検索キーワード： ナレーター "Raphael Corkhill" すべてのカテゴリー

Kid Congo Powers has been described as a “legendary guitarist and paragon of cool” with “the greatest resume ever of anyone in rock music." That unique imprint on rock history stems from being a member of not one but three beloved, groundbreaking, and influential groups—Nick Cave and the Bad Seeds, the Cramps, and last but not least, The Gun Club, the wildly inventive punk-blues band he co-founded. Some New Kind of Kick begins as an intimate coming-of-age tale.

Rich socialite, inveterate flirt, and walking disaster Tennalhin Halkana can read minds. Tennal, like all neuromodified “readers,” is a security threat on his own. But when controlled, readers are a rare asset. Not only can they read minds, but they can navigate chaotic space, the maelstroms surrounding the gateway to the wider universe. Conscripted into the military under dubious circumstances, Tennal is placed into the care of Lieutenant Surit Yeni, a duty-bound soldier, principled leader, and the son of a notorious traitor general. Whereas Tennal can read minds, Surit can influence them.

As Chief of Security of Ixia, Valek has spent the last 15 years keeping Commander Ambrose and his citizens safe. With his complex network of spies, informers, and soldiers, it’s his job to hunt down and capture criminals, including the intriguing Yelena.

Liverpool, 1935: Raised in a strict Catholic family, Viv Byrne knows what’s expected of her: marry a Catholic man from her working-class neighborhood and have his children. However, when she finds herself pregnant after a fling with Joshua Levinson, a Jewish man with dreams of becoming a famous jazz musician, Viv knows that a swift wedding is the only answer. Her only solace is that marrying Joshua will mean escaping her strict mother’s scrutiny. But when Joshua makes a life-changing choice on their wedding day, Viv is forced once again into the arms of her disapproving family.

On the terrace of an elaborate hilltop apartment overlooking a Central American capital, four people sit making polite conversation. The American couple -- an elderly physician and his young wife -- are tourists. Their host, whom they have just met, is a young man of striking good looks and charm. The girl, his mistress, is very young and very beautiful. Sitting there, watching the sunset, the Slades seem to be enjoying the sort of fortunate chance encounter that travelers cherish. But amid the civilities and small talk, the host's casual remark to the American woman proves prophetic.

In this intense and brilliant book, Bowles focuses on Morocco, condensing experience, emotion, and the whole history of a people into a series of short, insightful vignettes. He distills for us the very essence of Moroccan culture. With extraordinary immediacy, he takes the listener on a journey through the Moroccan centuries, pausing at points along the way to create resonant images of the country, it's landscapes, and the beliefs and characteristics of its inhabitants.

In Let It Come Down, Paul Bowles plots the doomed trajectory of Nelson Dyar, a New York bank teller who comes to Tangier in search of a different life and ends up giving in to his darkest impulses. Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles's second novel is an alternately comic and horrific account of a descent into nihilism.

A Distant Episode contains the best of Paul Bowles's short stories, as selected by the author. An American cult figure, Bowles has fascinated such disparate talents as Norman Mailer, Allen Ginsberg, Truman Capote, William S. Burroughs, Gore Vidal, and Jay McInerney.

A striking collection of stories, poems, letters, travel essays, journal entries, excerpts from three novels, and more—including the complete text of The Sheltering Sky—from one of the most revered authors of the twentieth century.

Their Heads are Green, Their Hands are Blue deals largely with places in the world that few Westerners have ever heard of, much less seen—places as yet unencumbered by the trappings, luxuries, and corruptions of modern civilization. Bowles is a sympathetic and discerning observer of these alien cultures, and his eyes and ears are especially alert both to what is bizarre and what is wise in the civilizations in which he settles.

“All the tales are a variety of detective story,” wrote Bowles of this, his first short story collection, “in which the reader is the detective; the mystery is in the motivation for the charcters’ behavior.” In such stories as “A Distant Episode” and How Many Midnights,” Bowles pushes human character beyond socially defined limits and maps a transformed (often horribly transformed) reality.

The dilemma of the outsider in an alien society, and the gap in understanding between cultures, recurrent themes of Paul Bowles’s writings, are dramatized with brutal honesty in this novel set in Fez, Morocco, during that country’s 1954 nationalist uprising. Totally relevant to today’s political situation in the Middle East and elsewhere, richly descriptive of its setting, and uncompromising in its characterizations, The Spider’s House is perhaps Bowles’s best, most beautifully subtle novel.

For several days, a strange and bright new star in the sky above Norway has sown an unyielding sense of foreboding, of agitation, and of fear. Tove, a painter on holiday with her family, has spiraled into a psychosis that stirs her into a flurry of unbridled creativity. Geir, a policeman who has been investigating a grisly triple murder, comes to a sinister revelation he must keep to himself. Nineteen-year-old Line falls in love with the lead singer of a metal band and is lured into a secret and frightening world.

In a city of thirty million, Ryan Connors thought he could vanish into the shadows and escape his old life to grieve the loss of his wife and son. But when the young daughter of one of his closest friends is kidnapped, he must reunite with his former extraction and recon team—The Nameless— and find those responsible. As Ryan and his team begin to unravel a deep macabre plot that goes far beyond a missing girl, they quickly realize that it threatens the entire world.

Still reeling from the chaos of their wedding, Evelyn and Richard arrive on a tiny Greek island for their honeymoon. It’s the end of the season and a storm is imminent. Determined to make the best of it, they check into the sun-soaked rooms of Villa Rosa. Already feeling insecure after seeing the “beautiful people,” the seemingly endless number of young models and musicians lounging along the Mediterranean, Evelyn is wary of the hotel’s owner, Isabella, who seems to only have eyes for Richard.

Jedha. The worn streets of this ancient world serve as a confluence for the galaxy. Visited by all, yet owned by none. Here, the Jedi are but one creed among many worshipping and studying the Force. From the Guardians of the Whills to the Path of the Open Hand, countless beings come to learn, and to share, in peace.

Meet Otto and Cecil. Two brothers who grew up privileged in the Welsh countryside. They enjoyed watching nature shows, playing with their pet pony, impersonating their Grandfather…and killing the help. Murder is the family business after all. Downton Abbey, this is not. However, it’s not so easy to continue the family legacy with the constant stream of threats and distractions seemingly leaping from the hedgerow.

London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old trans, autistic Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Finishing School and Sanitorium.

Small-town German bookseller Carl Kollhoff delivers his books to special customers in the evening hours after closing time, walking through the picturesque alleys of the city. These people are almost like friends to him, and he is their most important connection to the world. When Kollhoff unexpectedly loses his job, it takes the power of books and a nine-year-old girl to make them all find the courage to rebuild their bonds with each other.

World War II is over. Amid jubilation in the streets of France, however, there are throngs of people stunned by the recovery work ahead. Every bridge, road, and rail line, every church and school and hospital, has been destroyed. Disparate factions—from Communists, to Resistance fighters, to those who supported appeasement of the Nazis—must somehow unite and rebuild their devastated country.