検索キーワード： ナレーター "Claire Bloom" すべてのカテゴリー

What is it like to be old? Diana Athill, born in 1917, made her reputation as a writer with the candour of her memoirs. In Somewhere Towards the End she reflects frankly on the losses and occasionally the gains that old age brings, and on the wisdom and fortitude required to face death. This is a lively narrative of events, lovers and friendships: the people and experiences that have taight her to regret very little, to resist despondency and to question the beliefs and customs of her own generation.

Dionysos Mavroulis is a man without a future: a man who embraces destiny and risks everything for love. A refugee from Asia Minor, he escapes Smyrna in 1922 disguised as an old woman. Alienated and plagued by feelings of remorse, he spirals into poverty and seeks solace in the hashish dens around Piraeus. Hitting rock bottom, he meets Aleko, an accomplished bouzouki player. Recognizing in the impoverished refugee a rare musical talent, Aleko offers to teach him the bouzouki.

This legendary and tragic tale of two lovers and their death has seen numerous variations over many centuries, and some say influenced the story of Lancelot and Guinevere.

Historians suggest that it originally comes from the 12th century, when wandering minstrels and bards would relate the tale, glorifying its epic qualities of chivalry and fidelity.

Romeo and Juliet is one of Shakespeare’s earliest tragedies and probably the best known of all his works. Few do not know the poignant love story between these two young lovers from rivaling and feuding families tracing the first fresh bloom of their love to their ultimate demise.

The School For Scandal is Sheridan's master work which wittily illustrates 18th century's aristocrats at play. With pinpoint accuracy Sheridan's characterisation of these decadent ruling classes give it a universal appeal as echoes of both the people and their antics are to be found in each generation.

Cassian March finally found a reason to give up his player ways. Crazy in love, he and Olivia are ready to take the next step and make it official, but just when life is perfect is exactly when everything can slip away.

The finest voices reading a wonderful selection of poetry accompanied by selected classical music.

A classic staged performance of Shakespeare's Romeo and Juliet by the Old Vic Company. Starring Claire Bloom and Alan Bandel.

Romeo and Juliet was Shakespeare's first great tragedy, a richly lyrical love story that has long been one of the author's most popular plays for performer and audience alike. Romeo and Juliet is a simple but dramatic cautionary tale about the blindness that both love and hate can engender. As performed by Claire Bloom and Albert Finney, this lively production captures the youthful exuberance and poetic passion that characterize all of Shakespeare's early work.

After 500 years as a magic teacher, Selia thought she'd seen everything. But nothing prepared her for the chaos of her assignment at Braelyn. Assassins, rogue princes, and a grown, half-human student - all had caught her off guard. Now, things have settled down, and her life has begun to take on a sense of normalcy. Until her seemingly dead husband reappears astride a dragon with a dire warning about Earth.

The Montagues and the Capulets, two families of Verona, have been feuding for generations. Young Romeo Montague intends to cause trouble at a Capulet gathering, but while there he sees the Capulet's daughter, Juliet, and falls hopelessly in love. Albert Finney, Claire Bloom, Edith Evans, and Hilton Edwards perform an unabridged version of Shakespeare's tragedy about the two young lovers, whose deaths unite their warring families.

Claire Bloom reads one of the shorter books of the Old Testament. It's name comes from the heroine of this beautiful and compelling story.

Volume five in this series of timeless poetry for moments of reflection and contemplation. The masters of literature brought together on this unique album. Read by Claire Bloom, Max Adrian, Anthony Quayle & Michael MacLiammoir.

The deepest currents of passion seldom break the surface of literature. Romantic classics abound; but however skilled a writer may be in verbalising an emotional experience, he cannot publicly evoke the heat of blood, the yearning of soul, bared in perfect intimacy between two beings.

The deepest currents of passion seldom break the surface of literature. Romantic classics abound; but however skilled a writer may be in verbalising an emotional experience, he cannot publicly evoke the heat of blood, the yearning of soul, bared in perfect intimacy between two beings. But letters can do this, and songs never meant to be sung by any but the lover, or the beloved.

Madame Bovary is at once an unsparing depiction of a woman's gradual corruption and a savagely ironic study of human shallowness and stupidity. Neither Emma, nor her lovers, nor Homais, the man of science, escapes the author's searing castigation, and it is the book's final profound irony that only Charles, Emmaï¿¿ï¿¿ï¿¿s oxlike, eternally deceived husband, emerges with a measure of human grace through his stubborn and selfless love.

The testimony that the author has gleaned for this audiobook from the 30-year record of the House Un-American Activities Committee focuses on HUAC's treatment of artists, intellectuals, and performers. This highly listenable and absorbing collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a "dignified" manner to a huge, unrelenting accusatory finger from which almost no one was safe.

The testimony that the author has gleaned for this book from the 30-year record of the House Un-American Activities Committee focuses on HUAC's treatment of artists, intellectuals, and performers. This highly listenable and absorbing collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a "dignified" manner to a huge, unrelenting accusatory finger from which almost no one was safe.

Jacqueline Kennedy Onassis loved literature, especially poetry. "Once you can express yourself," she wrote, "you can tell the world what you want from it.... All the changes in the world, for good or evil, were first brought about by words." Now Caroline Kennedy shares her mother's favorite poems and the inspiration behind her strong belief in the power of literature.

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Three-headed trolls, horses that carry their masters up mountains of glass, giants and dwarfs, monsters and magicians, fairies and ogres - these are the companions who will thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved.