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Avram Davidson was one of the great original American writers of this century. He was erudite, cranky, Jewish, wildly creative, and sold most of his wonderful stories to pulp magazines. Now, his estate and his friends have brought together a definitive collection of his finest work, each story introduced by an SF luminary: writers like Ursula K. Le Guin, William Gibson, Poul Anderson, Gene Wolfe, Guy Davenport, Peter S. Beagle, Gregory Benford, Thomas M. Disch, and dozens of others. This is a volume every lover of fantasy will need to own.

This huge new collection of the short stories of one of science fiction's most beloved and popular writers is sure to please his millions of fans. The volume contains 24 stories, Card's new introductions for each story, and commentary on his life and work.

One planet. Three sapient species living peacefully together. And one deadly virus that could wipe out every world in the Starways Congress, killing billions. Is the only answer another great Xenocide?

Exploring the boundaries of the genre, Bova not only writes of spaceships, aliens, and time travel in most of his titles, but also speculates on the beginnings of science fiction in “Scheherazade and the Storytellers,” as well as the morality of man in “The Angel’s Gift.” Stories such as “The Café Coup” and “We’ll Always Have Paris” dip into speculative historical fiction, asking questions about what would happen if someone could change history for the better. This expansive collection is a key addition for Bova fans and sci-fi lovers alike!

The original teleplay that became the classic Star Trek episode, with an expanded introductory essay by Harlan Ellison, The City on the Edge of Forever has been surrounded by controversy since the airing of an "eviscerated" version - which subsequently has been voted the most beloved episode in the series' history. In its original form, The City on the Edge of Forever won the 1966-67 Writers Guild of America Award for Best Teleplay. As aired, it won the 1967 Hugo Award.

These 16 stories represent a unique perspective on Orson Scott Card's short fiction, from science fiction to social commentary to pure fairy tale. Included are three new stories not yet published in book form. None have ever been released in audio before.

When Rigg and his friends crossed the Wall between the only world they knew and a world they could not imagine, he hoped he was leading them to safety. But the dangers in this new wallfold are more difficult to see. Rigg, Umbo, and Param know that they cannot trust the expendable, Vadesh - a machine shaped like a human, created to deceive - but they are no longer certain that they can even trust one another. But they will have little choice.

At the end of Shadow of the Giant, Bean flees to the stars with three of his children—the three who share the engineered genes that gave him both hyper-intelligence and a short, cruel physical life. The time dilation granted by the speed of their travel gives Earth's scientists generations to seek a cure, to no avail. In time, they are forgotten—a fading ansible signal speaking of events lost to Earth's history. But the Delphikis are about to make a discovery that will let them save themselves, and perhaps all of humanity in days to come.

Andrew Wiggin is told that he can no longer live on Earth, and he realizes that this is the truth. He has become far more than just a boy who won a game: he is the Savior of Earth, a hero, a military genius whose allegiance is sought by every nation of the newly shattered Earth Hegemony. He is offered the choice of living in isolation on Eros, at one of the Hegemony's training facilities, but instead the 12-year-old chooses to leave his home world and begin the long relativistic journey out to the colonies.

Here are tales of star-faring adventure, peril, and drama. Here are journeys into the mind-bending landscapes of virtual worlds and alternate realities. Here you'll also find stories of humanity's astounding future on Earth, on Mars, and in the solar system beyond - stories that always get the science right. And Bova's gathering of deeply realized, totally human characters are the heroic, brave, tricky, sometimes dastardly engineers, astronauts, corporate magnates, politicians, and scientists who will make these futures possible.

In a not-too-distant future that is not quite ours, there has been a major scientific breakthrough. It is a way to open windows into the past, permitting historical researchers to view, but not participate, in the events of the past.

In one of the most powerful and thought-provoking novels of his remarkable career, Orson Scott Card interweaves a compelling portrait of Christopher Columbus with the story of a future scientist who believes she can alter human history from a tragedy of bloodshed and brutality to a world filled with hope and healing.

The testimony that the author has gleaned for this book from the 30-year record of the House Un-American Activities Committee focuses on HUAC's treatment of artists, intellectuals, and performers. This highly listenable and absorbing collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a "dignified" manner to a huge, unrelenting accusatory finger from which almost no one was safe.

Originally published in 1778, Evelina is Frances Burney's first and most beloved novel. It was a landmark in the development of the novel of manners and went on to influence such enduringly popular authors as Jane Austen. By turns hilarious and grim, witty and lyrical, the story follows young Evelina as she leaves the seclusion of her country home and enters into late eighteenth-century London society - both its pleasures and its dangers. Life in eighteenth-century England is vividly rendered as Evelina is educated in the ways of the world and, eventually, love.

Too long to be a short story, too short to be a novel - welcome to the surprisingly potent world of the novelette. The award-winning magazine Orson Scott Card's Intergalactic Medicine Show has been an online haven for this powerful form of storytelling since 2005. Now its editors have selected their all-time favorite science fiction novelettes from the magazine's eight-year history and reprinted them together in one big book of listening pleasure.

Orson Scott Card’s Ender’s Game is a science fiction classic. In Ender’s World almost two dozen writers offer new perspectives on the 1985 novel, along with insights gleaned from other Ender stories that fit within the Ender’s Game chronology. In addition, military strategists Colonel Tom Ruby and Captain John Schmitt offer insight into the human-Formic war.

Blackstone Audio presents An American Family Shakespeare Entertainment: Based on Charles & Mary Lamb's 20 Tales From Shakespeare, augmented by miscellaneous scenes and soliloquies from Shakespeare's plays, featuring Elizabethan songs and dances in new arrangements for stringed instruments.

In this sequel to Card's best-selling novel Empire, Averell Torrent has become President of the United States, with enormous political and popular support and, if people only realized it, a tight grip on the reins of both political parties. He has launched America into a get-tough, this-world-is-our-empire foreign policy stance.But Captain Bartholomew Coleman, known as Cole to his friends and enemies alike, sees the danger Torrent poses to American democracy.

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Three-headed trolls, horses that carry their masters up mountains of glass, giants and dwarfs, monsters and magicians, fairies and ogres - these are the companions who will thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved.

Orson Scott Card, the author of Ender’s Game, Enchantment, and the Alvin Maker series, did not originally plan to write fiction. He spent his journeyman years as a playwright. Before that, however, it was poetry that engaged his pen. Never content to write just one thing, Card has continued writing poetry along with his more well-known work in other forms. He has submitted little of it for publication, because there are no journals that seem to welcome the kind of poetry he values. An Open Book, Card’s first published collection, is selected from thirty-five years of poems.