New Worlder

著者: Nicholas Gill
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  • The New Worlder podcast explores the world of food and travel in the Americas and beyond. Hosted by James Beard nominated writer Nicholas Gill and sociocultural anthropologist Juliana Duque, each episode features a long form interview with chefs, conservationists, scientists, farmers, writers, foragers, and more.
    Copyright Nicholas Gill
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  • Episode #95: María Álvarez
    2024/09/13
    María Álvarez is the co-founder, along with Isaac Martínez, of the publisher Novo, the very first publishing house dedicated to gastronomy in Mexico. Maria and Isaac started Novo in 2023 because they saw a lack in the types of books being published about Mexican cuisine, both in Mexico and abroad. The wanted to be a publisher that is more collaborative with other disciplines, more like a milpa. Rather than just a monoculture of corn, they wanted a multicropped garden of designers, photographers and other professionals to help support the vision of the author. In this interview she explains how she moved from the world of art publishing into culinary publishing and is helping shape a community around these niche books about food in Mexico, as well as through their podcast series, Radio Milpa.
    Novo now has published two books. The first is Cocina de Oaxaca, by Alejandro Ruiz, published last year. Ruiz is the chef of Casa Oaxaca, who is one of the godfathers of modern Oaxacan cooking and has helped teach in a generation of cooks at his restaurant Casa Oaxaca. They also just released Estado de Hongos, a book about mushrooms in central Mexico by the Mexican Japanese forager by Nanae Watabe. She supplies mushrooms to lots of the best restaurants in the DF and is at the intersection of all things mushrooms in Mexico and the book reflects that. This October, they will be publishing La República Democrática del Cerdo, by Pedro Reyes, who you might know from the Taco Chronicles on Netflix. You can order them online or find them in bookstores in Mexico, as well as buy some of the books on Amazon in the U.S. or at incredible culinary bookstores like Kitchen Arts & Letters in New York and Now Serving in Los Angeles.

    This world of publishing culinary books in Latin America is really beginning to open up and I couldn’t be happier. I think a healthy publishing environment is one where a lot of different voices and aesthetics are being developed and not just that of a few large international publishers. In the interview we discuss how important the very language being used in a culinary book can be.

    Read more at New Worlder.




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    1 時間 12 分
  • Episode #94: Rodrigo Pacheco
    2024/08/30
    A lot of chefs say they want to preserve landscapes, but Rodrigo Pacheco of Bocavaldivia in Puerto Cayo on the coast of Ecuador at is actually doing it. He is literally acquiring land and re-wilding it, in the hopes of turning it into the world’s largest biodiverse edible forest.

    I first met the guy about 10 years ago at a conference in Quito. At the time, all the contemporary Ecuadorian chefs were trying to get international attention and get on lists and get famous. Then there was Rodrigo, who could care less about those things. It was still early on this project on a remote beach, but he was already talking about connecting with nature and utilizing biodiversity. He seemed totally out of place. It was still early in the life of Bocavaldivia. The 100 hectares of land he bought, a former pepper farm, was heavily degraded. Much of the surrounding tropical dry forest was cut down. There was little wildlife there. But in a decade, he has turned it into a thriving landscape, which, through the accrual of new land, now reaches up to the cloud forest. I was there earlier in the year and I saw it with my own eyes. He now uses more than 150 different edible plants from this landscape throughout the year on his menu.

    While the heart of Bocavaldivia is a restaurant, where he and his team cook from a rustic wood fired kitchen adapted from native ones, and serve tasting menus alongside nice wines, to call it just a restaurant would be lacking. The experience there involves a journey. Many hours before eating you start to experience the landscape. You traverse them by fishing in the sea and tasting termites off a stick and hiking through the trees. You connect with it before you sit down and eat. And when you do sit down, there isn’t some long, drawn out explanation of what you are eating, because you’ve lived it.

    Lots of other projects that spin out from Bocavaldivia. He has a restaurant in Quito called Foresta. He was on the Netflix cooking show The Final Table. He has created a mini-documentary series with indigenous leaders. He is a Goodwill Ambassador in Ecuador at the Food and Agriculture Organization of the United Nations. He started a foundation. He says because he lives in the middle of nowhere that he has a lot of extra time on his hands that most other chefs don’t. It’s funny how the less busy you are sometimes the more you can get done. I’m still trying to figure out how that works.
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    1 時間 4 分
  • Episode #93: Lisa Abend
    2024/08/16
    Lisa Abend is a Copenhagen, Denmark based writer that covers food, travel and all sorts of other topics for publications like Time Magazine, The New York Times and Fool, among others. She is the head of communications for the Copenhagen based non-profit Mad and the author of the 2011 book The Sorcerer's Apprentices: A Season in the Kitchen at Ferran Adrià's elBulli, where she spent a season at the restaurant documenting its team of stagieres and what else goes on behind the kitchen walls. She is one of the most respected voices in the world of gastronomy and it was a real pleasure to be able to speak with her.

    Recently, Lisa launched the Substack newsletter The Unplugged Traveler where she posts about going to destinations in Europe that she has never been before and, totally without any research prior to the trip, experiences them completely offline. That means no looking at her phone or the internet for recommendations or planning. For the most recent post her brother said she should go to Zadar, so she booked a flight there and went without even knowing what country it was in. It’s unlike any travel writing being done anywhere else and there isn’t a better moment for it. Travel, has lost much of its meaning since the advent of the smart phone. Everything is booked in advance. We seem to know everything about a destination before we get there and go armed with lists of recommendations on where to eat and drink and what to do and see. There is no room for surprise or discomfort of any sort. The same stories are being written repeatedly, which is leading to overwhelming swells of tourists in certain cities. We are seeing a backlash to that. Aside of limiting tourists from a destination, what can you do? One thing is to get back to the essence of travel and go to places where you can experience something new, some place where you can have your own experience. I didn’t ask her this but I hope she turns this project into a book one day.
    Lisa lived in Spain when El Bulli was still around, then moved to Copenhagen and got to see Noma’s rise. For a little while, she had another newsletter with some other Copenhagen based writers called Bord, which told in depth stories about the restaurant industry in that city, such as kitchen abuses and stagiares. Anyway, she has watched as those two restaurants, one right after the other, propelled by the oversized influence of The World’s 50 Best Restaurants list, have changed the conversation around fine dining and cuisine as a whole. We discuss if that will happen again. What will the next big thing be? Maybe it isn’t a fine dining restaurant. Maybe it’s not even a restaurant.

    Read more and find a transcript at New Worlder.






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    1 時間 1 分

あらすじ・解説

The New Worlder podcast explores the world of food and travel in the Americas and beyond. Hosted by James Beard nominated writer Nicholas Gill and sociocultural anthropologist Juliana Duque, each episode features a long form interview with chefs, conservationists, scientists, farmers, writers, foragers, and more.
Copyright Nicholas Gill

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