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Eric is the Discworld's only demonology hacker. Pity he's not very good at it. All he wants is his three wishes granted. Nothing fancy: to be immortal, to rule the world, and have the most beautiful woman in the world fall madly in love with him. The usual stuff. But instead of a tractable demon, Eric calls up Rincewind, the most incompetent wizard in the universe, and his extremely intractable and hostile travel accessory, the Luggage.

It's the night before Hogswatch. And it's too quiet. It's the night before Hogswatch. There's snow, there are robins, there are trees covered with decorations, but there's a notable lack of the big fat man who delivers the toys. He's gone. Susan the governess has got to find him before morning; otherwise, the sun won't rise. And unfortunately, her only helpers are a raven with an eyeball fixation, the Death of Rats, and an "oh god of hangovers".

This isn't real life. This isn't even cheese mongering. It's opera - where the music matters, and where an opera house is being terrorised by a man in evening dress with a white mask, lurking in the shadows, occasionally killing people, and, most worryingly, sending little notes, writing maniacal laughter with five exclamation marks. Opera can do that to a man. In such circumstances, life has obviously reached that desperate point where the wrong thing to do has to be the right thing to do.

Reality is all very well in small doses. It's a perfectly conventional and convenient way of neutralising the imagination. But sometimes when there's more than one reality at play, imagination just won't be neutralised, and the walls between realities come tumbling down. Unfortunately there's usually a damned good reason for there being walls between them in the first place. To keep things out. Things who want to make mischief and play havoc with the natural order.

Fate is a word that springs to the lips when to call something coincidence seems mealy mouthed. Destiny is another such. But the problem with destiny is, of course, that she is not always careful where she points her finger. One minute you might be minding your own business on a normal, if not spectacular, career path; the next you might be in the frame for the big job. Like saving the world.

Another fascinating title in the fantastically funny history series from the acclaimed Tony Robinson. Tony Robinson takes you on a headlong gallop through time, pointing out all the most important, funny, strange, amazing, entertaining, smelly and disgusting bits about the British! It's history, but not as we know it! Find out everything you ever needed to know in this brilliant, action-packed, fact-filled book.

Barney is a solitary little boy, given to wandering off by himself. One day he is lying on the edge of a disused chalk-pit when it gives way and he lands in a sort of cave. Here he meets 'somebody with a lot of shaggy hair and two bright black eyes' wearing a rabbit skin and speaking in grunts. He names him Stig. Of course nobody believes Barney when he tells his family all about Stig, but for Barney cave-man Stig is totally real. They become great friends, learning each other's ways and embarking on a series of unforgettable adventures.

"Look after the dead," said the priests, "and the dead will look after you." Wise words in all probability, but a tall order when you have just become the pharaoh of a small and penniless country whose largesse, and indeed treasury, is unlikely to stretch to the building of a monumental pyramid to honour your dead father. And particularly when your only visible means of support is a recently acquired qualification from the Guild of Assassins.

An aura of mean-minded resentfulness is thick in the streets of Ankh-Morpork. Insurrection is in the air. The Haves and Have-Nots are about to fall out all over again. The Have-Nots want some of their own magic. But magic in the hands of amateurs is a dangerous thing. The City Watch is the last line of defence against such unnatural goings-on. But when even the Watch have trouble telling right from wrong, you know that law and order ain't what they used to be. But that's all about to change.

Three witches gathered on a lonely heath. A king has been cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the crown of the kingdom are both missing. The omens are not auspicious for the new incumbent, for whom ascending this tainted throne is a more complicated affair than you might imagine - particularly when the blood on your hands just won't wash off, and you're facing a future with knives in it.

Never let real life get in the way of a good story, especially when a good story involves three witches, including a fairy godmother, and travelling to a faraway land to make sure that a servant girl doesn't marry a prince. It looks as though a happy ending may be averted before catastrophe strikes. But unfortunately, the forces of good are up against a godmother who has made Destiny an offer it can't refuse.

Shortlisted for the British Book Awards, Children's Book of the Year, 2007.
Tiffany Aching is a trainee witch now working for the seriously scary Miss Treason. But when Tiffany witnesses the Dark Dance, the crossover from summer to winter, she does what no one has ever done before: she leaps into the dance. And into the oldest story there is.

All is not well within the Unseen University. The endemic politics of the place have ensured that it has finally got what it wished for: the most powerful wizard on the disc - which could mean that the death of all wizardry is at hand. And that the world is going to end, depending on whom you listen to. Unless, of course, one inept wizard can take the University's most precious artefact, the very embodiment of magic itself, and deliver it halfway across the disc to safety.

A real witch never casually steps out of her body, leaving it empty. Eleven-year-old Tiffany Aching does. And there's something just waiting for a handy body to take over. Something ancient and horrible and that can't die. Tiffany returns in this exciting new adventure, helped as before by the Nac Mac Feegle - the rowdiest, toughest, smelliest bunch of fairies ever to be thrown out of Fairyland for being drunk at two in the afternoon. They'll fight anything!

Up on the chalk downs they call The Wold, witches are banned: ever since the Baron's son vanished in the woods. Anyway, as all witches know, chalk's no good for magic. Nine-year-old Tiffany Aching thinks her Granny Aching, a wise shepherd, might have been a witch, but now Granny Aching is dead, and it's up to Tiffany to work it all out when strange things begin happening.

When a large, heavily fortified and armoured empire makes a faintly menacing request of a much smaller, infinitely more cowardly neighbour, it would be churlish, if not extremely dangerous, not to comply; particularly if all they want is a wizard, and they don't specify whether competence is an issue.

Tony Robinson stars in this BBC Radio 4 full-cast dramatisation of E. T. A. Hoffmann's renowned Christmas story, which inspired Tchaikovsky's ballet The Nutcracker. It is Christmas Eve, and young Mary and Fred are opening presents from their godfather, Drosselmeier the toymaker. Mary's favourite gift is a nutcracker soldier, and she is disappointed when his jaw breaks on a particularly hard nut.

Sir Tony Robinson is a much-loved actor, presenter and author with a stellar career lasting over 50 years. Now, in his long-awaited autobiography, he reveals how the boy from South Woodford went from child stardom in the first stage production of Oliver!, a pint-size pickpocket desperately bleaching his incipient moustache, to comedy icon Baldrick, the loyal servant and turnip aficionado in Blackadder.

Astrid is from the planet Antalusia, five hundred light years away. Keen to study the human family, she gets a job looking after one! Harry and his mum definitely didn't expect someone with a floating suitcase, a miniature spaceship and huge hair - and she's never seen a vacuum cleaner before. Astrid is a great au pair - the only question is, how long will she stay?

Dodger is a tosher – a sewer scavenger living in the squalor of Dickensian London. Everyone who is nobody knows Dodger. Anyone who is anybody doesn’t. But when he rescues a young girl from a beating, suddenly everybody wants to know him. And Dodger’s tale of skulduggery, dark plans and even darker deeds begins….