検索キーワード： ナレーター "Russell Stamets" すべてのカテゴリー

This is one of the most powerful Law of Attraction books you will ever read. It was written by a lottery winner who understands how the Law of Attraction works and how it can be used to attract money. The Law of Attraction is not a fly-by-night fad, but a powerfully creative force that can give you the life of your dreams if you know how to use it, so the better you understand this power the faster it will manifest your desires.

There is no limit to how much money and success you can manifest through the Law of Attraction because this immense spiritual power does not have an opinion about what you should or should not have. You can use the Law of Attraction to manifest ten cents or ten million dollars. The determining factor is belief and expectancy, which can be harnessed by using the spiritual tools discussed in this audiobook.

Digital Consciousness is a philosophical dialogue into the evolution of consciousness within the digital terrain and the legacy footprint on the human family. Exploring the emotional 'digital' frequency of self is a concept that Tenille Bentley has given a great deal of thought to, and some of the answers to these questions and more may surprise you. While not everyone wants to ‘change the world’ we do all have the power at our fingertips now to radically affect change for someone, somewhere, some place. Recognising this ability and harnessing how we use the internet is the basis for this book.

The power of thought, as Emerson says, is a spiritual power. It is the greatest power that man has at his disposal. The world today is in its present state simply as a result of mankind's collective thinking; each nation is in its present state of either peace and prosperity, or poverty, murder and anarchy, simply as a result of its thinking as a nation; and each individual is what he is, and his life is what it is, and his circumstances are what they are, simply as results of his thoughts.

Some of these sketches and essays have appeared in Poetry, The Fortnightly Review, The New Age, The Quarterly Review, The Future, The Egoist, and The Little Review.

Sound interesting? The author thinks so too! Listen to The Fatal Move and Other Stories and experience a compelling collection of stories, including The Fatal Move, The Vengeance of the Dead, The Fiend That Walks Behind, The Homing Bone, Professor Danvers’ Disappearance, and The Rejuvenation of Ivan Smithovitch.

I have strung these things together on a slight enough thread, but as the things themselves are slight, it is possible that the thread (and the metaphor) may manage to hang together. These notes range over very variegated topics, and in many cases, were made at very different times.

A system of ethics not based on rational demonstration of the universe is of no practical value. It is only a system of the ethics of individual opinions and individual convenience.

“Phantoms” and “It is Enough” were written next after “Fathers and Children.” Although one of Turgénieff’s minor works, the critics pronounced “Phantoms” original, wonderfully artistic and philosophical, and wonderfully lyrical. The author himself called it “a fantasy,” as he did other sketches in which he sometimes poured out, in lyrical form, his sadness evoked by the contrary laws of nature, and man’s aspirations toward the absolute, the eternal. It demonstrates the somewhat mystical romanticism which lay concealed in Turgénieff’s nature, and only occasionally came to the light.

Tecla was from Baja, or Lower, California, where Juanita and Antonio's mother had once lived. Old Klayukat's tribal home was to the far north, at Puget Sound. He had been brought down by a king's vessel and given into the charge of the padres at the mission of San Francisco d'Assisi. There he had become a Christian and had been taught the saddler's trade. He had been employed by the children's grandfather ever since their father was a little boy.

In this audiobook, a few of Nietzsche’s most interesting sayings are arranged. They show nothing of his wonderfully acute processes of ratiocination, but only his conclusions. Nevertheless, they may serve to give some notion of the manner, as well as of the matter, of his philosophy. He was a ruthless destroyer—the most savage and resolute, it is probable, that Christian morals and Christian civilization have ever had to face. Therefore, these extracts are confined chiefly to his objections and objurgations, and leave for the reader’s own inquiry his efforts to create.

Historians, even historians of philosophy, have tended to dismiss Stoicism lightly, and popular opinion has taken the cue. No doubt, relevant reasons abound. The riches of Socrates, Democritus, Plato, and Aristotle served to accentuate the comparative poverty of the next age.

In selecting the tales that form this volume, the foremost place has been allotted to two romances of Death, “The Fall of the House of Usher” and “ Ligeia”. The latter was considered by Poe himself the finest of all his tales, and in a well-known letter to Lowell he places close beside it "The Fall of the House of Usher”. In both, his singular genius finds full expression. They are followed by two old-world romances, laid in Rome and Venice, rich in color and subtly varied atmosphere, and vibrating with passion.

Poe’s character is the most complex which has yet appeared among American writers, and his genius is the most elusive and individual. He fills a very considerable place in our literary development, and yet, in important aspects of his career, he seems to have been entirely detached from it. His genius is no longer questioned, nor is his influence; and yet his impress on the spiritual life of the country is hardly perceptible.