検索キーワード： 著者 "Jamie Scott" すべてのカテゴリー

WELCOME TO THE MOST RELATABLE BRITISH PODCAST EVER, YOU WANT AN ICE CREAM? Hosted on Acast. See acast.com/privacy for more information.

On this show, we take a dive into how to adult, there is no manual on how to adult, well at least we haven't seen one. We want to run through all of the hard-hitting topics, we want to talk to everyone as we believe we can learn how to adult from each other, there is 1000's of questions that we all need answering and what better way to learn than together, so strap in for some explicit and down right crazy episodes and we hope we can make you laugh cry to love and learn with us!

Charles has been gone for months, and Mimi's not feeling like being a private detective anymore. She's had it with the liars and the cheats. Speaking of liars and cheats, when she takes on a missing person case for a new client, she's thrown into a web of lies and deceit that ends in murder. Come along as, once again, Mimi Capurro butts heads with her homicide detective boyfriend, Nick Christianson, when their cases cross paths. What surprises do her client and employees have in store?

Things are looking up for Mimi and Nick - that is, until a handsome cowboy walks into Mimi's office and hires her to clear him of fraud charges. When politics and horse trading collide, it spells murder, and, once again, Mimi and Nick are butting heads as Mimi is now trying to clear her client as a murder suspect. Follow the Gotcha gang on this rodeo trail to see who gets voted out, who gets bucked off, and who ends up dead.

What could possibly go wrong with Charles attending a vintage wine auction preview? This is the Gotcha Detective Agency, after all, and what goes wrong makes Mimi and Charles's head spin. And not from too much wine. Mimi, Charles, and Nick fall into a twisted tale of wine fraud and murder in this latest installment of the Gotcha Detective Agency Mystery series.

Mimi Capurro, owner of Gotcha Detective Agency, hasn't seen her old college flame since they teamed up to find a killer several months earlier. Now, after breaking and entering into an alleged predator's home, Mimi and Charles find a murder victim on the floor in his bedroom. When homicide detective Nick Christianson and his new partner, Piper Mason, arrive on the scene, this is not the way Mimi expected to see Nick again.

When Mimi accepts $500 from a sketchy client and takes on the case to follow an alleged cheating husband, she almost immediately regrets it. Charles warned her. Why didn't she listen to him? While spying on the husband, the client's house explodes, and so does Mimi's sense of reality. Who is dead, who is hiding, and who may come back to life?

Now that Mimi Capurro and Charles Parks are co-owners of Gotcha Detective Agency, all should be going well, especially since they just landed a cushy new contract with the local police department. The prostitution decoy sting operation is in full swing and has the stamp of approval from the chief of police. Everything is going great until one of the decoys disappears from the sting operation. Now the Gotcha detectives must find the woman and find out who would want her to disappear.

Gotcha Detective Agency was hired to protect the author, when it was the assistant who really needed protection. And now it's a race to see who can find the killer. Mimi is determined to make up for puking all over Nick's crime scene by solving the murder before he does. Who will solve this case first?

Mimi and Charles take some time off from the detective agency to help Charles's friend, Anthony DeLuca, sell his exclusive line of voodoo dolls at a trade show in San Francisco. Mimi is less than thrilled to find out Charles has invited homicide detective Nick Christianson to come along. But as luck would have it, Mimi finds the body of a dead sales rep. When Anthony is implicated in the suspicious death, Mimi is back on the investigative job, and Nick goes off with his old partner at the SFPD, to find a killer.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.