• Blue Room and Tommy Dorsey

  • 2024/09/10
  • 再生時間: 13 分
  • ポッドキャスト

Blue Room and Tommy Dorsey

  • サマリー

  • 38- “Blue Room” and Tommy Dorsey

    Standards Rating 5, Difficulty Rating 6

    "Blue Room," written by Richard Rodgers and Lorenz Hart for the 1926 Broadway musical The Girl Friend, is a classic show tune known for its romantic lyrics and cozy imagery. The song has a straightforward 32-bar AABA structure and features harmonic complexity with modulations, offering a rich canvas for jazz improvisation. Tommy Dorsey, a leading figure in the swing era, recorded a notable version in 1954 with his orchestra. This arrangement showcases a smooth, danceable swing with dynamic contrasts, highlighting Dorsey's skill in blending reeds and brass for a sophisticated call-and-response effect. The recording is a testament to Dorsey’s mastery, even as big bands were declining in popularity. An alternate version by Ella Fitzgerald in 1956, arranged by Benny Bregman, also stands out, further solidifying the tune's enduring appeal. Dorsey's impact on jazz and popular music, especially through his smooth trombone playing and successful big band, remains significant.

    Tommy Dorsey https://youtu.be/6asX9Ay_La0?si=fMhw1OIXSUBfzIMC

    Ella Fitzgerald https://youtu.be/MDdJsbu2AII?si=KI6GMPk4roVHRCAm

    Curated Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=49a69c9877c04ccc

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あらすじ・解説

38- “Blue Room” and Tommy Dorsey

Standards Rating 5, Difficulty Rating 6

"Blue Room," written by Richard Rodgers and Lorenz Hart for the 1926 Broadway musical The Girl Friend, is a classic show tune known for its romantic lyrics and cozy imagery. The song has a straightforward 32-bar AABA structure and features harmonic complexity with modulations, offering a rich canvas for jazz improvisation. Tommy Dorsey, a leading figure in the swing era, recorded a notable version in 1954 with his orchestra. This arrangement showcases a smooth, danceable swing with dynamic contrasts, highlighting Dorsey's skill in blending reeds and brass for a sophisticated call-and-response effect. The recording is a testament to Dorsey’s mastery, even as big bands were declining in popularity. An alternate version by Ella Fitzgerald in 1956, arranged by Benny Bregman, also stands out, further solidifying the tune's enduring appeal. Dorsey's impact on jazz and popular music, especially through his smooth trombone playing and successful big band, remains significant.

Tommy Dorsey https://youtu.be/6asX9Ay_La0?si=fMhw1OIXSUBfzIMC

Ella Fitzgerald https://youtu.be/MDdJsbu2AII?si=KI6GMPk4roVHRCAm

Curated Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=49a69c9877c04ccc

Blue Room and Tommy Dorseyに寄せられたリスナーの声

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