検索キーワード： ナレーター "Antonio Aakeel" すべてのカテゴリー

Should We Fall Behind is about the passing of time and the intricate weaves of joy and suffering, love.

By now the sun was up, and through the periscope he minded he could see the stony plateau in front of the position. On the other side of it were the outskirts of the jungle where the enemy was hiding and building his camps, preparing for new attacks. He observed the vastness of the wild jungle stretching north and west, pierced by hundreds of hilltops, each surrounded by a white fog. French Indochina was a gigantic and mysterious place, and he was gradually losing hope that he would ever find what he had come here searching for.

A multigenerational novel of love, oppression, trauma and the pursuit of freedom, inspired in part by the author's own family history, China Room twines together the stories of a woman and a man separated by more than half a century but united by blood.

Mehar, a young bride in rural 1929 Punjab, is trying to discover the identity of her new husband. Married to three brothers in a single ceremony, she and her now-sisters spend their days hard at work in the family’s “china room,” sequestered from contact with the men - except when their domineering mother-in-law, Mai, summons them to a darkened chamber at night. Curious and strong willed, Mehar tries to piece together what Mai doesn’t want her to know.

When a boy at school goes missing, Jai decides to use the crime-solving skills he has picked up from episodes of Police Patrol to find him. With Pari and Faiz by his side, Jai ventures into some of the most dangerous parts of the sprawling Indian city, the bazaar at night, and even the railway station at the end of the Purple Line. But kids continue to vanish, and the trio must confront terrified parents, an indifferent police force and soul-snatching djinns in order to uncover the truth.

Down market lanes crammed with too many people, dogs, and rickshaws lies a jumble of tin-roofed homes where nine-year-old Jai lives with his family. Jai drools outside sweet shops, watches too many reality police shows, and considers himself to be smarter than his friends, Pari and Faiz. When a classmate goes missing, Jai decides to use the crime-solving skills he has picked up from TV to find him. He asks Pari and Faiz to be his assistants, and together they draw up lists of people to interview and places to visit.

First published in the 1920s, The Prophet became the bible of 1960s culture and was credited with founding the New Age movement, yet it still continues to inspire people around the world today. A hugely influential guide to living, Gibran's Prophet speaks of many things central to daily life: love, marriage, death, beauty, passion, eating, work and play. The spiritual message he imparts, of finding divinity through love, blends Eastern mysticism, religious faith and philosophy with simple, comprehensible advice.

"How ought one to live?" This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical, economist husband; their twins; and even the authors he edits and publishes. One of those authors, a mysterious M. N. Opie, writes a story about a young academic involved in a car accident that causes her life to veer in an unexpected direction.

"How ought one to live?" This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical economist husband; their twins; and even the authors he edits and publishes.