検索キーワード： 著者 "Ashleigh Wilson" すべてのカテゴリー

When he died in 1992, Brett Whiteley left behind decades of ceaseless activity - some works bound to a particular place or time, others that are masterpieces of light and line. Whiteley had arrived in Europe in 1960 determined to make an impression. Before long he was the youngest artist to have work acquired by the Tate. With his wife, Wendy, and daughter, Arkie, Whiteley then immersed himself in bohemian New York. But within two years he fled, having failed to break through.

The #MeToo movement is overturning a cliché that has forgiven bad behaviour for years: to be creative is to be prone to eccentricity, madness, addiction and excess. No longer can artists be excused from the standards of conduct that apply to us all. But if we denounce the artist, then what becomes of the work that remains?