検索キーワード： ナレーター "Anne Dover" すべてのカテゴリー

Hull, 1874. Clara had always wondered about the beautiful, mysterious Jewel Newmarch, who was adopted as a baby and turns heads wherever she goes - her exotic looks point to her origins far away from the streets of Hull. Even at her twin sister Elizabeth’s wedding, Clara knows that Jewel is the belle of the ball. And as Jewel looks on at the happy, newly-married couple she feels a restlessness and intense longing to know her own roots.

Seventeen-year-old Muriel Dearlove has weathered the Blitz unscathed, earning her keep in Miss Chapman's grocery shop. But with her sweetheart, Bill, away fighting and her friends conscripted into the WRENS and WAAF, life has become tedious for Muriel. Then one day an old friend returns from a stint in the Land Army. She is rosy cheeked and looks healthier than ever. Desperate for the chance to broaden her horizons, Muriel signs up to become a Land Girl.

Nell Goodman is a good daughter. Her job in the local brewery is the only thing keeping her and her mother afloat. But with her mother becoming increasingly eccentric, Nell is starting to feel the burden of her responsibilities. When Nell goes to George Wilmot, the brewery's owner, for help he offers her a job as a live-in servant. She begins to grow closer to Devlin, George's son, and it looks like Nell's luck is finally changing. An unwelcome discovery and tragedy mean that things suddenly change.

1860: Harriet Miles is trying to take care of her seriously ill mother, and just when she thinks things couldn’t get any worse she is fired from her job at the hostelry. The last thing she expects after her mother dies is a marriage proposal from a man she barely knows, but her only alternative is the workhouse. And so begins her new life with Noah Tuke. But instead of marital bliss, Harriet finds herself in the cramped farmhouse Noah calls home, and in this overcrowded and angry household she meets with hostility and bitterness. The only person who offers her friendship is Noah’s brother, Fletcher.

Young Mikey Quinn, scavenging on the streets of Hull, is thrown into prison for stealing a rabbit from the butcher. His chief accuser, a well-to-do lawyer, has a daughter, Eleanor, whom he badly mistreats. When Mikey is released he finds that his mother has died and his brothers taken into the workhouse - determined to find a better life for his family, he walks all the way to London to seek his fortune.

When Laura Page returns to the remote Holderness village of Welwick, it is to try and discover the mystery of her mother Susannah’s early life. Now a local property owner in Hull, Susannah never speaks of her childhood, when she was brought up with the terrible stigma of bastardy – of being nobody’s child. Born into poverty, living in a tiny labourer’s cottage with her father, Susannah’s mother had caught the eye of the local landowner’s son.

Rosa grew up an orphan in a remote, watery island fastness on the wild East coast of Yorkshire. Taken in as a small child by the motherly Mrs Drew, she realised as she grew up that this large and seemingly close farming family contained many troubled souls: Mr Drew, whose religious fervour held a dark secret; Jim, the eldest son, who was terrified of something from his past; Delia, longing to escape from the island; and tall, handsome, confident Matthew, who wanted only one thing - Rosa herself.

Susannah Leyton has grown up behind the counter of her father's apothecary shop in bustling Fleet Street. A skilled student, her father has granted her the freedom to pursue her considerable talents. But Susannah is dealt a shocking blow when her widowed father marries again, and her stepmother seems determined to remove her from the apothecary shop. A proposal of marriage from the charming Henry Savage seems to offer Susannah an escape. But as the plague sweeps through London, tragedy strikes, and dark secrets from her husband's past begin to unfold.

Summer, 1936. Newly trained midwife Hazel Price returns to the Yorkshire streets of her childhood, only to find that her modern methods and 'stuck-up' ways bring her into conflict with her family and other formidable residents of Raglan Road. Determined, Hazel battles on, assisting with home deliveries and supporting the local GP. The days are long and hard, but Hazel brings knowledge and compassion to the work she loves.

A grisly book dedicated to the crimes, perversions and outrages of Victorian England, covering high-profile offences - such as the murder of actor William Terriss, whose stabbing at the stage door of the Adelphi Theatre in 1897 filled the front pages for many weeks - as well as lesser-known transgressions that scandalised the Victorian era. The tales include murders and violent crimes but also feature scandals that merely amused the Victorians.

Gussie, Ned, and Jannie are not quite siblings, but they share a fiercely close and affectionate family bond. In their bohemian Cornish home, with a famous and distinguished artist as their father figure, they glory in their unusual upbringing and their unconventional, loving family life....Until one day a terrible tragedy destroys the foundations of that family, and they have to learn to cope on their own.

A story from The Prisoner’s Defence, a collection of First World War short stories. In 'Paraphernalia' a nurse describes the difficulty in distancing herself from her patients and their suffering. 

Along a blacked-out wartime street a girl is scurrying, a basket on one arm. As sirens begin and bombs crash down, she is filled with panic and, with a heavy heart, abandons her burden in a sheltered doorway, meaning to return later. Even as she disappears in the resulting chaos, the bundle in the basket begins to wail.

Women’s contribution to the war effort was constantly changing, and The Despatch-Rider follows one young woman’s determination to contribute in a practical way. 

The life of a Bomb Girl isn't usually glamourous. But Maggie is getting married, so she is going to make sure her wedding day is - even if she does have to spend every other day slaving on the factory floor. This blasted factory was not what Julia had in mind either. She had always dreamed of attending Oxford University rather than getting her hands dirty, and the easy laughter of the other women intimidates her terribly. But they are all here together in this munitions factory in a Lancashire mill town, sharing firsts, pitching in and getting on. These Bomb Girls are going to do their best at work and in love.

Despite the war, life had to go on at home, and in this short story, the voluntary work carried out by women on the home front is brought to the fore.

One Of The Old Guard focuses on a small rural community as anxious lovers, parents, grandparents and children wait for loved ones to return home from the front.

Hetty Gilbert is a canal child with no permanent address, so when she needs to join the library, she cannot do so. Miss Preece dislikes children, but Hetty's longing for books touches a chord and she stretches the rules to help her. Soon, Hetty's chief desire is to become a librarian like her friend. But with war on the horizon, their lives will never be the same.

Lottie and her mother, Louella, share a house in Victoria Court with Mr Magic and his son, Baz. Lottie is a child star, dancing and singing at the Gaiety Theatre; Louella acts as Max Magic's assistant. But a road accident causes Lottie to lose her memory. Then Lottie meets a boy with golden-brown eyes who calls her "Sassy" and accuses her of running away. It is after this meeting that the dreams start, dreams of another life, almost another world.

Living on the edge of the beautiful Norfolk Broads with her father, the only ripple in Tess Delamere's calm life is the disturbing dream about her dead mother which haunts her. She yearns to know more, but the arrival of a new stepmother heralds the end of Tess' hopes that her father might divulge the past. As she grows up, Tess slowly starts to put together the pieces herself. But the outbreak of war brings tragedy and upheaval, changing Tess' priorities....