検索キーワード： 著者 "Viet Thanh Nguyen" すべてのカテゴリー

Pulitzer Prize, Fiction, 2016. It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong.

Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC-Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans. The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing?

Abril de 1975, Saigón está sumida en el caos. Desde su mansión, el general del ejército de Vietnam del Sur bebe whisky norteamericano mientras los disparos suenan cada vez más cerca y, con la ayuda de un capitán de su máxima confianza, prepara una lista con los nombres de aquellos que recibirán un billete para los últimos aviones que salen del país. El general y sus compatriotas en breve comenzarán una nueva vida en Los Ángeles sin sospechar que uno de ellos, el capitán, observará en secreto e informará sobre las actividades del grupo a un superior del Viet Cong.

Traumatized by his reeducation at the hands of his former best friend, and struggling to assimilate into French culture, the Sympathizer finds Paris both seductive and disturbing. As he falls in with a group of left-wing intellectuals he meets at dinner parties given by his French Vietnamese “aunt”, he finds stimulation for his mind but also customers for his narcotic merchandise. But the new life he is making has perils, whether the self-torture of addiction, the authoritarianism of a state locked in a colonial mindset, or the paradox of how to reunite his two closest friends.

The long-awaited new novel from one of America's most highly regarded contemporary writers, The Committed follows the Sympathizer as he arrives in Paris as a refugee. There he and his blood brother, Bon, try to escape their pasts and prepare for their futures by turning their hands to capitalism in one of its purest forms: drug dealing. No longer in physical danger, but still inwardly tortured by his re-education at the hands of his former best friend, and struggling to assimilate into a dominant culture, the Sympathizer is both charmed and disturbed by Paris.

Avril 1975, Saïgon est en plein chaos. À l'abri d'une villa, entre deux whiskies, un général de l'armée du Sud Vietnam et son capitaine dressent la liste de ceux qui pourront quitter le pays par les derniers avions. Mais ce que le général ignore, c'est que son capitaine est un agent double au service des communistes. Arrivé en Californie, tandis que le général et ses compatriotes exilés tentent de recréer un petit bout de Vietnam sous le soleil de L.A., notre homme observe et rend des comptes dans des lettres codées à son meilleur ami resté au pays.

In time for the one-year anniversary of the Trump inauguration and the Women's March, this provocative, unprecedented anthology features original short stories from 30 best-selling and award-winning authors - including Alice Walker, Richard Russo, Walter Mosley, Joyce Carol Oates, Alice Hoffman, Neil Gaiman, Michael Cunningham, Mary Higgins Clark, and Lee Child - with an introduction by Pulitzer Prize-winning author Viet Thanh Nguyen.

Nothing Ever Dies, Viet Thanh Nguyen writes. All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the best-selling novel The Sympathizer comes a searching exploration of a conflict that lives on in the collective memory of both the Americans and the Vietnamese.

In January 2017, Donald Trump signed an executive order stopping entry to the United States from seven predominantly Muslim countries and dramatically cutting the number of refugees allowed to resettle in the United States each year. The American people spoke up, with protests, marches, donations, and lawsuits that quickly overturned the order. But the refugee caps remained. In The Displaced, Pulitzer Prize-winning writer Viet Thanh Nguyen, himself a refugee, brings together a host of prominent refugee writers to explore and illuminate the refugee experience.

With the coruscating gaze that informed The Sympathizer, in The Refugees Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half sister comes back from America having seemingly accomplished everything she never will.

When Simone is awakened by her mom as a wildfire threatens their home, it is the beginning of a life-changing journey. On their way to take shelter in a high school gym, the family passes firefighters from a prison unit battling the fire. Simone’s mom tells her that when she was a girl in Viet Nam, she was forced to evacuate her home after a flood. Joined by other children sheltering in the gym, Simone, a budding artist, encourages everyone to draw as a way to process their situation.

It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong.

With insight, humor, formal invention, and lyricism, in A Man of Two Faces Viet Thanh Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son.