検索キーワード： 著者 "Amanda Brookfield" すべてのカテゴリー

Ever since the death of their father twenty years before, beautiful thirty-two-year-old Anna has acted as her younger sister Becky’s support, playing the peace-maker in her stormy relationship with their mother. Now married to wealthy, handsome David Lawrence, with a luxurious country home and a successful career in broadcasting, Anna’s good fortune looks set to continue. But when she unexpectedly falls pregnant and Becky’s marriage runs into trouble, the door to the sisters past suddenly swings open.

If ‘Life Begins at Forty’, then Charlotte Turner's not off to the best of starts. On top of a recent divorce, and trouble with her twelve-year-old son, the husband of her closest friend has just started to show a bit too much interest in her as a newly-single woman. But only when Charlotte has faced up to some uncomfortable truths about her past can she finally shed the unhappy skin she's been so comfortable in and open up her life – and her heart – to all the promise and possibility that her future holds.

For Esther, it’s proving hard not to feel bitter watching Lucas enjoying his successful career, not to mention the attentions of his gorgeous, intelligent, and predictably younger lover. She meanwhile is struggling to forge a new life for herself, navigating the pitfalls of modern dating, while trying not to despair at the cost of living as a single woman of a certain age. Then Lucas faces a shattering accusation at the same time as their children Dylan and Lily, start to implode.

The Harrison family gathers as usual for Christmas in their big Sussex house. This year, however, outside realities are pressing hard: Pamela and John, married for four decades, know that time is catching up with them. And trouble is brewing in the lives of their four children. Cassie, the cossetted youngest, is in the throes of an affair with a married man; Elizabeth, her awkward older sister, is struggling with a faltering second marriage; Peter, the eldest and designated inheritor of Ashley House, is beginning to meet resistance to such a prospect from his career-orientated wife.

After 20 years of contentedly playing the role of home-maker and mother, Frances Copeland's life is shattered by the sudden death of her husband. With no career to fall back on and her son and daughter leaving home, the solitude of bereavement hits particularly hard. When new love beckons, in the form of a handsome young man 15 years her junior, Frances is torn. She longs to open her heart again but does not dare to trust her feelings. Turning to her closest friends for help, she is met by a wall of judgemental attitudes and envy.

A Family Man tells the story of 31-year-old Matt Webster, who arrives home from work one day to find that his wife, Kath, has walked out, leaving him to care for their four-year-old son. Shock and hurt are compounded by the challenge of suddenly having to juggle work with being a single parent. While the needs of his confused, unhappy little son come first, Matt embarks on the difficult quest to find out what could have driven his wife to abandon their child. It is only as the truth emerges that he learns the full heartbreak and joy of unconditional love.

On a normal day, in a normal house, on a normal street, wife and mother Fran has had enough. She packs a case, leaves a note for her bullying husband, Pete, and one for her beloved 21-year-old son, Harry, and heads to the airport - and freedom. In another house, on another street, Helena is desperately baiting her husband, Jack, into a fight. These days it feels like the only way to get Jack to take notice of her. Passionate, volatile, increasingly fragile, Helena is fast running out of hope.

Everyone that meets Kat Keating is mesmerised. Beautiful, smart and charming, she is everything a good girl should be. Her sister Eleanor, on the other hand, knows she can't compete with Kat. On the awkward side of tall, clever enough to be bullied, and full of the responsibilities only an older sibling can understand, Eleanor grows up knowing she’s not a good girl.

After the death of her mother and the end of a postdivorce relationship leave her heartbroken, novelist Amanda Brookfield finds her once secure world imploding. As despair closes in, she talks of getting a puppy to revive her optimistic spirit. Amanda is advised that her lifestyle will not suit becoming a dog owner, but she can't resist Mabel, a beautiful golden doodle puppy. Arming herself with an arsenal of equipment, Amanda learns that there are no shortcuts to training and caring for a dog.

Sophie and Andrew are looking for relief from the daily grind - if not each other - so when a friend puts them in touch with William and Beth, newlyweds looking to swap houses for the summer, it sounds like a great idea. They find themselves in a stylish Connecticut home, while William and Beth take over their lived-in family house in London. The weeks away work an unexpected magic for Sophie, who begins to find a sense of happiness, but Beth has no such luck and grows increasingly miserable.

When Janine and Dougie fell in love they thought it would be forever. Fifteen years later their relationship is well and truly over, their daughter Stevie their one remaining connection. Stevie is on the cusp of adulthood. At sixteen, she's not quite a child, but not quite grown up: a dangerous age. But it's only during a birthday celebration in Spain, when she gets too close to one of Dougie's best friends, that her parents realise just how dangerous.

The Harrisons were always a close-knit family. But with the grandchildren fast becoming adults and elderly Pamela struggling to adapt to widowhood, the four children of the middle generation find themselves equally lost in a changing world. As preparations for 42-year-old Cassie's long-awaited wedding gather pace, sibling and marital bonds are stretched to breaking point. Adultery, an unwanted pregnancy, and shadows of past losses threaten to turn their year of celebration into one of upheaval . . .

On the day that her youngest child leaves home, Alice Hatton discovers two disturbing truths in a matter of hours. The Empty Nest cliché is true. And she does not love her husband Peter at all. Now in her fifties, Alice is appalled to realise that she is no longer considered her own person, but is instead defined by her relationships – mother to her adult children, wife to her husband. Horrified by the thought of spending another thirty years with Peter in their North London suburb, Alice decides to take matters into her own hands.

Rachel Elliot is single and attractive, a director of a successful advertising agency, with a handsome lover, close friends, and a clutch of beloved godchildren. But as her fortieth birthday approaches, so does a whispering fear that she might have missed the point.

While many regard her marriage with admiration and a touch of envy, Jane Lytton quietly reaches the shocking conclusion that her relationship with Michael, a successful banker with little time for her – or the nitty-gritty of family life – is failing. Even daring to contemplate leaving Michael is daunting. With no obvious outward signs of any marital problems, family and friends greet news of the predicament with a mixture of anger and uncomprehending sympathy. Forced to accept that she is alone, Jane takes drastic steps that veer her life off course.