検索キーワード： ナレーター "Dani Martineck" すべてのカテゴリー

When Byron Kidd’s twelve-year-old daughter vanishes, the only clue is a note claiming that she’s taken off to explore the Hidden World, a magical land from a series of novels. She is not the only child to seek out this imaginary realm in recent years, and Byron—a cynical and hard-nosed reporter—is determined to discover the whereabouts of dozens of missing kids. Byron secures a high-profile interview with Annabelle Tobin, the eccentric author of the books, and heads off to her palatial home in the Hollywood Hills. But the truth Byron discovers is more fantastic than he ever could have dreamed.

Najwa Zebian, EdD, has been grappling with the concept of letting go for years, both in her own journey and in her interactions with community members, students, and friends. More and more, Najwa has observed that while our problems are personal, the themes surrounding them are universal. She concluded that letting go is a topic that deserves specific attention and consideration.

Zeus, Athena, Apollo, Aphrodite, and the other denizens of Mount Olympus feel almost as present and larger than life today as they did when they were worshipped as gods. Humanity has been telling and retelling stories about the characters from Greek and Roman myth for centuries—heck, the Romans liked the Hellenic originals so much, they remade them faster than Marvel remakes Spider-Man movies. And from Virgil's Aeneid to Xena: Warrior Princess to Percy Jackson to The Song of Achilles, the obsession has never waned.

Welcome to Affinity, the hottest battle royale video game around! Since winning the first-ever Affinity tournament, The Weird Ones are supposed to be on top of the world. Josh, Hannah, Larkin, and Wheatley have formed their own professional team and launched a popular streaming channel, and they’re set to take eSports by storm. But the kids have an awful secret: Wheatley is missing.

Welcome to Affinity, the hottest battle royale video game around! The Weird Ones—Josh, Hannah, Larkin, and Wheatley—have become four of the biggest stars in gaming. But a surprising twist to their first professional Affinity tournament leaves Wheatley in huge trouble . . . with Hurricane Games, the company that made the game they all love.

Lourna Dee is not a villain. She’s not a hero. She’s a survivor. The former Tempest Runner, wanted by both her Nihil allies and the Republic, has evaded imprisonment and death from both groups more times than she can count. But even Lourna cannot outrun the mysterious blight that devours everything wherever it appears. And Marchion Ro, the Eye of the Nihil, has announced that only he knows the secret to stopping it.

Lourna Dee is not a villain. She’s not a hero. She’s a survivor. The former Tempest Runner, wanted by both her Nihil allies and the Republic, has evaded imprisonment and death from both groups more times than she can count. But even Lourna cannot outrun the mysterious blight that devours everything wherever it appears. And Marchion Ro, the Eye of the Nihil, has announced that only he knows the secret to stopping it.

In a world of mass consumption and busy schedules, taking the time to understand our own trash habits can be daunting. In Trash Talk, the ever-curious and talented Iris Gottlieb pulls back the curtain on the intricacies of the global trash production system and its contribution to climate change. From the history of the mafia’s rule of the New York sanitation system to orbital debris (space trash) to the myth of recycling, Gottlieb will help listeners see trash in a whole new way.

On the night Miles Abernathy—sixteen-year-old socialist and proud West Virginian—comes out as trans to his parents, he sneaks off to a party, carrying evidence that may finally turn the tide of the blood feud plaguing Twist Creek: Photos that prove the county’s Sheriff Davies was responsible for the so-called “accident” that injured his dad, killed others, and crushed their grassroots efforts to unseat him. The feud began a hundred years ago when Miles’s great-great-grandfather, Saint Abernathy, incited a miners’ rebellion that ended with a public execution at the hands of law enforcement.

With his father’s mysterious disappearance and his brother Ronnie enlisting in the Vietnam War, 13-year-old TJ Crowley is left alone with his racist, unstable mother, Kate. The newly enforced Fair Housing Act results in the unthinkable for the Crowleys when a Black family, headed by the eminent Dr. Washington, crosses the racial red line and moves in next door. Kate is quick to warn TJ that their new neighbors are strictly off-limits and makes a panicked call to beg Ray, her old flame, to travel to their home in Wichita Kansas to help deal with “the problem next door.”

Being a hero is nothing like the ballads promised it would be. Scattered across the realm, Callie, Willow, Elowen and Edwyn have learned that when the fate of their world is at stake, choices are hard and the consequences are harder, even when striving for good. Hunted by both Helston and Dumoor, Callie and Willow flee to the walled city of Fairkeep in a last ditch effort to find allies.

A young boy and his older sisters find themselves suddenly and utterly alone, orphaned in an abandoned fishing village. Their food supplies dwindling, they set out across a breathtaking yet treacherous wilderness in search of the last of their people. Down the coast, raiders deliver the children's mother, along with the rest of their human cargo, to the last port city of a waning empire. Determined to reunite with her family, she plots her escape—while her fellow captives plan open revolt.

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola revolutionizing Hollywood in the ’70s, Brian De Palma—a director from Philadelphia with a few social satires under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language.