検索キーワード： 著者 "Kate Chopin" すべてのカテゴリー

Este conto fala de Tonie, um jovem tímido que mora em Chênière Caminada com sua mãe. Esse personagem também aparece no romance O despertar, da mesma autora.

Uma das primeiras histórias de Kate Chopin, este conto, publicado em 1892, retrata um pouco da vida e dos hábitos dos moradores da região da Acadiana, na Louisiana (EUA). A história de dois casais se transforma rapidamente durante um baile.

Este conto mostra o momento em que Louise Mallard, uma mulher casada, recebe a notícia de que seu marido tinha morrido em um acidente de trem. Ela então visualiza novas oportunidades e liberdade para o futuro.

No conto “O divórcio da senhora Célestin”, publicado pela primeira vez em 1894, a senhora Célestin conversa com o advogado Paxton sobre a possibilidade de se divorciar.

Este conto, publicado pela primeira vez em 1896, traz a história de uma atriz parisiense que anualmente se refugia no convento de freiras onde cresceu.

Neste conto, publicado pela primeira vez em 1894, Manna Loulou conta a história de Zoraide, uma mulher escravizada criada como afilhada da sua senhora.

Neste conto, Kate Chopin mergulha no coração amoroso e na mente cheia de fantasias de um homem que tinha vários nomes e nenhum deles definido.

Este conto, de 1893, explora a questão do amor e da aceitação, quando uma mulher idosa finalmente supera seus preconceitos.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

La tranquila vida de la señora Baroda se ve interrumpida por la llegada de un viejo amigo universitario de su esposo, el Sr Gouvernail. Aunque al principio la señora Baroda no tenía ningún interés en conocer a este señor, se encuentra desconcertada y luego fascinada por este visitante inusual. La presencia de Gouvernail, lejos de ser intrusiva, despierta en ella emociones y deseos inexplorados que la desafían a reconsiderar su propia identidad y valores. Esta novela íntima y reveladora explora la lucha interna entre las convenciones sociales y los deseos personales más profundos.

Descubre en este encantador relato corto el místico vínculo entre Adrienne Farival y el convento que visita cada primavera, impulsada por el perfume de las lilas en flor. La llegada de Adrienne es siempre un evento de alegría para las monjas, especialmente para Sor Agathe, cuya amistad con Adrienne aporta una dulzura peculiar a la narrativa. Sin embargo, este año, la tradición se ve perturbada por un giro inesperado que sacude los cimientos de su relación.

En este conmovedor relato te adentrarás en los misterios y las tensiones de la sociedad del sur de Estados Unidos. La historia sigue a Désirée, adoptada por los Valmondé tras ser encontrada abandonada, y cómo su vida da un giro tras casarse con Armand Aubigny y dar a luz a su hijo. A medida que Désirée se enfrenta acusaciones inesperadas sobre el origen de su hijo, la trama se despliega en un ambiente cargado de secretos familiares y de revelaciones impactantes que cuestionan las percepciones de la raza y la herencia.

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

Once again on the American side of the Atlantic talent pours forth from the pens of these literary women. Even to choose a mere ten seems to be a choice too difficult to make. Society may hold women back but these writers are equal to the challenge and overcome its boundaries with superbly written stories that are a beacon for all others who follow.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Désirée and Armand’s marriage was passionate and loving. But everything changes when their baby is born, who appears to be of mixed race.

The inevitable is understood by each and every one of us who faces the final calling. So too are the effects on those left behind. The memories are there but the empty space, the void can never be refilled. It remains a dark, unreliable pit of loneliness. The sadness and often depression, the lack of will to continue may swamp us all. Unquenchable, undeniable. But loss can, after mourning, give the opportunity to reappraise the lost and how we can each move forward. In the literary world an accessible balance can be given.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.