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From the New York Times-best-selling author Sloane Crosley comes Look Alive Out There - a brand-new collection of essays filled with her trademark hilarity, wit, and charm. The characteristic heart and punch-packing observations are back, but with a newfound coat of maturity. A thin coat. More of a blazer, really. Fans of I Was Told There'd Be Cake and How Did You Get This Number know Sloane Crosley's life as a series of relatable but madcap misadventures.

One night in New York City's Chinatown, Lola is at a dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. The next night, she runs into another ex. And then…another. The city has become awash with ghosts of heartbreaks past. What might have passed for coincidence becomes something far stranger when the recently engaged Lola must contend not only with the viability of her current relationship, but the fact that her best friend and her former boss might have an unhealthy investment in its outcome.

One night in New York City’s Chinatown, a woman is at a work reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. And then another. And...another. Nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past. What would normally pass for coincidence becomes something far stranger.

The whip-smart and funny authors of the essay collections Don't Get Too Comfortable (Rakoff) and I Was Told There'd Be Cake (Crosley) join up to examine our contemporary culture and the many ways life can go awry in New York City, as presented in their new books.

Essayist and author Sloane Crosley is joined by award-winning writer Zadie Smith (Swing Time) in a conversation on Crosley's newest essay collection, Look Alive Out There.

As always, Crosley's voice is fueled by the perfect witticism, buoyant optimism, flair for drama, and easy charm in the face of minor suffering or potential drudgery. But in How Did You Get This Number it has also become increasingly sophisticated, quicker and sharper to the point, more complex and lasting in the emotions it explores. And yet, Crosley remains the unfailingly hilarious young Everywoman, healthily equipped with intelligence and poise to fend off any potential mundanity in maturity.

Crosley can do no right despite the best of intentions-or perhaps because of them. Together, these essays create a startlingly funny and revealing portrait of a complex and utterly recognizable character that's aiming for the stars but hits the ceiling and the inimitable city that has helped shape who she is. I Was Told There'd Be Cake introduces a strikingly original voice, chronicling the struggles and unexpected beauty of modern urban life.

Kezia, Nathaniel, and Victor are reunited for the extravagant wedding of a college friend. Now at the tail end of their 20s, they arrive completely absorbed in their own lives - Kezia the second-in-command to a madwoman jewelry designer in Manhattan; Nathaniel the former literary cool kid, selling his wares in Hollywood; and the Eeyore-esque Victor, just fired from a middling search engine. They soon slip back into old roles: Victor loves Kezia. Kezia loves Nathaniel. Nathaniel loves Nathaniel.

For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, while Russell is still alive, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his suicide propels her on a wild quest to right the unrightable.

Grief Is for People is a deeply moving and surprisingly suspenseful portrait of friendship, and a book about loss packed with verve for life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in friends, philosophy, and art, hoping for a framework more useful than the unavoidable stages of grief.