検索キーワード： ナレーター "Ami" すべてのカテゴリー

Every day, more and more people fleeing war in the north show up at Kyung Tak and her family’s house on the southeastern shore of Korea. With nowhere else to go, the Taks' home is these migrants' last chance of refuge “before falling into the sea,” and the household quickly becomes crowded, hot, and noisy. Then war sirens cry out over Kyung's city too, and her family and their guests take shelter underground. When the sirens stop, Kyung is upset—she wishes everything could go back to the way it was before: before the sirens, before strangers started coming into their home.

Hwa Young was just ten years old when imperial forces destroyed her rebel moon home. Now, six years later, she is a citizen of the very empire that made her an orphan. Desperate to shake her rebel past, Hwa Young dreams of one day becoming a lancer pilot, an elite group of warriors who fly into battle using the empire’s most advanced tech—giant martial robots. Lancers are powerful, and Hwa Young would do anything to be the strong one for once in her life. When an attack leaves Hwa Young and her classmates stranded on an imperial space fleet, her dreams quickly become a reality.

Hwa Young was just ten years old when imperial forces destroyed her rebel moon home. Now, six years later, she is a citizen of the very empire that made her an orphan. Desperate to shake her rebel past, Hwa Young dreams of one day becoming a lancer pilot, an elite group of warriors who fly into battle using the empire's most advanced tech--giant martial robots. Lancers are powerful, and Hwa Young would do anything to be the strong one for once in her life.

Jackie Oh is done being your model minority. She’s tired of perfect GPAs, PSATs, SATs, all of it. Jackie longs to become a professional chef. But her Korean American parents are Ivy League corporate workaholics who would never understand her dream. Just ask her brother, Justin, who hasn’t heard from them since he was sent to Rikers Island. Jackie works at her grandparents’ Midtown Manhattan deli after school and practices French cooking techniques at night—when she should be studying.

When her mother emigrates to China for work, twenty-year-old Chizu moves in with 71-year-old Ginko, an eccentric distant relative, taking a room in her ramshackle Tokyo home, with its two resident cats and the persistent rattle of passing trains. Living their lives in imperfect symmetry, they establish an uneasy alliance, stress tested by Chizu's flashes of youthful spite. As the four seasons pass, Chizu navigates a series of tedious part-time jobs and unsatisfying relationships, before eventually finding her feet and salvaging a fierce independence from her solitude.

When Hirase, a young woman from Tokyo, arranges an appointment with the Go-Between, she doesn't expect a teenager to show up. Dressed preppy-style in a duffel coat and carrying a notebook, he invites the dead back into the real world - at least, this is what Hirase has pieced together from his website page. Ushered into a luxury hotel to await her meeting, the Go-Between lays down the ground-rules: the reunion lasts one evening under a full moon; the dead person cannot be called back by anyone else, and may refuse to meet.

Early one morning, at the close of St Colibri’s carnival, a young female steel pan player is found dead beneath a cannonball tree. It is a discovery that will transform the lives of everyone on this small island.

Kim Ronyoung (Gloria Hahn, 1926-1987) tells the story of Haesu and Chun, immigrants who fled Japanese-occupied Korea for Los Angeles in the decade prior to World War II, and their American-born children. First published in 1986, Clay Walls offers a portrait of what being Korean in California meant in the first half of the twentieth century and how these immigrants’ nationalist spirit helped them withstand racism and poverty.

The quiet calm of Ash Wednesday morning. Carnival is over. Everyone on the small island of St. Colibri is sleeping peacefully. Everyone except Sora Tanaka, a young pan player lying under the cannonball tree. Sora, a professional musician, had been visiting St. Colibri to take part in the island’s famous steel pan competition. But Sora isn’t asleep; she’s dead: brutally murdered, and still in her costume. And as the women of this island know all too well, Sora is far from the first woman to be killed, and she probably won’t be the last, either.

On the 14th of August 1941, a Polish monk named Maximilian Maria Kolbe was murdered in Auschwitz. Kolbe's life had been remarkable. Fiercely intelligent and driven, he founded a movement of Catholicism and spent several years in Nagasaki, ministering to the 'hidden Christians' who had emerged after centuries of oppression. A Polish nationalist as well as a monk, he gave sanctuary to fleeing refugees and his death was no less remarkable: he volunteered to die, saving the life of a fellow prisoner. It was an act that profoundly transformed the lives of two Japanese men.