検索キーワード： 著者 "Edna O'Brien" すべてのカテゴリー

Captured, abducted and married into Boko Haram, the narrator of this story witnesses and suffers the horrors of a community of men governed by a brutal code of violence. Barely more than a girl herself, she must soon learn how to survive as a woman with a child of her own. Just as the world around her seems entirely consumed by madness, bound for hell, she is offered an escape of sorts - but only into another landscape of trials and terrors amidst the unforgiving wilds of northeastern Nigeria.

Vlad, a stranger from Eastern Europe masquerading as a healer, settles in a small Irish village where the locals fall under his spell. One woman, Fidelma McBride, becomes so enamored that she begs him for a child. All that world is shattered when Vlad is arrested, and his identity as a war criminal is revealed.

«Tiempo atrás fui una niña, pero ya no». Así empieza la nueva y sorprendente novela de Edna O'Brien, quien con más de ochenta años ha encontrado la fuerza y la valentía para viajar a Nigeria y entrevistar a varias de las niñas que fueron víctimas de Boko Haram. Su estremecedor testimonio ha inspirado esta novela al tiempo desgarradora y luminosa: la historia de Maryam, que es secuestrada junto con sus compañeras del colegio, encarcelada, violada y obligada a casarse con un desconocido.

Estos extraordinarios relatos de Edna O'Brien, publicados por primera vez en castellano en una edición a cargo de Marta Orriols, son una muestra brillante de la capacidad de su autora para manejar tramas y para manipular cada palabra con el detalle de una artesana y la delicadeza de una amante.

Edna O'Brien depicts James Joyce as a man hammered by Church, State and family, yet from such adversities he wrote works 'to bestir the hearts of men and angels'. The journey begins with Joyce the arrogant youth, his lofty courtship of Nora Barnacle, their hectic sexuality, children, wanderings, debt and profligacy and Joyce's obsession with the city of Dublin, which he would re-render through his words.

Byron, more than any other poet, has come to personify the poet as rebel; imaginative and lawless, reaching beyond race, creed or frontier, his notorious flaws redeemed by a magnetism and ultimately a heroism that by ending in tragedy raised it and him from the particular to the universal. Everything about Lord George Gordon Byron was a paradox - insider and outsider, beautiful and deformed, serious and facetious, profligate but on occasion miserly and possessed of a fierce intelligence trapped forever in a child's magic and malices.

James and Nora is a lyrical portrait of the relationship between the greatest Irish writer of the 20th century, James Joyce, and Nora Barnacle, whom he married and was devoted to. It is a passionate, short and good-humoured account of their marriage.

Le nouveau roman d'Edna O'Brien laisse pantois. S'inspirant de l'histoire des lycéennes enlevées par Boko Haram en 2014, l'auteure irlandaise se glisse dans la peau d'une adolescente nigériane. Depuis l'irruption d'hommes en armes dans l'enceinte de l'école, on vit avec elle, comme en apnée, le rapt, la traversée de la jungle en camion, l'arrivée dans le camp, les mauvais traitements, et son mariage forcé à un djihadiste - avec pour corollaires le désarroi, la faim, la solitude et la terreur.

This is the story of a woman's life, her marriage and the bonds that tie her to her two boys. When the marriage ends she battles to keep her children, while trying to sustain an emotional life of her own and to earn a living. Her boys grow older, but they are still the centre of her life.

Selected Shorts: Falling in Love presents a collection of stirring tales of love and longing. Selected Shorts is an award-winning series of classic and contemporary short fiction read by acclaimed actors. The Selected Shorts radio series is a co-production of Symphony Space and WNYC, New York Public Radio, and is heard on public radio stations nationwide.

Set in a Spanish seaside enclave this is a passionate account of lost love and the return to loving, where currents of regret and loneliness clash with a fiery instinct for survival. The author also wrote The Country Girl's Trilogy, August is a Wicked Month and Johnny I Hardly Knew You.

Kate and Baba are in London, playing out the tragicomedy of their married lives to its surprisingly level-headed conclusion. Kate, feeling trapped in her grey stone house with her increasingly cold husband, tearfully looks for her dreams of romance elsewhere. And when Eugene takes terrible, implacable revenge, she naturally turns to her brazen friend Baba for help.

Caithleen and Baba, first encountered in The Country Girls, are now living in Dublin, where they discuss men, drink gin, and try to look fast. Cait, in the pursuit of true love, becomes involved with the fanatically domineering Eugene Gaillard. Painful disillusion and occasional moments of bliss in her life make this a bittersweet tale, and it is told with all the perception and wit that is the hallmark of Edna O’Brien.

Wie ihre Mitschülerinnen wurde Maryam von Boko-Haram-Kämpfern aus ihrer nigerianischen Schule an einen ihnen unbekannten Ort entführt. Mit ihrer Freundin Buki übersteht sie die höllische Gefangenschaft und gemeinsam gelingt ihnen die Flucht. Edna O ́Brien erzählt von einem langen Weg zurück ins Leben. Für ihren mutigen Roman hat sie in den letzten Jahren Nigeria bereist und das Schicksal der entführten Mädchen eingehend recherchiert. Es ist ein Buch über ihr Lebensthema: Gewalt gegen Frauen und deren Fähigkeit, diese wieder und wieder zu überwinden.

A celebration of adult literature and reading. The whole book industry, including booksellers, librarians and publishers, were invited come together and pick out their favourite titles to be included the final list of 25 books by authors from the UK and Ireland. The final list included fiction, poetry and memoirs, among others. There were some best sellers, some classics and some lesser known.

Now a much-loved modern classic, the Country Girls Trilogy was fiercely controversial when first published in the 1960s. Banned by the Irish censors and burned by the church, the books nonetheless achieved widespread acclaim and international success and launched Edna O’Brien’s literary career. These three BBC radio adaptations follow the lives and loves of best friends Kate and Baba, two teenage girls growing up in repressive rural Ireland in the years before the sexual revolution.

Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked, and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York", the single-mindedness of love dramatically derails the relationship between a girl and her mother while in "Sister Imelda" and "The Creature", the strong ties between teacher and student and mother and son are ultimately broken.

It is the early 1960s in a country village in Ireland. Caithleen Brady and her attractive friend, Baba, are on the verge of womanhood and dreaming of spreading their wings in a wider world - of discovering love and luxury and liquor and above all, fun. With bawdy innocence, shrewd for all their inexperience, the girls romp their way through convent school to the bright lights of Dublin – where Caithleen finds that suave, idealised lovers rarely survive the real world.

Josie, the ailing, elderly inhabitant of an Irish country mansion, dwells in the shadowy world of remembered pain and loneliness. McGreevy, the terrorist, reintroduces the possibility of compassion and tenderness, but there is an inevitably violent conclusion to their understanding as the police net closes. With extraordinary skill and empathy, Edna O'Brien shows two faces of a divided land: the yearnings of a woman whose youthful joy was broken, and the intransigent idealism of her captor.

In the Forest, set in the west of Ireland, is the story of a young man who shoots dead three people in a forest glade. The young man, Mich O'Kane, is "not all there in the head" as one character puts it. By puberty, he is already committing petty crimes, ending up in borstal. By the time he is back home he has also served time in a British jail and is an institutionalised criminal.