検索キーワード： ナレーター "Naomi Mayo" すべてのカテゴリー

Ida Dempsey has grown up in a privileged life of luxury thanks to her aunt and uncle. Although Second Street—where women of ill repute ply their wares—is off limits to respectable citizens, her heart of compassion compels her to frequent the area, hoping to make a difference in their lives. Ida has also befriended Qui Shau, a Chinese woman who keeps house for her family, but friendships between the whites and Chinese are taboo in Eureka. Ida tries to keep secret her forbidden compassion, but someone is watching and will use it against her.

Cindy is shocked to learn that she may inherit a fortune from her estranged grandfather, but it comes with a catch—she must listen to her grandfather’s favorite record. That simple act propels her into a world of myth, magic, and music. Guided by Jack, the Green Man of myth, and the tree spirit, Auntie Hemlock, Cindy joins a troupe of traveling minstrels: a handsome singer, a bard, a dancer, a teamster, and a silent flute player. They are sexy and mysterious and fun, but also dangerous. Can she trust them?

When The Stone Reader—a landmark collection of 133 essays from the New York Times’ award-winning philosophy column—first published, in 2015, the world urgently needed insight and wisdom, and for many, the book served as a bulwark of reason against the rising tide of post-fact rhetoric. Now, as disinformation continues to run rampant and our rights are increasingly called into question, editors Peter Catapano and Simon Critchley contend that philosophy in the public sphere is more crucial than ever.

Forced Out: A Nikkei Woman’s Search for a Home in America offers insight into “voluntary evacuation,” a little-known Japanese American experience during World War II, and the lasting effects of cultural trauma. Of the roughly 120,000 people forced from their homes by Executive Order 9066, around 5,000 were able to escape incarceration beforehand by fleeing inland.

Fiona and Violet Seng were just children when their family’s Cessna crash-landed in the Washington wilderness, claiming the lives of their parents. For twelve harrowing weeks, the girls fended for themselves before being rescued. Twenty-five years later, they’re still trying to move on from the trauma. Fiona repurposes it into controversial works of art. Violet has battled addiction and failed relationships to finally progress toward normalcy as a writer. The estranged sisters never speak about what they call their Alone Time in the wild.