lives of the daughter of a Korean nobleman and her maidservant in the early 20th century. When the daughter’s suitor is arrested as a Korean Independence activist, and she is implicated during the investigation, she is quickly forced into marriage to one of her father’s Japanese employees and shipped off to the United States. At the same time, her maidservant is sent in her mistress's place to be a comfort woman to the Japanese Imperial army.

The electric, unsettling, and often surreal stories in Let's Go Let's Go Let's Go explore the alienated, technology-mediated lives of restless Asian and Asian American women today. A woman escapes into dating simulations to forget her best friend’s abandonment; a teenager begins to see menacing omens on others’ bodies after her double eyelid surgery; reunited schoolmates are drawn into the Japanese mountains to participate in an uncanny social experiment; a supernatural karaoke machine becomes a K-pop star’s channel for redemption. In every story, characters refuse dutiful, docile stereotypes.

Nineteen-year-old never-been-kissed keyboardist Paisley Kim has gotten good at hiding things, including the panic attacks she experiences before she steps on stage with her high-profile band, The Painted Daisies. To her bandmates, she’s still the baby, the one who needs protecting. But to troubled bad boy Jonas Riccoli, she’s the hope for a future he never thought possible, and he’s much more than a boy she befriends at the studio. But their long-awaited reunion and the ensuing sparks are destroyed when Paisley’s sister is found murdered.

1758, Joseon. There are few options available to illegitimate daughters in the capital city, but through hard work and study, eighteen-year-old Hyeon has earned a position as a palace nurse. All she wants is to keep her head down, do a good job, and perhaps finally win her estranged father's approval. But Hyeon is suddenly thrust into the dark and dangerous world of court politics when someone murders four women in a single night, and the prime suspect is Hyeon's closest friend and mentor. Determined to prove her beloved teacher's innocence, Hyeon launches her own secret investigation.

Most of us want to choose inclusive, respectful, and empowering language when communicating with or about others. But language—and how we use it—continually evolves, along with cultural norms. When contradictory opinions muddle our purpose, how do we align our word choices with our beliefs? Who has the final say when people disagree? And why is it so hard to let go of certain words? Afraid of getting something wrong or offending, we too often treat words as right or wrong, regardless of context and nuance.

Claire Pedersen and her husband are relocating from NYC to the Catskills—they have found a terrific deal on a property in foreclosure. The house has been in April Ives’s family for three generations, but the single mother of three children from two different fathers needs the money. Claire and April are instantly antagonistic, but the sale proceeds, and renovations begin. Soon after, Claire’s husband develops an erotic fascination with Anna, a young member of a nearby religious community called The Eternals. Two marriages—and one pregnancy—swiftly and dramatically end.

1506, Joseon. The people suffer under the cruel reign of the tyrant King Yeonsan, powerless to stop him from commandeering their land for his recreational use, banning and burning books, and kidnapping and horrifically abusing women and girls as his personal playthings.

1506, Joseon. The people suffer under the cruel reign of the tyrant King Yeonsan, powerless to stop him from commandeering their land for his recreational use, banning and burning books, and kidnapping and horrifically abusing women and girls as his personal playthings. Seventeen-year-old Iseul has lived a sheltered, privileged life despite the kingdom's turmoil. When her older sister, Suyeon, becomes the king's latest prey, Iseul leaves the relative safety of her village, traveling through forbidden territory to reach the capital in hopes of stealing her sister back.

In a race to stop an ancient evil from destroying the worlds as they know them, Sunny comes to a startling, heartbreaking realization: if she chooses love—everything will burn. Sunny Cho aspires to be the dullest, least interesting person in any given room, which can be challenging for a nine-tailed fox spirit. So she drifts from city to city—staying clear of any and all attachment—and keeps her fox buried deep inside her. It is better this way. She would rather live as half of herself than risk losing control of her terrible powers.