検索キーワード： 著者 "Ariel Gore" すべてのカテゴリー

The stories in this collection reflect a fundamental truth about Santa Fe: history depends on who's telling it. Too often the story of this city has been told only by the conquerors and the tourism PR firms. Hear the stories that never make the glossy tour brochures: the working class and the underground, the decolonized and the ever-haunted; the Santa Fe only we know.... Conquered and reconquered, colonized and commodified, Santa Fe understands - from historical genocide to the murders of family members - the intimacy of violence.

Happiness has become a serious business. Where 20th-century psychology focused on depression and illness, in the new millennium scientists have begun focusing on "positive psychology" - the study of happiness. Ariel Gore first became intrigued by this subject when she discovered that a class on positive psychology was the most popular course on the Harvard campus.

Like Jack Kerouac’s intrepid little sister, Ariel Gore spins the spirited story of a vulnerable drifter who takes refuge in fate and the shadowy recesses of a string of glittering, broken relationships. With just a few pennies and her I Ching, a change of clothes and a one-way ticket to Hong Kong, a perceptive, searching 16-year-old Gore makes her way from the sterile suffocation of the Silicon Valley through the labyrinthine customs of Cold-War China, wanders through bustling, electric Kathmandu, and hunkers down in an icy London squat with a prostitute and a boyfriend on the dole.

At age 39, Ariel Gore has everything she’s always wanted: a successful writing career, a long-term partnership, a beautiful if tiny home, a daughter in college and a son in preschool. But life’s happy endings don’t always last. If it’s not one thing, after all, it’s your mother. Her name is Eve. Her epic temper tantrums have already gotten her banned from three cab companies in Portland. And she’s here to announce that she’s dying.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.