検索キーワード： ナレーター "Denis Daly" すべてのカテゴリー

James Elroy Flecker, linguist, scholar, critic, poet, and diplomat, like his illustrious poetic peers, Wilfred Owen and Rupert Brooke, did not survive the First World War. All three died young: Owen and Brooke in the line of battle, and Flecker, who never fought due to a long-standing respiratory illness, in a sanatorium in Switzerland in 1915. Flecker's poems are generally short: none of his original verse works exceeds 1200 words in length. Flecker revised his poems regularly, refining their spare but telling verbiage and achieving simplicity and directness.

A prominent focus of the works of New Thought author Christian Larson (1874-1954) was the cultivation of positive mental states for the attainment of success and happiness. In this short treatise, he analyzes some common mental maladies and gives suggestions for their treatment.

Among his many other attributes, James Elroy Flecker was a skilled linguist and an expert translator of Latin poetry. In 1913, he planned to write a book to be entitled An interpretation in blank verse of Virgil, Aeneid VI, based on the poetic value of the sounds, together with Latin text and ten prefaces. The surviving translation consists of lines 1-19 and 264-547 from book six, which describe Aeneas' encounter with Sibyl and his visit to the underworld.

Much of Tennyson's poetry is elegiac in nature, featuring characters who have been disempowered by isolation, age, or lack of opportunity. One of the most famous examples of this is the dramatic soliloquy, "Ulysses". "Columbus", written many years later, is also a dramatic narrative. In both cases, the narrators are elderly mariners, who have a long history of daring forays into remote regions, and who are eager to venture forth again but are hampered by lack of opportunity and the effects of aging.

A resourceful miner devises an ingenious scheme to expedite his fishing, but it does not quite go as planned.

Queen Marguerite de Navarre was one of the most powerful women of her age. Her masterpiece, The Heptameron, is a collection of some 72 stories told by five gentlemen and five ladies who find themselves stranded in an abbey. Proposed as an edifying way of passing the time while a bridge is being repaired, the tale-telling - as well as the conversations that follow each story - quickly becomes a battle of wits between the sexes, with tales concerning illicit lovers, romantic conquests, lecherous monks, manly honor, and women's virtue.

This is the first of Tennyson's poems to be based on Sir Thomas Malory's Morte d'Arthur. The first draft was composed in 1834, and the finished work was published in Poems (1842). Later Tennyson incorporated the poem into the Idylls of the King (1870) under the title of "The Passing of Arthur". The narrative of this poem was drawn from the third, fourth, and fifth chapters of the 21st book of Thomas Malory's romance.

In this short treatise, New Thought author Christian Larson discusses the power of the subconscious mind and the importance of establishing a working relationship with it. In the words of the author: "What is produced in the within will invariably come forth into expression in the personality; therefore, by knowing how to impress the subconscious, man may give his personal self any quality desired, and in any quantity desired."

In this rambling essay, Bertrand Russell reflects on the future of the world while the memory of the First World War was still strong in the public imagination. Russell notes the concomitant development of technology and the rise of political autocracies and explores whether man can be considered fit to handle the vast new powers at his disposal.

Like his great contemporaries, John Keats and Lord Byron, Shelley suffered an untimely death, but still managed to stun the world with a wide-ranging body of work, including poetry, drama, and criticism. His poetry is that of a young man, a lover of nature and fiercely critical of institutionalized corruption, and virtuosic in his use of language and imagery.

Unlike the other verse novels of C. J. Dennis, this collection of 13 poems is focused on political satire. The action is set in the society of an arboreal race, known as Glugs, and described by the author "stupid race of docile folk". Among the targets of Dennis's mocking scrutiny are free trade, social conformity, and extravagant bureaucracy.

A group of highly opinionated individuals gather at a remote country estate in Hampshire and indulge in lengthy conversations about issues of the day over extravagant dinners. The young and idealistic Algernon Falconer resides in the opulent country house with seven young "handmaidens', whom he calls "Vestals." A learned and garrulous local clergyman, Dr. Opimian, becomes a friend and confidant of Mr. Falconer and decides that the young man would make a suitable husband for Morgana Gryll, a niece of one of his friends.

In regard to Christianity and, especially, Catholicism, Joseph McCabe was one of the most learned atheist writers of the 20th century. McCabe was a former Catholic priest, fluent in Latin and several other languages, who had taught philosophy and ecclesiastical history in a Catholic university. During his lifetime he wrote hundreds of books and pamphlets, and translated dozens of others, on various aspects of science and history, and a great many texts on religious topics.

"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".

This book explores the position of the Church and the Papacy at the end of the First World War. It is a synoptic presentation of the material discussed in much greater detail in his later works, Crises in the History of The Papacy (1919) and A History of the Popes (1939).

This lyrical ballad is one of Tennyson's most famous poems. The subject, the tragic passing of a reclusive noblewoman, was suggested by a 13th-century Italian romance, the Donna di Scalotta.

This poem consists of 11 stanzas of varying length, the first four of which were composed in 1802. These deal with the subject of death, a concept with which Wordsworth confesses to having struggled within childhood.

This poem was written by Wordsworth after a walking tour through the Welsh Borders. As usual with many of Wordsworth's poems, it opens with a description of the countryside which is then developed into a philosophical reflection about beauty and the suggestive power of recollection.

John Keats died in Rome in February 1821, at the age of 25. Shelley, who was to follow him to the grave the following year, was inspired to compose this pastoral lament, which consists of 55 Spenserian stanzas

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.