検索キーワード： ナレーター "Dylan Moore" すべてのカテゴリー

Shay Miller wants to find love, but it eludes her. She wants to be fulfilled, but her job is a dead end. She wants to belong, but her life is increasingly lonely. Until Shay meets the Moore sisters. Cassandra and Jane live a life of glamorous perfection, and always get what they desire. When they invite Shay into their circle, everything seems to get better. Shay would die for them to like her. She may have to.

In the Before, when the government didn't prohibit large public gatherings, Luce Cannon was on top of the world. One of her songs had just taken off and she was on her way to becoming a star. Now, in the After, terror attacks and deadly viruses have led the government to ban concerts, and Luce's connection to the world - her music, her purpose - is closed off forever. She does what she has to do: She performs in illegal concerts to a small but passionate community, always evading the law.

Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby's glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis's billion-dollar business is really nothing more than a game of smoke and mirrors.

1918 - America is at war with Germany, and, for the first time in history, the US Navy has allowed women to join up alongside the men. Ten thousand of them rush to do their part. German-American Marjory Kunwald enlists in the Navy to prove her patriotism. Suffragette Blanche Lawrence to prove that women are the equal of men. And shy preacher’s daughter Viv Weston in a desperate attempt to hide from the police.

It’s been more than a decade since the world has come undone, and Sasha Severn has returned to her childhood home with one goal in mind—find the mythic research her father, the infamous Last Beekeeper, hid before he was incarcerated. There, Sasha is confronted with a group of squatters who have claimed the quiet, idyllic farm as a way to escape the horrific conditions of state housing. While she feels threatened by their presence at first, the friends soon become her newfound family, offering what she hasn't felt since her father was imprisoned: security and hope.

The prestigious annual story anthology, featuring prize-winning stories by Kate DiCamillo, Jess Walter, Dave Eggers, Allegra Goodman, Jai Chakrabarti, Francisco Gonzalez, and more.

Nothing is simple about being a new mom alone in a new house, especially when your baby is collicky. Natalie Fanning loves her son unconditionally, but being a mother was not all she wanted to be. Enter Paul, the neighbor. Paul provides the lifeline she needs in what feels like the most desperate of times. When Paul is helping with Oliver, calmed by his reassuring, steady presence, Nat feels like she can finally rest. But Paul wants something in return.

Jamie Kendal sees life through the bottom of a bottle. After surviving assault and betrayal, she hopes to dull the pain by returning to her hometown to care for her mother. Instead, she’s plagued by terrifying slivers of memories from the night her twin brother disappeared forever....

"In almost any culture, at any time, you can find food writing,” writes guest editor Mark Bittman in his introduction. “Food means growing and hardship, and health and medicine, and work and holiday. In its abundance it is a gift and a joy, and in its absence a curse and a tragedy. If a culture has writing, that culture has food writing.” The stories in this year’s Best American Food Writing are brilliant, eye-opening windows into the heart of our country’s culture.

Natalie Fanning already loves her newborn son, Oliver, with everything she has. From the moment he was born she knew that she was meant to be his mother, even though she didn’t want that to be all she was. When Oliver refuses to sleep, and her husband Tyler returns to work, Nat is left mostly alone in a new house, in a new neighbourhood, the task of keeping her small son healthy and happy on her shoulders alone. No one else can breastfeed Oliver; no one else will protect him like she can; no one can help her.