Newford

Welcome to Newford: to the music clubs, the waterfront, and the alleyways where ancient myths and magic spill into the modern world. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the gray harbor waters and fill the cold night with their song. Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost.

As the young student of the cruel, brilliant artist Vincent Rushkin, Isabelle Copley discovered that she could paint images so vividly real they brought her wildest fantasies to life. Now, 20 years later, Isabelle must come to terms with the shattering memories she has long denied and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.

Max Trader is a luthier, a maker of guitars. Johnny Devlin is chronically unemployed. Max is solitary, quiet, responsible. Johnny is a lady-killer, a drunk, a charming loser. When they inexplicably wake up in each other’s bodies, Johnny gleefully moves into Max’s comfortable and stable existence, leaving Max to pick up the pieces of a life he had no part in breaking. Penniless, friendless, homeless, Max begins a journey that will take him beyond the streets of the city to an otherworld of dreams and spirits, where he must confront both Johnny and his own deepest fears.

Lily is a photojournalist in search of the “animal people” who supposedly haunt the city’s darkest slums. Hank is a slumdweller who knows the bad streets all too well. One night, in a brutal incident, their two lives collide - uptown Lily and downtown Hank, each with a quest and a role to play in the secret drama of the city’s oldest inhabitants. For the animal people walk among us. Native Americans call them the First People, but they have never left, and they claim the city for their own.

In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes. Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power.

In his stunning works. Charles de Lint has brought an entire imaginary North American city to vivid life: Newford, where magic lights the dark streets, myths walk clothed in modern shapes, and a broad cast of extraordinary people work to keep the whole world turning. At the center of it all stands a young artist named Jilly Coppercorn, with her tangled hair and paint-splattered jeans, whose paintings capture the hidden beings that dwell in the city's shadows.

Ever since Jilly Coppercorn and Geordie Riddell were introduced in de Lint’s first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize that they belong together. Now, in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area, Jilly and Geordie’s story is finally being told.