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Nora Ephron at the Movies offers an unfiltered look at Ephron as a champion of the rom-com and as a feminist Hollywood trailblazer. It explores her life and work by pairing detailed criticism with exclusive interviews with Ephron’s key collaborators, including Andie MacDowell and Jenn Kaytin Robinson, to add color and nuance to her life and legacy. With her singular voice, Nora Ephron flourished as a dominant force in the entertainment industry, focusing on the idiosyncrasies of romance that were universally relatable.

On the day author Mari Morgan receives the email, she has little left to live for. The message—simple yet utterly life-changing—offers a glimmer of hope to her dismal existence. It’s the opportunity of a lifetime, and if she takes it, it could change everything. Mari’s immediate sense of unease is eclipsed only by her curiosity—elicited from the supposed fan on the other end of the email. Unsatisfied despite doing her due diligence, and with no way to discern the legitimacy of the sender, Mari takes a leap of faith and replies.

Misha is a jaded scriptwriter who has been working in Hollywood for decades, and has just been nominated for his first Oscar. But when he's pressured by his producers to kill off a gay character in the upcoming season finale—"for the algorithm"—Misha discovers that it's not that simple. As he is haunted by his past, and past mistakes, Misha must risk everything to find a way to do what's right—before it's too late.

Anne Frank's The Diary of a Young Girl has captivated and inspired people for decades. Published posthumously by her bereaved father, Anne's journal, written while she and her family were in hiding during World War II, has become one of the central texts of the Jewish experience during the Holocaust, as well as a work of literary genius. Bestselling author Alice Hoffman delivers a stunning novel about one of contemporary history's most acclaimed figures, exploring the little-known details of Anne Frank's life before she went into hiding.

Meet the Pomeroys: a church-going family living in a too-red house in a Texas college town. Roger, the patriarch, has impulsively gone back to school, only to find his future ambitions at odds with the temptations of the present. His wife, Georgia, tries to keep things afloat at home, but she's been feeding the bill drawer with unopened envelopes for months and never manages to confront its swelling contents. In an attempt to climb out of the holes they've dug, Roger and Georgia make a series of choices that have catastrophic consequences for their three children

Meet our heroine, Mo. She’s every dyke’s dream—or so she’s been told by her kind and supportive friends. She’s shy but passionate, politically aware, as committed to her egalitarian all-womyn’s softball team as she is to her volunteer work at the Gay and Lesbian Community Center. So why can’t she find a girlfriend? Could it possibly be because she’s more judgmental than Gertrude Stein and more self-sabotaging than Bojack Horseman?

Living peacefully in Vermont, Ryan Flannigan is shocked when a text from her oldest friend alerts her to a devastating news item. A controversial photo of her as a pre-teen has been found in the possession of a wealthy investor recently revealed as a pedophile and a sex trafficker—with an inscription to him from Ryan's mother on the back.

Marianne Blume knows she’s one of the stupid kids. After years of trying and trying and feeling like she's always failing, she has mastered the art of turning off her brain whenever questions or lectures arise. She gets by in school on a combination of luck, deflection, and charisma–that is, until she lands in the classroom of Mr. Garcia. To avoid flunking Mr. Garcia's class, Marianne joins her school's Quiz Quest team, hoping the move will ingratiate her to him, the team's coach.

In 1947, during the early years of the Cold War, a field in Roswell, New Mexico was disturbed by a strange crash and smattering of debris. Some say the bodies of extraterrestrial beings were strewn across the ground, that a UFO had crashed there, and that the government was covering up the evidence in a massive conspiracy.

They say Cape Disappointment is haunted. That's why tourists used to flock there in droves. They'd visit the rocky shoreline under the old lighthouse's watchful eye and fish shells from the water as they pretended to spot dark shapes in the surf. Now the tourists are long gone, and when Meredith Strand and her young daughter return to Meredith's childhood home after an acrimonious split from her wife, the Cape seems more haunted by regret than any malevolent force. But her mother, suffering from early stages of Alzheimer's, is convinced the ghost stories are real.

Camavor is a brutal land with a bloody legacy. Where the empire’s knights go, slaughter follows. Kalista seeks to change that. When her young and narcissistic uncle, Viego, becomes king, she vows to temper his destructive instincts, as his loyal confidant, advisor, and military general. But her plans are thwarted when an assassin’s poisoned blade strikes Viego’s wife, Isolde, afflicting her with a malady for which there is no cure. As Isolde’s condition worsens, Viego descends into madness and grief, threatening to drag Camavor down with him.

Tania de Batz is most herself with a sword in her hand. Everyone thinks her near-constant dizziness makes her weak, nothing but “a sick girl.” But Tania wants to be strong, independent, a fencer like her father—a former Musketeer and her greatest champion. Then Papa is brutally, mysteriously murdered. His dying wish? For Tania to attend finishing school. But L’Académie des Mariées, Tania realizes, is no finishing school. It’s a secret training ground for new Musketeers.

Ann M. Martin’s Baby-Sitters Club series featured a complex cast of characters and touched on an impressive range of issues that were underrepresented at the time: divorce, adoption, childhood illness, class division, and racism, to name a few. In We Are the Baby-Sitters Club, writers from the original BSC generation will reflect on the enduring legacy of Ann M. Martin’s beloved series, 35 years later - celebrating the BSC’s profound cultural influence.

A former child actress best known for her starring roles in Matilda and Mrs. Doubtfire, Mara Wilson has always felt a little young and out of place: as the only kid on a film set full of adults, the first daughter in a house full of boys, a Valley girl in New York and a neurotic in California, and a grown-up the world still remembers as a little girl.

In the town of Night Vale, there's a faceless old woman who secretly lives in everyone's home, but no one knows how she got there or where she came from...until now. Told in a series of eerie flashbacks, the story of the Woman is revealed, as she guides, haunts and sabotages an unfortunate Night Vale resident named Craig. In the end, her dealings with Craig and her history in 19th century Europe will come together in the most unexpected and horrifying way.

In the town of Night Vale, there’s a faceless old woman who secretly lives in everyone’s home, but no one knows how she got there or where she came from...until now. Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early 19th century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath.

Katrina Kelly might have eight million Instagram followers and a multipage IMDb listing, but she also has a completely stalled-out career and some major questions about her sexuality, which seems to be moving closer to raging lesbian every week. Yet maybe she can solve both of those issues at once. . . . After all, rebranding as a queer icon is a great way to jump-start an acting career.

Misha knows that chasing success in Hollywood can be hell. But finally, after years of trying to make it, his big moment is here: an Oscar nomination. And the executives at the studio for his long-running streaming series know just the thing to kick his career to the next level: kill off the gay characters, "for the algorithm," in the upcoming season finale.

Four years ago, an unthinkable disaster occurred. In what was later known as the Low-Probability Event, 8 million people were killed in a single day, each of them dying in improbable, bizarre ways: strangled by balloon ropes, torn apart by exploding manhole covers, attacked by a chimpanzee wielding a typewriter. A day of freak accidents that proved anything is possible, no matter the odds. Luck is real now, and it's not always good.

At the edge of Chicago, nestled on the shores of Lake Michigan, there is a waystation for the dead. Every night, the newly-departed travel through the city to the Station, guided by its lighthouse. There, they reckon with their lives, before stepping aboard a boat to go beyond. Nera has spent decades watching her father—the ferryman of the dead—sail across the lake, each night just like the last. But tonight, something is wrong.