検索キーワード： 著者 "Salar Abdoh" すべてのカテゴリー

The year is 2008. Reza Malek’s life is modest but manageable - he lives in a small apartment in Harlem, teaches at a local university, and is relieved to be far from the blood and turmoil of Iraq and Afghanistan, where he worked as a reporter, interpreter, and sometimes lover for a superstar journalist who has long since moved on to more remarkable men.

Saleh Abdoh, the narrator of Out of Mesopotamia, is a middle-aged Iranian journalist who moonlights as a writer for one of Iran's most popular TV shows, but cannot keep himself away from the front lines in neighboring Iraq and Syria. There, the fight against the Islamic State is a proxy war, an existential battle, a declaration of faith, and, for some, a passing weekend affair. After weeks spent dodging RPGs and witnessing acts of savagery and stupidity, he returns to his civilian life of Tehran bookstore readings and trendy art openings, finding it to be unbearably dislocating.

There is something of both the absolutely spectacular and positively disgraceful about Tehran. But most writers around the world are inclined to think that their own sprawling metropolis is the capital of every imaginable vice and crime, of impossible love and tenderness and cruelty and malice in measures that seldom exist anywhere else. For me, Tehran's case is no different - except that there really is a difference here. The city may be a hothouse of decadence, a den of inequity, all that. But it still exists under the watchful eye of a very unique entity, the Islamic Republic.

Amid the alleyways of the Zamzam neighborhood of Tehran, a woman lights herself on fire in a desperate act of defiance, setting off a chain reaction of violence and protest. Haunted by the woman’s death, Issa is forced to confront the contradictions of his own family history, throughout which his late brother Hashem, a prominent queer artist in Tehran’s underground, defied their father, a skilled martial artist bound to traditional notions of honor and masculinity.