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The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

One of the most memorable programs in broadcast history, the Halloween Eve 1938 broadcast of The War of the Worlds set off a nationwide panic that's almost unimaginable today. Presented by the Mercury Theatre on the Air and its creatve genius, Orson Welles, the drama based on H.G. Wells' classic novel tells the story of a Martian invasion of Earth.

The Mercury Theatre was an independent repertory company founded in New York City in 1937 by Orson Welles and producer John Houseman, who is best known for his Oscar-winning performance as Professor Charles Kingsfield in the The Paper Chase. After a series of acclaimed stage productions, Welles and his Mercury Theatre were offered theirown weekly hour-long radio program over the CBS radio network.

If you are a lover of old-time radio and a fan of Orson Welles, you won't want to miss this treasure chest of legendary Orson Welles radio broadcasts! With his flair for the sensational and innovative, Welles captured audiences' attention with his 1930s CBS weekly drama series The Mercury Theatre on the Air, later renamed The Campbell Playhouse, which featured hour-long dramatizations of classic books. His 1938 production, The War of the Worlds (an H. G. Wells adaptation) was especially memorable, as were many other productions, each featuring talented voices and actors.

This collection contains six classic Christmas radio productions from the '30s, '40s, and '50s.

On the evening of October 30th, 1938, Earth went to war with Mars. Martians invaded New Jersey! Here is the famous panic-inducing broadcast that shook the world, starring Orson Welles.

Marsbewohner landen in New Jersey. Ein Radioreporter berichtet live von ihrem Angriff auf die Bevölkerung. Die Hörer erleben ein beklemmendes Szenario... bis Orson Welles es in der Absage zum Halloween-Scherz erklärt.

Starring Orson Welles, Anges Moorehead, and Ray Collins, The Count of Monte Cristo is a tale of revenge and retribution. Edmond Dantès, a young, energetic sailor, is falsely accused of treason on his wedding day and incarcerated in the forbidding Château d'If. His escape and ultimate revenge on those who wronged him makes this one of the most thrilling stories in French literature, as compelling now as when it was first published in 1846.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Three brothers of a well-to-do English family join the French Foreign Legion. This is an abridged staged performance of Beau Geste, starring Sir Laurence Olivier and Orson Welles.

Orson Welles stars in this dramatisation of Dickens' A Christmas Carol.

Orson Welles stars as Phileas Fogg of London, who together with his newly employed French valet Passepartout attempt to circumnavigate the world in 80 days on a £20,000 wager set by his friends at the Reform Club.

Jackie Cooper and Orson Welles star in this performance of Mark Twain's The Adventures of Huckleberry Finn.

These classic Sherlock Holmes performances by Gielgud, Richardson and Welles were first broadcast in the 1950s.

This spectacular and haunting version of Bram Stoker's Dracula stars Orson Welles and was performed in 1938. Between 1879 and 1889 Bram Stoker was business manager for the world-famous Lyceum Theatre in London, where he supplemented his income by writing a large number of sensational novels. This, perhaps his most famous tale about the vampire Dracula, was published in 1897.

A full-cast dramatization of the classic starring Orson Welles.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....