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Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

'Butch Minds the Baby' & 'Breach of Promise' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'Touching for a Pal' & 'Princess O'Hara' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'A Nice Price' & 'The Idyll of Miss Sarah Brown' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'Romance in the Roaring Forties' & 'The Lemon Drop Kid' from from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'Tobias the Terrible' & 'Little Miss Marker' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

In April of 2010, British Petroleum gave orders to speed up production on its colossal drilling rig, the Deepwater Horizon. Despite the objections of many on the rig, safety measures were ignored or overlooked. On April 20th, the Deepwater Horizon exploded. Eleven men paid the ultimate price and countless thousands who call the Gulf Coast home found their lives irrevocably altered.

Multi-talented Irish tenor Dennis Day played a charmingly naïve young man (not at all unlike his character from The Jack Benny Show) in his very own series. Singing and working the soda fountain in the town of Weaverville, his lyrical voice and comical ways delighted listeners for five seasons (1946 - 1951). Although he bemoaned his humble position in life, his lack of funds, and his inability to impress the parents of his girlfriend, Mildred Anderson (Barbara Eiler), Dennis never gave up trying.

It's a city of a million stories, and Broadway knows them all! High rollers and low lifes, classy dames and shady dealers are in it for the laughs (and the payoff) in this collection of 16 tales from the pen of Damon Runyon. John Brown stars as your narrator in these yarns of the Great White Way, along with Paul Dubov as homicide detective Johnny Brannigan (and a good many other characters). Join radio favorites Jack Webb, Ed Begley, Jeff Chandler, Alan Reed, Sheldon Leonard, and more for unusual bets, uncommonly good luck, and an unearthly meal at Mindy's.

He's just a regular guy with a regular family and a regular job, but when he gets into trouble...oh brother, what a revoltin' development it is! Here comes William Bendix as radio's favorite working stiff, Chester A. Riley, with Paula Winslowe as his ever-patient wife, Peg, and John Brown as the funereal Digger O'Dell! Whether he's catching dogs or collecting rent, negotiating with neighbors or figuring out females, he gives it his Brooklyn best!

For gamblers, burlesque queens, murderers and innocents, comedy and tragedy were found in equal measure on the streets of Damon Runyon's Manhattan. Runyon, one of the most popular and widely-read figures of the Golden Age of the American Short Story, found his work was cut to measure for success in the most verbal medium of all: radio drama. John Brown stars as the glib Broadway, whose scene-setting brings a distinctive unifying touch to these fourteen digitally remastered episodes of the classic Damon Runyon Theatre radio series.

Twenty literary luminaries, ranging from Charles Dickens and William Shakespeare to Louisa May Alcott and Mark Twain, are profiled in this entertaining and informative collection. Winner of A School Library Journal's Book of the Year Award, Lives of the Writers is both an indispensable reference tool and an exhilarating gossipfest. Author Kathleen Krull makes learning fun, painting realistic portraits of Hans Christian Andersen, Edgar Allan Poe, Frances Hodgson Burnett, the Brontë sisters, Emily Dickinson, E.B. White, Jack London, Murasaki Shikibu, Miguel de Cervantes, Robert Louis Stevenson, Jane Austen, and more. Krull serves up an outstanding introduction to the classics of literature for the whole family, while telling us all the real stories behind their writers.