検索キーワード： 著者 "Aldous Huxley" すべてのカテゴリー

When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

The critically acclaimed novelist and social critic Aldous Huxley, describes his personal experimentation with the drug mescaline and explores the nature of visionary experience. The title of this classic comes from William Blake's The Marriage of Heaven and Hell: "If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern."

In October of 1949, a few months after publication of George Orwell‘s masterpiece, Nineteen Eighty-Four, he received a letter from fellow author Aldous Huxley, a man who, 17 years previous, had seen his own nightmarish vision of society published in the form of the classic, Brave New World. What begins as a letter of praise soon becomes a brief comparison of the two novels, and an explanation as to why Huxley believes his own earlier work to be a more realistic prediction

In 1958, 27 years after Aldous Huxley wrote "Brave New World", he took another look at his remarkable fable and résumé the development since. His understandings are most alarming in his time already. They are even more alarming almost another half century later and shockingly up-to-date, considering recent developments. His prophetic view proofs once more, how terribly precise and visionary it was.

Philosopher, pacifist, psychonaut and prophet Aldous Huxley was one of the 20th century’s pre-eminent intellectuals and writers. The author of over 50 books, he was nominated for the Nobel Prize nine times, and elected Companion of Literature by the Royal Society of Literature in 1962, a year before his death. Known for his mordant satire and visionary ideas, Huxley spanned the period from post-First World War disillusionment to mid-century mysticism, and the works in this collection reflect his literary evolution.

Unlike the dystopian vision described in Brave New World, or the psychedelic vision described in his The Doors of Perception, in The Art of Seeing, Aldous Huxley focuses on the actual vision of the human eye. Documenting his own profound near-blindness and subsequent attempts to improve his own sight, Huxley offers a thorough instruction manual on the controversial alternative vision therapy exercises developed by W. H. Bates.

Brave New World is a dystopian social science fiction novel by English author Aldous Huxley, written in 1931 and published a year later. Largely set in a futuristic World State, whose citizens are environmentally engineered into an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation, and classical conditioning that are combined to make a dystopian society that is challenged by only a single individual: the story's protagonist.

Brave New World is a dystopian social science fiction novel by English author Aldous Huxley, written in 1931 and published a year later. Largely set in a futuristic World State, whose citizens are environmentally engineered into an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation, and classical conditioning that are combined to make a dystopian society that is challenged by only a single individual: the story's protagonist.

In music, counterpoint is the art of writing melodies that play in conjunction with one another, according to a strict set of rules, in order to emphasize the melody by contrast. In debate, point/counterpoint is a means of persuasion in which the speaker begins by conceding to their opponent’s argument before refuting it wholeheartedly. Aldous Huxley follows these traditions in his masterpiece Point Counter Point. The polarity between passion and reason in the intellectual life of the 1920s is demonstrated both in form and in theme in Huxley’s ambitious satire.

Mortal Coils is a collection of five pieces written by Aldous Huxley in the 1920s. The first one, "The Giaconda Smile", is a short murder story. "Permutations Among the Nightingales" is a play concerning amorous problems experienced by the patrons of a certain establishment. "The Tillotson Banquet" tells of an old artist who was thought to be dead. "Green Tunnels" is about the boredom of a young girl on holiday with her family. "Nuns at Luncheon" is a story told by a nun falling in love.

The CBS Radio Workshop was an experimental series of productions, subtitled "radio's distinguished series to man's imagination" that ran between 27 January 1956 and 22 September 1957. The premiere production was Brave New World, narrated by Huxley himself, with a complicated sound-effects score that evidently took a long time to construct, and comprised a ticking metronome, tom-tom beats, bubbling water, an air hose, a cow's moo, an oscillator, and three kinds of wine glasses clicking together.

The lifestyles, careers, romances, and peccadillos of various British intellectuals, scientists, and artists are dealt with - often with hilarity and sometimes with dark comedy and sophisticated banter. All of this is set off by the ingenious idea of self-inflating pants!

Au trecut mulţi ani de la al Treilea Război Mondial. Elegantul şi candidul doctor Poole debarcă, alături de o echipă de exploratori, într-o Californie fantomatică, răvăşită de suflul deflagraţiei nucleare. Aici găseşte rămăşiţele unei umanităţi înstrăinate, pline de mutanţi, supuse unor idoli însetaţi de sînge, o civilizaţie pustiită unde prea puţinii supravieţuitori trăiesc după o nouă lege, care spune că nu poţi iubi decît o dată pe an. Curajoşii şi revoltaţii care îndrăznesc să evadeze sînt supuşi torturii şi eliminaţi.

One of the greatest prose writers and social commentators of the 20th century, Aldous Huxley here introduces us to a delightfully cynical, comic, and severe group of artists and intellectuals engaged in the most free-thinking and modern kind of talk imaginable. Poetry, occultism, ancestral history, and Italian primitive painting are just a few of the subjects competing for discussion among the amiable cast of eccentrics drawn together at Crome, an intensely English country manor.

Publicat in 1958, eseul lui Aldous Huxley este un comentariu pe marginea romanului Minunata lume noua, exprimind aceeasi viziune pesimista asupra vietii si angoasa indusa de progresul stiintific si tehnologic in detrimentul valorilor morale. Autorul constata ca previziunile sale din 1931, cind scria Minunata lume noua, se adeveresc mai repede decit era de asteptat, dobindind un caracter aproape inevitabil.

Punct contrapunct surprinde grava criză spirituală a societății londoneze de după Primul Război Mondial, o epocă frământată, ce trădează deruta și disoluția lumii moderne. Conștient de iremediabila transformare a realității sociale și de complexitatea universului uman, romancierul renunță la maniera așa-zis tradițională de a oglindi viața, preferând o tehnică narativă nouă pentru epoca sa, împrumutată din repertoriul cinematografic.

O inspirată selecţie de texte religioase esenţiale pentru budismul Zen, hinduism, taoism, misticismul creştin şi islam, de care autorul se foloseşte pentru a dezvălui "realitatea divină" comună tuturor credinţelor. Volumul include, printre altele, numeroase texte din Meister Eckhart, Rumi, Lao Zi sau Zhuangzi, precum şi din Bhagavad-Gita, Cartea tibetană a morţilor sau Upanişade, pe baza cărora Huxley analizează credinţele spirituale ale diferitelor tradiţii religioase, evidenţiind existenţa anumitor constante ale spiritului omenesc.

Galben de Crome, primul roman al lui Huxley, apărut în 1921, este o satiră socială rafinată, de un umor subtil, care ia în derâdere modele și snobismul "lumii bune" britanice, cu toanele, prețiozitatea și superficialitatea ei. Personajul central al cărții, tânărul poet Denis Stone, sosește într-o vizită la conacul Crome al familiei Wimbush. Aici întâlneste o întreagă societate venită să se destindă. Astfel, romanul explorează o rețea de relații și raporturi sociale din cele mai diverse, căci fiecare personaj are câte o obsesie ce-l marchează.

Ultimul roman al lui Aldous Huxley, Insula, este povestea societății palaneze ideale. Creată de mai bine de 100 de ani, prin dorința celor doi fondatori ai săi de a reuni tot ce era mai bun în lumile cunoscute, Pala modernă este clădită pe știință și tehnologie făcute pentru om, pe o filosofie de viață utilitaristă, pacifistă, pe democrație și mai ales pe atenția față de pericolele ce i-ar putea întrerupe buna funcționare.

Într-o dimineață din primăvara anului 1953, Aldous Huxley ia patru zecimi de gram de mescalină și așteaptă răbdător să vadă ce se întâmplă. După un timp, constată că totul, de la florile din vază până la cutele pantalonilor, e complet schimbat: culorile sunt mai intense și mai luminoase, iar timpul și spațiul par să nu aibă nici o importanță. Huxley notează cu lux de amănunte senzațiile trăite în Porțile percepției, conchizând că halucinogenele stimulează creativitatea și brodând pe marginea efectelor pe care asemenea experiențe le-ar putea avea asupra artei și religiei.