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Anselm of Canterbury (1033-1109) was the outstanding philosopher-theologian of the Latin West between Augustine and the thirteenth century. As a public figure, especially as Archbishop of Canterbury, he corresponded with kings and nobles, popes and bishops, in letters that reveal a fascinating personality and flesh out the practical dimensions of his theoretical philosophy. He wrote at a time when a renewed interest in logic encouraged careful and rigorous argumentation, but before the recovery of Aristotle filled the philosophical discourse.

In 1976, under the guidance of legendary label Stiff Records, he transformed himself into the snarling, spectacled artist who defied the musical status quo to blaze the trail for a new kind of rock star with his debut album, My Aim Is True. In Elvis Is King, Richard Crouse examines how the man, the myth, and the music of this arrestingly original album smashed the trends of the era to bridge the gap between punk and rock ’n’ roll.

Little did Evan know his suicide attempt would not be a disappearing into a void but the beginning of a journey to repentance and faith. Long suffering from alcoholism and depression, college sophomore Evan Esco hoped to escape his pain by committing suicide. Evan hoped he would simply cease to be, but he did not count on the existence of God to foil his plans. Instead of wrath, God is now giving Evan the chance to repent—that is, the chance to return to the world above, turn from his sins, and place his faith in the Lord Jesus Christ.

Frank Ryder is unstoppable on the baseball field—his pitches arrive faster than a batter can swing, giving his opponents no chance. He’s being heralded as a game-changing pitcher. But within the maelstrom of press, adulation, and wild speculation, Frank is a man alone. Haunted by a tragic incident from years past, he yearns to be the best but cannot reconcile the guilt he carries with the man everyone believes him to be.

Donick Walsh: king of the school bullies, secret dancer, closet-case. What’s to be done when a football injury means he can never play again? Dance in the school musical, of course! Not like he has a choice. Fingers crossed his father doesn’t find out! Enter Michael Penrose: theatre-kid, and Donick’s former best friend. For years Michael has been the object of Donick’s ridicule simply because Michael is out and proud, and Donick is afraid. Suddenly confronted with his old friend, Donick sinks under the weight of the guilt of his past. How can a bully make amends for all the hurt he’s caused?