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Renowned French philosopher, journalist, and filmmaker Bernard-Henri Levy speaks with The New Yorker's Adam Gopnik about the often-fraught relationship between France and its Jewish population, and between America and France because of the situation between France and its Jews.

Roz Chast brings her brilliant, hilarious artwork to No Fair! No Fair! and Other Jolly Poems of Childhood by Calvin Trillin and The African Svelte: Ingenious Misspellings That Make Surprising Sense by Daniel Menaker, as well as her own memoir Can't We Talk About Something More Pleasant?. Join us for a conversation moderated by Adam Gopnik ( The New Yorker) between the artist and authors, plus readings by Jane Curtin and Reg Rogers ( The Knick).

Roz Chast brings her brilliant, hilarious artwork to No Fair! No Fair! and Other Jolly Poems of Childhood by Calvin Trillin and The African Svelte: Ingenious Misspellings That Make Surprising Sense by Daniel Menaker, as well as her own memoir Can't We Talk About Something More Pleasant?. Join us for a conversation moderated by Adam Gopnik ( The New Yorker) between the artist and authors, plus readings by Jane Curtin and Reg Rogers ( The Knick).

Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park in all its many-faceted glory, a 51-block swath of special magic.

When Adam Gopnik and his soon-to-be-wife, Martha, left the comforts of home in Montreal for New York, the city then, much like today, was a pilgrimage site for the young, the arty, and the ambitious. But it was also becoming a city of greed, where both life's consolations and its necessities were increasingly going to the highest bidder. At the Strangers' Gate builds a portrait of this particular moment in New York through the story of this couple's journey....

Autumn 2000: After five years in Paris, Adam Gopnik moves his family back to a New York that seems, at first, safer and shinier than ever. Here in the wondrously strange "neighborhood" of Manhattan we observe the triumphs and travails of father, mother, son, and daughter; and of the teachers, coaches, therapists, adversaries, and friends who round out the extended urban family.

A Thousand Small Sanities is a manifesto rooted in the lives of people who invented and extended the liberal tradition. Taking us from Montaigne to Mill, and from Middlemarch to the civil rights movement, Adam Gopnik argues that liberalism is not a form of centrism, nor simply another word for free markets, nor merely a term denoting a set of rights. It is something far more ambitious: the search for radical change by humane measures. Gopnik shows us why liberalism is one of the great moral adventures in human history.

When Adam Gopnik and his soon-to-be-wife, Martha, left the comforts of home in Montreal for New York, the city then, much like today, was a pilgrimage site for the young, the arty, and the ambitious. But it was also becoming a city of greed, where both life's consolations and its necessities were increasingly going to the highest bidder. At the Strangers' Gate builds a portrait of this particular moment in New York through the story of this couple's journey - from their excited arrival as aspiring artists to their eventual growth into a New York family.

Our society is obsessed with achievement. Young people are pushed toward the next test or the "best" grammar school, high school, or college they can get into. Adults push themselves toward the highest-paying, most prestigious jobs, seeking promotions and public recognition. As Adam Gopnik points out, the result is not so much a rat race as a rat maze, with no way out. Except one: to choose accomplishment over achievement.

Steve Martin met his good friend Adam Gopnik three decades ago, and in that time, Gopnik has always marveled at Martin’s ability to flourish in a wide variety of artforms: magic, comedy, art collecting, writing, and music. In So Many Steves: Afternoons with Steve Martin, New Yorker writer Adam Gopnik creates a new type of profile: a year’s worth of conversations with Martin where Gopnik pulls back the curtain on his friend’s illustrious career.