検索キーワード： ナレーター "Sarah Slimani" すべてのカテゴリー

In the glass city of Amoria, magic is everything. And Naila, student at the city's legendary academy, is running out of time to prove she can control hers. If she fails, she'll be forced into exile, relegated to a life of persecution with the other magicless hollows. Or worse, be consumed by her own power.

When academic Nadia is disowned by her puritanical mother and dumped by her lover, she decides to make a getaway - accepting a UN job in Iraq. Tasked with rehabilitating ISIS women, Nadia becomes mired in the opaque world of international aid, surrounded by bumbling colleagues. But then Nadia meets Sara, a precocious and sweary East Londoner who joined ISIS at just fifteen, and she is struck by how similar their stories are. Both from a Muslim background, both feisty and opinionated, with a shared love of Dairy Milk and rude pick-up lines, Sara and Nadia immediately connect.

High on the wave-pounded cliffs, far from the bustling souks of Marrakesh, sits The Surf House. A hidden gem on Morocco’s shores, the house is a sanctuary for the surfers, travellers and dreamers who wash in. But the idyll is built on something rotten. And when Bea arrives, relieved to find refuge after a dangerous encounter in a Marrakesh alleyway, she soon gets caught in the swell of a deep, dark mystery. Because another young woman went missing one year ago – and the last place she was sighted was The Surf House.

When Dr. Nadia Amin, a long-suffering academic, publishes an article on the possibility of rehabilitating ISIS brides, the United Nations comes calling, offering an opportunity to lead a deradicalization program for the ISIS-affiliated women held in Iraqi refugee camps. Looking for a way out of London after a painful, unexpected breakup, Nadia leaps at the chance. In Iraq, Nadia quickly realizes she’s in over her head.

Paris, 1789. The Oberst Factory, which crafts exquisite wallpaper for the most fashionable French homes, is a place shrouded in mystery. Most enigmatic is the woman pictured in each of its prints, rumoured to be the late Mrs Oberst, who died in peculiar circumstances. When sisters Lara and Sofi arrive there for work, they quickly form a friendship with Josef Oberst, the motherless heir to the factory. Whilst Sofi's political fervour intensifies, Lara is disturbed by the uncanny way her life appears mirrored in the wallpaper.