検索キーワード： ナレーター "Greg D Barnett" すべてのカテゴリー

If Jason, Michael, and Freddy were merged into one being and given supernatural powers, the result would be something like Mister Scary. He's been carrying out his murders from the Shadow Land for way too long now. It's time to put him down.

In the winter of 1846-47, a group of eighty-seven pioneers heading from the Midwest to California found themselves snowbound in the Sierra Nevada mountain range with no way forward and no food or supplies. While forty-eight of the group members survived, the others perished due to extreme weather, starvation, and illness. To survive, the remaining people resorted to extreme measures...including cannibalism.

This collection includes The Shy Little Kitten, Tootle, Home for a Bunny, The Three Bears, The Little Red Hen, and The Sailor Dog.

Nick Carraway―paper soldier and novelist―has found a life and a living watching the mad magical spectacle of New York high society in the late thirties. He's good at watching, and he's even better at pretending: pretending to be straight, pretending to be human, pretending he's forgotten the events of that summer in 1922. On the eve of the second World War, however, Nick learns that someone's been watching him pretend and that memory goes both ways. When he sees a familiar face at a club one night, it quickly becomes clear that dead or not, damned or not, Jay Gatsby isn't done with him.

Smile, and the world smiles with you. Cause an apocalypse, and the Hounds drag you to Purgatory. After the events of Final Magic, Alec finds himself in a place where life is cheap and death is a constant companion. Time to win new friends and avoid new enemies.

I was the guy you came to when your spouse got bitten by a werewolf, or your boyfriend was kidnapped by a demon. I was the guy who knew what to do when an evil sorcerer casts a curse on you. At least, I WAS that guy. Until I destroyed the world. Now . . . I'm the guy who's gonna save it.

As a medical examiner, seeing ghosts has its advantages. After being informed by a ghost that there is a mass grave in the area, Lance and Detective Angus Young feel the fallout. As one investigates the murders, the other investigates the bodies, both trying to piece together what happened. Luckily, the dead aren't all silent. As ghosts of the victims appear, clues to what happened start to come together. The only problem now is figuring out who the killer is and catching him before he strikes again.

Angus grew up around the strange. With his mother able to see and speak to ghosts, he's grown up knowing there are things most people can't see or understand. When he accidentally catches Lance arguing with a ghost, he knows he has to step in before the man thinks he's going crazy. As Lance adjusts to his new ability, he also realizes seeing ghosts has its advantages. When several women are murdered in the area, it's up to Lance and Angus to work with the ghosts of the victims to catch the killer.

This magnificent volume gathers the published verse of Allen Ginsberg in its entirety, a half-century of brilliant work from one of America's greatest poets.

When a case takes me to the wilderness of Northern Maine, I'm not even sure there's a paranormal angle. Two girls walked into the woods one night and only one of them came back. She's so traumatized by what she saw that she hasn't spoken a word since. The police come up empty-handed so the girl's father hires me to find out what happened. Getting out of Dearmont for a while seems like a good idea—especially when there's an ancient wizard trying to force me into using a cursed sword—so I pack the mosquito repellent and head north.

I was born and raised in New York City, one of the most exciting and exhausting places in the world. Work, Sleep, Repeat. My existence was a real-life Groundhog Day, and I needed it to stop.

Joan Crawford's remarkable forty-five-year motion picture career is one of the industry's longest. Signing her first contract in 1925, she was crowned an MGM star four years later and by the mid-1930s was the most popular actress in America. In the early 1940s, Crawford's risky decision to move to Warner Bros. was rewarded with an Oscar for Mildred Pierce. This triumph launched a series of film noir classics. She teamed with rival Bette Davis in Whatever Happened to Baby Jane?, proving that Crawford, whose career had begun by defining big-screen glamor, had matured into a dramatic actress.