検索キーワード： ナレーター "David Crystal" すべてのカテゴリー

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

In Making Sense, David Crystal confronts the foe of many: grammar. Once taught relentlessly to all students in the English-speaking world, grammar disappeared from most school curricula, so that terms such as preposition and conjunction now often confound children and adults alike.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

Some people say 'sconn' while others say 'schown'. He says 'bath' while she says 'bahth'. You say 'potayto'. I say 'potahto'. And - wait a second, no one says 'potahto'. No one's ever said 'potahto'. Have they? From reconstructing Shakespeare's accent to the rise and fall of received pronunciation, actor Ben Crystal and his linguist father, David, travel the world in search of the stories of spoken English.

Shakespeare had an ear and hand that was able to capture our everyday thoughts and emotions, pin them to a page, and express them so well that still today they can make us feel stunned to be seen. With a quote for every day of the year, this beautiful book gathers the finest lines from the lesser-known corners of Shakespeare's plays and poems. While you may not be familiar with these 400-year-old phrases, you will be surprised by the immediate, easy resonance they have with modern day-to-day life.

Urban Legends par Liv est une série audio Audible Original en audio spatial 3D. Pour une expérience encore plus immersive, l'écoute au casque est recommandée. Laissez-vous ensorceler par les récits captivants de Urban Legends racontés par Liv, la Youtubeuse qui cumule plus de 950 000 abonnés, passionnée par le paranormal. Vous ne verrez plus l’Amérique de la même façon. Dans cette série immersive originale aux sons plus vrais que nature, Liv vous fait voyager à travers dix légendes urbaines américaines terrifiantes.

What was so special about the Tyndale Bible? How does it sound to us today? The first text of the Bible to be printed in English was the New Testament of William Tyndale, published in 1525-6. Its repercussions lasted for almost a century, stimulated by the religious intolerances of the age, and Tyndale's influence can be seen in most of the Bible translations over the next 100 years, not least in the language of the King James Bible of 1611 - as this recording of Saint Matthew’s Gospel in the pronunciation of Tyndale’s own time makes vividly clear.

Underhill is my ruthless mother. Her realm is my deadly home. The brutal creatures here are both foe and friend. But the group of fae that just attacked me? They’re all foe. Dragged from my game of hide-and-seek with a dragon, and my home of twenty-one years, I’m thrust into a weak, ugly realm. Earth. Something is taking the fae children of the Irish court, and an Oracle has declared I must find them. Nope. Not my problem. Bye. Except a three-year-old girl they suspect is the next Queen of All Fae was taken too.

In this unique new history of the world's most ubiquitous language, linguistics expert David Crystal draws on words that best illustrate the huge variety of sources, influences and events that have helped to shape our vernacular since the first definitively English word was written down in the fifth century.